G.I. foe: the rise of the cobra.
Some promo posters work exactly as intended. We saw this one for Cult of the Cobra and immediately dropped everything to find the film. We knew it was going to be a cheesy b-movie because we'd never heard of it before, and perhaps having low expectations is the key to enjoying it. In the story six American G.I.s in (presumably) India decide to alleviate their boredom by attending a local cobra cult's ritual. When they disrupt the ceremony in spectacularly boneheaded fashion the high priest curses the group. They pay no attention to this at all.
They return to the U.S. not knowing they've been tracked there, but when they start dropping dead they think, “Hey, didn't that high priest dude curse us?” Yes, he did. In fact, he specifically said the cobra goddess would kill them one by one. Missy Misdemeanor Eliot once memorably rapped in her hit song “Slide,” Behind every curtain there's a snake bitch lurkin', and that neatly encapsulates the problem for the surviving G.I.s—they realize they're in trouble but have no idea who their nemesis could be.
But we viewers don't have to guess. Their homicidal stalker is Faith Domergue, raven haired veteran of many beloved sci-fi and horror films, including This Island Earth and The Atomic Man. She also starred in the occasional decent drama such as Vendetta and Where Danger Lives. She's an unusual looking woman but here her sloe-eyed beauty really works. You can almost believe she'll turn into a snake at any moment. Check her out: Definite snakelike qualities, right?
Cult of the Cobra is a bad but fun Universal International cheapie, what we like to call a popcorn muncher, a time killer you can enjoy and forget immediately thereafter. Its main attractions are Domergue as the snake woman, the luscious Kathleen Hughes as the hero's love interest, and some amusing cobra-vision sequences. And that amazing promo poster. We also have the alternate U.S. promo and Australian promo below. Cult of the Cobra slithered into cinemas for the first time today in 1955.
Clearly they have consent issues.
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?
This Island Earth, with Faith Domergue.
The Time Machine, with Yvette Mimieux.
Creature from the Black Lagoon, with Julie Adams.
The Alligator People, with Beverly Garland.
The Man from Planet X, with Margaret Field.
Robot Monster, with Claudia Barrett.
The Beach Girls and the Monster, with Sue Casey.
The Monster of Piedras Blancas, with Jeanne Carmen.
The Day of the Triffids, with Janette Scott.
It! the Terror from Beyond Space, with Shirley Patterson.
I Walked with a Zombie, with Christine Gordon.
From Hell It Came.
I Was a Teenage Werewolf, with Dawn Richard.
It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.
El retorno del Hombre Lobo, aka Night of the Werewolf.
Empire of the Ants, with Joan Collins.
I Married a Monster from Outer Space, with Gloria Talbott.
The Wolf Man, with Evelyn Ankers.
Wanna go out with me Friday? Oh, you’re committing suicide that night? How about Thursday?
Above is one of the great film noir posters—the three-sheet promo for Where Danger Lives (presumably de-seamed by some enterprising Photoshopper). The movie starred Robert Mitchum, Faith Domergue, and Claude Rains, and deals with a doctor who gets involved with a suicidal patient, a situation that simply can’t end well. Like most film noirs, Where Danger Lives is well regarded today, but it’s strictly second tier—watching Mitchum stagger around for half the movie making bad decisions because of a concussion just didn’t engage us, but more importantly there’s no real basis for his relationship with Domergue. Writing it into a script is not enough—the actors need to establish chemistry and heat to make recklessness understandable. When you start asking questions like, “But why would he have any interest in this crazy chick when he already has a great girlfriend?” you know the movie is fatally flawed. If you like noirs, you might be inclined to give this one’s failings a pass—after all, even so-so noir is better than 90% of what’s coming out of Hollywood today. And it has Mitchum, who’s also better than 90% of what’s coming out of Hollywood today. Where Danger Lives premiered in the U.S. today in 1950.
The headlines that mattered yesteryear.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
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