|Vintage Pulp||Nov 9 2020|
When the sun's away the crooks will slay.
And speaking of the film noir starring Aldo Ray and Anne Bancroft, we watched it right after finishing the book, and though the novel was pretty dark, the filmmakers decided a little upbeat mood music was on order, so they got the immortal jazz crooner Al Hibbler to sing a theme song. Everybody knows this one. Join right in: Nightfaaaaaaall... and youuuuuuuuuuu... lovely you... underneath the wreath of heaven's pale blue... you are poetry (possibly haiku)... you are melody (maybe in d minor, the saddest of keys)... You get the idea. Don't let us turn you off this film. The theme song is nothing the mute button won't fix.
As we mentioned in the post above, Nightfall was directed by Jacques Tourneur, the heavyweight talent behind the film noir monument Out of the Past, and he has the kind of skills that make an early shot of co-star James Gregory getting on a bus an artistic achievement. Gregory plays an insurance investigator on the trail of $350,000 of missing heist loot, and, as in the novel, the innocent schmuck who accidentally got stuck with it lost it and doesn't remember how or where. That person is played by Ray, who's great in this, as he relates his dilemma in flashbacks and desperately tries to deal with the two murderous robbers who originally stole the cash.
Nightfall is no Out of the Past, but it's a solid film noir entry, well worth watching. Besides Ray and Gregory, the two robbers Brian Keith and Rudy Bond are good, and honey-voiced Bancroft as the femme fatale handles her pivotal role nicely. Credit here also goes to Burnett Guffey, who photographed the movie, and added to his long list of beautiful film noir achievements—Johnny O'Clock, Night Editor, In a Lonely Place, The Sniper, Private Hell 36, Screaming Mimi, and a portfolio of other films. Put Nightfall in your queue. It'll be worth it—once the theme song is over. It premiered in the U.S. today in 1956
NightfallJohnny O'ClockNight EditorIn a Lonely PlaceThe SniperPrivate Hell 36Screaming MimiBrian KeithAldo RayAnne BancroftJacques TourneurJames GregoryDavid GoodisAl HibblerBurnett Guffeyposter artcinemafilm noirmovie review
|Vintage Pulp||Jan 30 2019|
The blood may stop but the stain is permanent.
These old movies. The Scarlet Hour is fun in a way modern flicks simply aren't. Basically, a rich man thinks his young wife is two-timing him. She and her lover, seeking privacy one night, drive to a secluded lookout. Three men arrive and discuss plans to rob a nearby hilltop mansion. The take? $300,000 in insured jewels. The lovers, from their hiding place, hear the plot and decide that if they rob the robbers they can get enough money to run away together. Their consciences are clear about it, because the goods will have been stolen already. But the husband, now deciding to do something about his wife's nocturnal forays, begins following her around. On robbery night that puts him in exactly the wrong place at the wrong time.
It's a twisty set-up, handled deftly thanks to Rip Van Ronkel's, aka Alford Van Ronkel's clever screenplay. The complications keep coming, which means The Scarlet Hour has surprises in store all the way to the end. And as a bonus it was directed by Michael Curtiz, the man behind Casablanca, and as sure-handed a director as ever worked in Tinseltown. It also has a nice nightclub number by crooner Nat King Cole. As far as we know, there are no good digital transfers of the film available, which means a rental or download may yield a less than pristine television rip (like the one we watched). Noir City will be showing an archival print, which would make this worth the extra effort to see even if the movie weren't great, which it is. But even if you aren't anywhere near San Fran tonight, this is one to keep in mind for future viewing.
The Scarlet HourCarol OhmartTom TryonJody Lawrance. James GregoryNat King ColeMichael CurtizRip Van RonkelAlford Van Ronkelposter artcinemafilm noirmovie review