Intl. Notebook Mar 22 2018
MONSTROUS BEHAVIOR
Clearly they have consent issues.


Monsters may be horrible but you can't fault their taste. To borrow a line from one of their number, they're automatically attracted to beautiful. It's like a magnet. We wonder if it's possible their need is an unconscious manifestation of the id of male Hollywood screenwriters. Or were the writers deliberately making commentaries about male power, nuclear paranoia, and environmental degradation? Well, those are questions for smarter people than us. We take monsters at face value. Maybe that's not what we mean—some don't even have proper faces. What we mean is we judge them as individuals. Most monsters are direct, like Pongo, above, trying to impress Maris Wrixon in the 1945 movie White Pongo, while some, on the other claw, are more circumspect. But the language barrier usually sabotages their delicate efforts. “I know an independently owned café that serves a killer macchiato,” comes out as a series of glottal grunts. “I loved La La Land too and I think the naysayers are mainly joyless jazz purists,” comes out as a sustained sodden hiss. Even if these vocalizations could give a true indication of the inner depths of a monster's personality, women generally wouldn't give them a shot anyway, because despite what they say, looks really do matter. What's a monster to do?

This Island Earth, with Faith Domergue.

The Time Machine, with Yvette Mimieux.

Creature from the Black Lagoon, with Julie Adams.

The Alligator People, with Beverly Garland.

The Man from Planet X, with Margaret Field.

Robot Monster, with Claudia Barrett.

The Beach Girls and the Monster, with Sue Casey.

The Monster of Piedras Blancas, with Jeanne Carmen.

The Day of the Triffids, with Janette Scott.

It! the Terror from Beyond Space, with Shirley Patterson.

I Walked with a Zombie, with Christine Gordon.

From Hell It Came.

I Was a Teenage Werewolf, with Dawn Richard.

It Conquered the World, with Beverly Garland again crushing a monster's hopes for love and fulfillment.

El retorno del Hombre Lobo, aka Night of the Werewolf.

Empire of the Ants, with Joan Collins.

I Married a Monster from Outer Space, with Gloria Talbott.

The Wolf Man, with Evelyn Ankers.

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History Rewind
The headlines that mattered yesteryear.
December 14
1911—Team Reaches South Pole
Norwegian explorer Roald Amundsen, along with his team Olav Bjaaland, Helmer Hanssen, Sverre Hassel, and Oscar Wisting, becomes the first person to reach the South Pole. After a celebrated career, Amundsen eventually disappears in 1928 while returning from a search and rescue flight at the North Pole. His body is never found.
December 13
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe.
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
December 12
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
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