Clearly they have consent issues.
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?
This Island Earth, with Faith Domergue.
The Time Machine, with Yvette Mimieux.
Creature from the Black Lagoon, with Julie Adams.
The Alligator People, with Beverly Garland.
The Man from Planet X, with Margaret Field.
Robot Monster, with Claudia Barrett.
The Beach Girls and the Monster, with Sue Casey.
The Monster of Piedras Blancas, with Jeanne Carmen.
The Day of the Triffids, with Janette Scott.
It! the Terror from Beyond Space, with Shirley Patterson.
I Walked with a Zombie, with Christine Gordon.
From Hell It Came.
I Was a Teenage Werewolf, with Dawn Richard.
It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.
El retorno del Hombre Lobo, aka Night of the Werewolf.
Empire of the Ants, with Joan Collins.
I Married a Monster from Outer Space, with Gloria Talbott.
The Wolf Man, with Evelyn Ankers.
The headlines that mattered yesteryear.
The United States detonates a nuclear bomb codenamed Fat Man over the city of Nagasaki. It is the second atomic bomb dropped on Japan. 40,000 to 75,000 people are killed immediately, with tens of thousands more sickening and dying later due to radiation poisoning. The U.S. had plans to drop as many as seven more bombs on Japan, but the nation surrendered days later.
1969—Manson Followers Murder Five
Members of a cult led by Charles Manson murder pregnant actress Sharon Tate and coffee heiress Abigail Folger, along with Wojciech Frykowski, Jay Sebring, and Steven Parent. The crimes terrify the Los Angeles celebrity community, and even today continue to fascinate
the worldwide public.
1963—Gang Pulls Off Great Train Robbery
A fifteen member gang robs a train of £2.6 million at Bridego Railway Bridge, Ledburn near Mentmore in Buckinghamshire, England. Thirteen of the fifteen are later caught, but some subsequently escape from prison, and one, Ronnie Biggs, is only recaptured in 2001 after voluntarily returning to England.
After two years of public outcry over the Watergate scandal, U.S. president Richard M. Nixon announces to a national television audience that he will resign, effective the next day. Vice President Gerald R. Ford completes the remainder of Nixon's term.
1947—Journey of the Kon-Tiki Ends
Norwegian adventurer Thor Heyerdahl's balsa wood raft the Kon-Tiki, smashes into a reef in the Tuamotu Islands after a 4300 mile (7000 kilomteter) journey from South America. Heyerdahl was attempting to prove—in rather circuitous fashion—that South American natives were descended from Pacific Islanders.
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