Everyone in Paris hopes for a glimpse of Nico's velvet underground.
Una ragazza nuda, for which you see two beautiful Angelo Cesselon posters above, was originally released as Strip-Tease, and called in the U.S. Sweet Skin. It was an Italian/French co-production starring Krista Nico, née Christa Päffgen, better known as just Nico, future collaborator with the Velvet Underground. Her supporting cast includes Dany Saval, Jean Sobieski, and American jazz pianist Joe Turner playing a character named Sam (IMDB has him incorrectly listed as playing himself). Basically, the movie is the story of an ambitious dancer who can't catch a break, and takes a job stripping at Le Crazy Horse, the famed Parisian cabaret.
Nico goes through the typical stages of becoming the jaded, empty woman viewers have been taught to expect in movies like these. But what isn't typical is the setting. If you're looking for a film with overwhelming Parisian atmosphere this is the one. Streets, cafés, restaurants, the Seine, the wintry countryside, Hippodrome de Vincennes, and the Crazy Horse (or a fictive stand-in) are all on prominent display, and the stripteaseuses are beautifully showcased. And keep an eye out for cameos from Serge Gainsbourg and Juliette Gréco. We just came back from Paris last year and thanks to this flick we're already trying to figure out how to return.
On a technical level, the direction by Jacques Poitrenaud and cinematography by Raymond Pierre Lemoigne both take advantage of the film's many wonderful settings, but the on-camera performances aren't quite at the same level. Nico is a novice actress at this point and it shows, but her minimal emotional range fits with her character. Joe Turner isn't an actor at all and that shows too, but as the conscience of the film his role also works. Some movies are more than the sum of their parts, and Una ragazza nuda adds up to an excellent ninety-five minutes. It premiered in Italy today in 1963.
Mercedes Molina bends over backward to please her daddy.
Thanks to The Exorcist a wave of possession films flooded cinemas during the mid-1970s. Above you see posters for one of them—Le notti di Satana, which was originally released in Spain as Exorcismo. Basically, it's about a young woman whose behavior radically changes, causing friends and family to conclude that she's possessed by the spirit of her recently dead father. But the priest knows better. It's just Satan, up to his usual tricks. Mercedes Molina stars as the possessed, performing under the name Grace Mills, for some reason, almost as if she didn't want to be associated with the movie. Though it isn't terrible. Just uninspired. Check this dialogue exchange:
At times I'm certain my sister is possessed.
Yes. How can I say it? Like something has taken possession of her.
That's bad. On the plus side, Molina/Mills manages some good contortions and screams, until the exorcism brings the expected climax. Also, the lovely Maria Perschy co-stars as Molina's flummoxed mother, so there's that. And there's some nude ceremonial cavorting that'll catch your eye, so there's that too. Otherwise, not a top effort. But all these posters are fun, if of varying quality. Only one is signed—the last one, by Italian artist Angelo Cesselon, whose work we've shown you here and here. We have a few screenshots below that capture the essence of the movie. Now you don't even have to watch it. Le notti di Satana premiered today in 1975.
Their issues have gone way past the point of counseling.
Dial M for Murder, which starred Grace Kelly and Ray Milland as spouses whose problems make other bad marriages look like a Sunday picnic, is a very entertaining movie. For its Italian release today in 1954 it was called Delitto perfetto. This violent but brilliant promo poster was painted by the genius illustrator Angelo Cesselon, who we've featured before. And Hitchcock, nothing less than an international phenomenon in his day, gets his profile into the mix. See Cesselon at his best here.
The law of this jungle is steal or be poor.
We don't need to tell you anything about The Asphalt Jungle because you've seen this film classic, right? So today we're all about the poster. Look at this beauty. It was painted by Italian artist Angelo Cesselon, complete with his distinct signature and its supersized “O”. Cesselon worked for many studios and mastered a distinct style featuring large character portraits such as the one you see here. His work is among the most immediately identifiable of the mid-century period. As for the film, when you get John Huston directing a heist story you can't go wrong. Don't let the poster fool you, though—Marilyn Monroe is a bit player. Why is she starring on the art? Because Cesselon painted it a few years after the film's initial release—by which time Monroe was world famous. The Asphalt Jungle premiered today in 1950.
Working on a groovy thing.
This poster for Una sull’altra, aka Perversion Story, was painted by Angelo Cesselon, and the film was directed by Lucio Fulci, who would later become one of Italy’s grandmasters of cinematic gore. This flick is eerily similar in plot to Vertigo, complete with the death of the love interest and subsequent reappearance of her double. It’s even set in San Francisco like Vertigo, but the difference is Fulci notches the ’60s psychedelia up to the max, and offers up lots of Marisa Mell’s naked flesh. Mell had starred in the camp classic Diabolik the previous year, and here she is getting groovy again, particularly in one motorcycle striptease that’s probably worth the time spent watching the rest of the film. As a side note, you’ll see Jean Sobieski here, who happens to be Leelee Sobieski’s dad. Una sull’altra opened in Italy this week, and France today in 1969.
The headlines that mattered yesteryear.
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
1908—First Airplane Fatality Occurs
The plane built by Wilbur and Orville Wright, The Wright Flyer, crashes with Lieutenant Thomas Selfridge aboard as a passenger. The accident kills Selfridge, and he becomes the first airplane fatality in history.
1983—First Black Miss America Crowned
Vanessa Williams becomes the first African American Miss America. She later loses her crown when lesbian-themed nude photographs of her are published by Penthouse magazine.
1920—Terrorists Bomb Wall Street
At 12:01 p.m. a bomb loaded into a horse-drawn wagon explodes in front of the J.P.Morgan building in New York City. 38 people are killed and 400 injured. Italian anarchists are thought to be the perpetrators, but after years of investigation no one is ever brought to justice.
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