Vintage Pulp Nov 18 2019
BREAKING DOWN DORS
The hangman comes for Britain's top sex symbol.


A while back we showed you a British poster for Diana Dors' drama Yield to the Night, which tells the story of a woman on death row facing a date with a noose. That poster was a photographic effort. The movie was renamed Blonde Sinner for its U.S. release, and a photo-illustrated poster, which you see above, was issued to promote it. This is a classic piece of movie memorabilia, perfect in every way. The Brits actually got an illustrated poster too, just not this one. Maybe we'll dig theirs up later. After premiering in Great Britain during the summer of 1956 Blonde Sinner opened in the U.S. today that same year.

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Vintage Pulp Jan 20 2016
YES SHE CAN
You know what? I know we’re supposed to be disaffected and rebellious and all that, but I’m actually quite satisfied at this moment.


Two hard-luck juvenile delinquents find each other and fall in love in the slums of New York City, but can they keep it together when their surroundings threaten to destroy them? That's the basic idea of Yield to the Night. Author Jack Karney specialized in this, writing about East Side gangs in many novels, including Work of Darkness, Cry Brother Cry, Cop, and Tough Town. 1960 copyright on the above, with Rafael DeSoto cover art. 

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Vintage Pulp Nov 8 2014
BROWN IS THE NEW BLONDE
Diana Dors dirties her golden locks for another turn as a woman behind bars.


The excellent promo above for Le femme et le rôdeur, aka The Unholy Wife was created by Roger Soubie, one of the best French poster artists of the mid-century period. His art drew us to the movie, which we watched only to discover Diana Dors in identical grime mode as in her prison drama Yield to the Night. Not only do both productions feature Dors locked down with her blonde tresses gone brown due to lack of available dye, but both involve her being on death row for murder. Since The Unholy Wife was the next film she did after Yield to the Night we can only assume her initial foray into crime and incarceration was such a success it needed to be repeated. Like almost exactly. Unfortunately, two visions of a bruise-eyed Dors about to receive state-sponsored revenge were too much for audiences, and her repeat excursion was roundly panned.

And sadly, we must agree. Dors is living in California and is married to a Napa winery baron, but since she’s also sharing her affections with a hot young lover, she soon ponders murdering her unsuspecting hubby for his estate. When we lived in Berkeley, just south of the California wine country, we rarely pondered anything more than sunlit grapes and a nice Schug Syrah. But okay, The Unholy Wife is a film noir, which means Dors is no more happy with her heaven-on-Earth existence than a Wall Street stockbroker is with his untaxable Cayman Islands shadow fortune. Both inexplicably want more. Dors starts the film in prison and tells her story via flashback, so we already know her schemes backfired. If only the same were true for stockbrokers. The Unholy Wife premiered in England in the summer of 1957 and premiered in France today the same year.

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Vintage Pulp Jun 14 2011
TWO DIANAS
So, what are you doing on Friday? Being executed? Oh, I see. How about Thursday?

We love this poster for the British-produced prison drama Yield to the Night, aka Blonde Sinner, which is the tale of a woman languishing on death row for committing murder. Diana Dors stars, and before you decide you can’t buy her as a death row inmate, know that she isn’t playing a hardened criminal, but rather a spurned woman who has committed a rash act of passion. As written, the role works fine for the glamorous Dors. In fact, you kind of get two versions of her, the first a platinum-maned knockout, the second a sunken-eyed, dishwater blonde wreck (although the wreck is still quite nice looking, of course). There’s no question of whether her character committed the crime—we see her pull the trigger in the first minutes of the film. The tension derives from whether she will win a reprieve from the death chamber. We won’t tell you. But we will say that for fans of mid-century cinema, this one is a worthwhile expenditure of time. And as a bonus, for fans of mid-century design, the credit graphics are kind of cool. Yield to the Night had its British premiere today in 1956.  

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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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