Intl. Notebook Jan 22 2016
THE ART OF KILLING
San Francisco welcomes murder and mayhem for the fourteenth time.

San Francisco's Noir City Film Festival remains one of the best of its type in the U.S. Its fourteenth incarnation kicks off today in San Fran with Rear Window and The Public Eye. The first isn't a noir, but fits comfortably on the festival program; the second is a sort of noir, though a newer one, and is an inspired choice, in our opinion. We just wonder whether people who pay for two films noir will be happy with those two selections on opening night. In any case, we take a peek at both films below. Other offerings this year include the Bogart vehicles The Two Mrs. Carrolls and In a Lonely Place, Screaming Mimi, Corridor of Mirrors, The Dark Corner plus more than twenty other titles, and we'll be taking a look at some of these films throughout the next week.

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Modern Pulp Jan 22 2016
CANDID CAMERA
How far would you go to get the perfect shot?


A freelance photographer who has spent his career documenting the mean streets of New York City, always arriving in the aftermath of terrible events, finds himself presented with the opportunity to photograph a gangland massacre at the instant it occurs. One crime family has decided to wipe out another and Joe Pesci's Leon Bernstein, aka the Great Bernzini, knows where and when it will happen. He wants up close photos and the only way he can get them is to be in the restaurant where the killings will happen. After two decades of seeing his photography ignored by the art world, he thinks pulling off this feat will make everyone take notice of him. Bernzini is reckless the same way Jimmy Stewart is in Rear Window, but in less cartoonish fashion because we’re taken inside his thought process and made to understand it.

There's more here of course—love, loneliness, social status, musings about art—but the shootout and whether Bernzini is crazy enough to shut himself in a room where one stray bullet could end his life is what the film is really about. The Public Eye, which appeared in 1992, was a clear influence (along with the French film Man Bites Dog), on the acclaimed 2014 thriller Nightcrawler, but this one is a period piece, set during 1942. While the historical details are convincing, director Howard Franklin and cinematographer Peter Suschitztky don't aim for a true noir look. The filmscape is dark, but not technically stylish. Still it's good, and it benefits from Pesci, who has a way of inhabiting roles to the extent that you can't imagine anyone else playing them. He makes the movie work.

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History Rewind
The headlines that mattered yesteryear.
September 29
1916—Rockefeller Breaks the Billion Barrier
American industrialist John D. Rockefeller becomes America's first billionaire. His Standard Oil Company had gained near total control of the U.S. petroleum market until being broken up by anti-trust legislators in 1911. Afterward, Rockefeller used his fortune mainly for philanthropy, and had a major effect on medicine, education, and scientific research.
September 28
1941—Williams Bats .406
Ted Williams of the Boston Red Sox finishes the Major League Baseball season with a batting average of .406. He is the last player to bat .400 or better in a season.
September 27
1964—Warren Commission Issues Report
The Warren Commission, which had been convened to examine the circumstances of John F. Kennedy's assassination, releases its final report, which concludes that Lee Harvey Oswald, acting alone, killed Kennedy. Today, up to 81% of Americans are troubled by the official account of the assassination.
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