 Clearly they have consent issues. 
Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do? This Island Earth, with Faith Domergue. The Time Machine, with Yvette Mimieux. Creature from the Black Lagoon, with Julie Adams. The Alligator People, with Beverly Garland. The Man from Planet X, with Margaret Field. Robot Monster, with Claudia Barrett. The Beach Girls and the Monster, with Sue Casey. The Monster of Piedras Blancas, with Jeanne Carmen. The Day of the Triffids, with Janette Scott. It! the Terror from Beyond Space, with Shirley Patterson. I Walked with a Zombie, with Christine Gordon. From Hell It Came. I Was a Teenage Werewolf, with Dawn Richard. It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment. El retorno del Hombre Lobo, aka Night of the Werewolf. Empire of the Ants, with Joan Collins. I Married a Monster from Outer Space, with Gloria Talbott.
The Wolf Man, with Evelyn Ankers.
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The headlines that mattered yesteryear.
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings. 1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes. 1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
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