Vintage Pulp Mar 6 2022
THE S.S. BUMMER
*sigh* All the gluttony, drunkenness, and lust have been fun, but I need variety. You know—reviling, unholiness. Really esoteric ones.


Above: a cover by Bernard Safran for Sin Cruise, Croyden Books sleaze from the typewriter of Florence Stonebraker, 1954, about a virgin named Maggie Thompson who has a boatborne sexual adventure on a cruise out of New York City. As we've mentioned before, it was pro forma to have the female protagonist of these tales laid by a minimum of two different men, often three, though one time is often by accident (we won't even get into that), and in this case they're Jeff, John, and—atypically—Carlos Cardoza, latin lover. Atypical because we haven't seen anything but WASPs populate the male ranks of these books. It must have been a little risqué for 1954, but we doubt he's the last man standing. We'll see when we read it, which we can't do now because we have more than fifty vintage books waiting. With luck, we'll get to them all.

A funny thing—someone was selling a shit-quality black-and-white postcard of the cover of Sin Cruise for almost as much the book vendor was selling the novel. Just look at that thing. Did they make it by hand? Is that white-out on the top right? Even for a postcard this is really lame, but hey, everybody's gotta hustle. If they can sell this terrible merch, well, that's fine. But they surely will never sell it to us.
 
And speaking of buying and selling, we've been buying a lot of sleaze digests (you may have noticed our write-ups on some of them over the past couple of years, such as here, here, here, and here), and if you plan to purchase any, note that pricing can be all over the place. We don't recommend spending more than twenty dollars per book. Almost without fail, the digest you see asking fifty or sixty bucks will turn up months later, offered by a different vendor for a pittance. Patience is needed, but it'll be rewarded. 
 
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Vintage Pulp Feb 18 2022
COCKTAIL TEASE
I'm not only beautiful. I'm expensive, inconvenient, and unreliable. You'll spend years explaining all this to your therapist.

We have another paperback collection for you today, and this one is a no-brainer for a pulp site. There are hundreds of covers featuring women in bars, many of which we've already shared, such as here, here (scroll down), and here. Above and below are more, and as soon as we uploaded them we went to do exactly what the art depicts. Have a happy Friday, everyone.

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Vintage Pulp Nov 3 2021
DESTINATION: DAYBUZZ
Since you're standing there, refill me, would ya? And if the chauffeur's union asks, tell them you drove me to drink.


Above: fun Bernard Safran art for Florence Stonebraker's 1954 sleazer Confessions of a Ladies' Chauffeur, for Croyden Books. We have other Stonebrakers, so we passed on this for $65. If it ever goes down we'll buy it and update this post. You have noticed we sometimes do that, right? Like this Stonebraker we updated not long ago. 

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Vintage Pulp Jan 21 2021
MEDICAL DEVICES
A nipple scope? Alright, blouse and bra coming off. I thought it was a stethoscope, but I'm no doctor.


The doctor sleaze keeps on coming. Here's another to add to our vast collection—Dr. Breyton's Wife by Florenz Branch, aka Florence Stonebraker, for Intimate Novels, 1953. You see this around the internet a lot, but it originally came from Sleazy Digest Books. We haven't read it, but we own two of Branch's other novels, which means you will hear from her a little later.

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Vintage Pulp Dec 2 2020
MURDER BY NUMBERS
Unlike a normal lottery nobody wants a ticket, and against all odds you're bound to get picked eventually.


We all know that in cinema no idea lies fallow for long. They're all reused until they've given everything of value, and plenty that isn't. Part of the fun of watching movies is seeing the lineage of ideas. La decima vittima, for which you see a nice Mario de Berardinis poster above, was known in English as The 10th Victim, and resides in the sub-genre of films about humans killing humans for sport and gain. Other movies in the group include 1932's The Most Dangerous Game, 1972's The Woman Hunt, 1975's Death Race 2000, 1987's The Running Man, 2013's The Purge, and others.

In La decima vittima's near future, violence between citizens has been made legal and placed under the auspices of the Ministero della Grande Caccio, aka the Ministry of the Big Hunt. Those who hunt are given the identities of their prey, along with their locations and personal habits. Anyone can be hunted, even those who previously were hunters. The hunted can kill their hunters in self defense, but if they make a mistake and kill the wrong person—easy to do when you're paranoid and an unknown person is stalking you—that's old fashioned murder and off to prison you go. The purpose of all this slaughter? As the film explains, “Why have birth control when you can have death control?”

Ursula Andress, whose looks kill anyway, plays an adept hunter given an opportunity by a big corporation to monetize her tenth (and by law her final) murder. Marcello Mastroianni plays a one percenter who's been computer selected as her prey, and whom Andress' corporate benefactors want to film her assassinating for a tea commercial. Andress has agreed to kill Mastroianni at the Temple of Venus in Rome. Getting him there won't be easy, but the classic honeytrap, with the sun-kissed Andress as the sticky goodness, is a sure bet to work. It'd work on us.

We said the movie is in the same lineage as The Most Dangerous Game, The Purge, et al. Nearly all those films are better than La decima vittima. There are several problems here, not least of which is emotional tone-deafness—the characters love and hate because the script requires it, but there's no spark, no believability. The movie is probably worth watching anyway because of its super sex symbol cast rounded out by Elsa Martinelli, plus its sleek, retrofuturistic ’60s fashions, but don't go in expecting a landmark sci-fi, a brutal social commentary, a cutting satire, or anything of the ilk. In the end, just like the real future, it's so-so. La decima vittima had its world premiere in Rome and Florence today in 1965.

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Vintage Pulp Aug 23 2018
LONG SHOT
Despite my reputation the odds are very much against you.


Above is a cover for 50-50 Girl by Thomas Stone for Chicago's Merit Books, published in 1952. The title refers not to the odds of getting the lead character in bed, but the fact that she's forced to share her favors with two men. It isn't a consensual agreement, technically, because she gives herself to man number two—a rich playboy—as the price of freeing her sister from her former manager, an amoral hustler named Eddie. The author Thomas Stone was actually none other than Florence Stonebraker, the brain behind more than eighty novels. Which is quite a feat, considering she didn't get published until she was forty-one. We have plenty from her in the website but our favorite is this one.

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Vintage Pulp May 20 2018
KAMPEN TRIP
S'more where this one came from.


Today we have a small collection of covers from Wisconsin born illustrator Owen Kampen, who besides being a prolific paperback cover artist was a bomber pilot during World War II who was escorted by the famed Tuskeegee Airmen, was a teacher of commercial art, and was an ace model airplane hobbyist who was inducted into the Model Aviation Hall of Fame. He was also a less-than-stellar husband, at least according to his wife Irene Kampen, whose book Life without George was based on her divorce and became the source material for The Lucy Show. We have thirteen more Owen Kampen covers below and one more here.

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Vintage Pulp Apr 15 2018
OTHERLY LOVE
That was interesting. Next time can we just do it the normal way?


There's no festish sex or podophilia in With Naked Foot. This is actually a serious novel about whites coming to ruin in Africa, which is a crowded literary niche, but one in which Emily Hahn carved out an important place for herself. In fact, maybe the adjective “Hahnesque” should be used alongside “Hemingwayesque.” This is a person who wrote fifty-four books and more than two hundred articles and short stories, whose works were significant in romanticizing  Africa and Asia for western readers, who lived in Florence and London in the mid-1920s, traveled to the Belgian Congo where she worked for the Red Cross, lived with a pygmy tribe for two years, crossed Central Africa alone on foot, and journeyed to Shanghai where she taught English for three years while becoming acquaintances with political powerhouses the Soong Sisters and the Chinese poet Zau Sinmay. With Naked Foot is, therefore, unusually well informed. It revolves around a beautiful Congolese girl named Mawa whose relationships with various lustful white men bring disaster. The reviews were rapturous, though some critics protested that it was too focused on sex. That's never a complaint you'll hear from us, though some of the usual flaws of mid-century racial fiction are evident. The cover art on this Bantam paperback was painted by an unknown, and the copyright is 1951.

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Vintage Pulp Dec 14 2017
THE HANDMAID'S TELL
So those four cards with A's on them mean you might win, right?


First published as an Ecstasy Novel with different art the previous year, this edition of Reno Tramp, appeared in 1951 on the Rainbow Books imprint with uncredited art. But the cover is by either Howell Dodd or Rudy Nappi, two artists whose work was similar, though we think Dodd tended to be a hair more precise—literally, as he expended more effort on his women's coiffures, in our opinion. In any case, the story in Reno Tramp deals with a girl from an impoverished childhood who arrives in Reno, Nevada as a beautiful young woman seeking a divorce, and whose need for money is a pathological drive. She finds just the rich pigeon she wants, but naturally another man comes along to complicate matters and make her question whether cash is really king. We'll keep an eye out for updated info and see if we can identify this cover artist down the line. In the meantime, you can see more from Dodd here, and Nappi here.
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Hollywoodland Jul 5 2017
A SLIGHT CASE OF SUICIDE
Her final answer simply raised more questions.


Above you see two photos of actress Carole Landis, dead on the bathroom floor of her Pacific Palisades home, where she was found today in 1948. She had been dumped by her married lover Rex Harrison the night before, and responded by killing herself with an overdose of prescription medication. She had tried suicide before but had been rescued by friends. This time she took forty Seconal tablets, which leaves little doubt as to her firm intent—one fifth the amount would have killed her. She fell into a coma early in the morning with her head resting on a jewelry box, which is the reason for its elevated position. She also left a note on her dresser for her mother:

Dearest Mommie - I'm sorry, really sorry, to put you through this but there is no way to avoid it - I love you darling you have been the most wonderful mom ever and that applies to all our family. I love each and every one of them dearly - Everything goes to you - Look in the files and there is a will which decrees everything - Good bye, my angel - Pray for me - Your baby
 
Hollywood suicides are part of the town's lore. Landis's is more remembered than most, not for what Landis did, but for what those around her did. Harrison had been calling her throughout the morning but her maid had told him she wasn't awake. She wasn't going to disturb her employer, so Harrison dropped by himself, entered her bedroom and found Landis non-responsive. He felt her wrist and said he felt a faint pulse, but instead of calling an ambulance rifled through her address book, hoping to call her private doctor and thus keep the disaster under wraps. While he did that, Landis died. After failing to find the number he sought, he went home, called studio head Darryl Zanuck, and set about damage control. The maid, left to deal with the situation, asked a neighbor to call police.

It wasn't unusual for press to have access to death scenes, as we've documented frequently in our Naked City posts. Landis's death photo appeared on the fronts of hundreds of newspapers by the next morning. By then questions had begun to arise. Some said Landis had written a second suicide note that Harrison destroyed. When asked at a coroner's inquest whether there was a note, he said no. Her friend Florence Wasson said there was a second note, but it only asked that the cat be taken to the vet because it had a sore paw. The inquest was closed with no new findings, but years later a policeman who had been at Landis's house that day said he had seen a second note addressed to Harrison, and that the cat had seemed in perfect health.

Landis's family claimed Harrison was guilty of murder—and not just for dithering about when he thought he felt a pulse. They claim he killed her outright to keep news of his affair from damaging his career. However, his relationship with Landis was a poorly kept secret, and tabloids were making sly references to it, identifying Harrison and Landis by their initials. Also, Harrison already had a terrible reputation. People behave irrationally in high stress situations, and Harrison made bad moves at every stage, especially when one considers that there was no way he could hope to hide his involvement. But that shows merely cold-hearted concern for himself, and possibly a lack of awareness how near death Landis was. Add it all up and you have one of Hollywood's most storied suicides—one where an act meant to be a final answer left endless questions. 
 
 
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History Rewind
The headlines that mattered yesteryear.
May 28
1937—Chamberlain Becomes Prime Minister
Arthur Neville Chamberlain, who is known today mainly for his signing of the Munich Agreement in 1938 which conceded the Sudetenland region of Czechoslovakia to Nazi Germany and was supposed to appease Adolf Hitler's imperial ambitions, becomes prime minister of Great Britain. At the time Chamberlain is the second oldest man, at age sixty-eight, to ascend to the office. Three years later he would give way to Winston Churchill.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
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