They got wet and I suppose they shrank when they dried. But they still look okay, n'est pas?
French vision of perfection Mylène Demongeot takes a break while filming the World War II drama Sotto dieci bandiere, aka Under Ten Flags in the Ionian Sea off the coast of Sicily in 1960. She's dressed in character as Zizi, a name we really love, and you're surely wondering how the filmmakers managed to fit a blonde sexpot wearing white spray paint for shorts into a war epic. Well, let's just say if you get all the other historical elements correct, adding a little sex appeal is Zizi. Below you see her putting the legs that launched a thousand fantasies into action, during a scene from the film in which she climbs aboard a boat using a cargo net and miraculously doesn't throw a shoe. You'd think one of those sailors would give her a hand, but then again, maybe that's just not possible. Some say Demongeot is no Bardot. We agree—she's all that and more.
We suspect she’s about to reveal what she’s hiding.
This provocative shot features German adult actress Brigitte Maier from the Dutch magazine Chick, sometimes referred to as Chick Amsterdam. Back in October we featured a poster, which you can have a look at here, from Maier’s famous 1975 X-rated hit Sensations. This image was made the previous year.
Is it just us, or does something about this pose make you think about scoring?
We’re back on schedule with Goodtime Weekly and a page for today in 1963 featuring none other than Jayne Mansfield, who's making her third appearance for the calendar. After being lensed twice by Bernard Wagner, here and here, British photographer David Hurn gets a shot. We love the pose because it looks like she’s signaling a touchdown or a field goal—appropriate this first weekend of playoff football in the U.S. (which is something we can watch live thanks to the wonders of the internet). We doubt Hurn was thinking of sports when he suggested the pose. More likely he simply said, “Um, Jayne, I can’t see your breasts with the fabric bunched up like that. Can you raise your arms? Higher? Perfect.” The result was an image that’s quite famous, which is to say, it’s one of only three from the calendar that we’ve seen before. That doesn’t surprise us. Hurn is a significant photographer who shot everything from political events to the Beatles, and is still kicking around today. He also shot this amazing image of Jane Fonda for the film Barbarella. Okay, we're off. Enjoy the games, everyone.
Jan 6: A good sermon is one that goes over your head and hits the others.
Jan 7: Another blue Monday. Wouldn’t it be nice if somebody could make both week-ends meet?
Jan 8: “A wolf is a guy who dreams of girls running thru his mind—they wouldn’t dare walk!”—Rod Brasfield
Jan 9: A diplomat looked at Jayne Mansfield and sighed: “I only wish the UN were in such good shape!”
Jan 10: “Jayne Mansfield always looks like she’s trying to smuggle something into the country.”—George Burns
Jan 11: “Every girl has a sense of value; buy her something expensive and see how much you’ll receive.”—He-who Who-he
Jan 12: “I don’t take gifts from perfect strangers—but nobody’s perfect.”—Zsa Zsa Gabor
There's nothing quite like a perfect Sommer day.
Here’s a random little something we ran across at an auction site, a duotoned cover of Picture Show from today 1968 with Elke Sommer. No interiors, but we thought we’d share it anyway because Sommer has been on our minds since we watched her in Deadlier Than the Male a couple of weeks ago. She really has to be seen to be believed in that. More from Sommer later.
Update: Actually more from Sommer sooner, because we just realized there was another photo of her from the same shoot, which we've uploaded below.
Baker offers up a special treat.
Carroll Baker was one of the few American actresses who gave European contemporaries like Florinda Bolkan, Sylva Koscina, Anita Strindberg, et al, a run for their money in terms of the provocative roles she played. Her first showbiz jobs were during the early 1950s as a dancer and weather girl, but she later appeared in movies such as Baby Doll (condemned by the Legion of Decency), Sylvia (famously recut to reduce the impact of a rape scene), Baba Yaga (based on an adult comic and chopped up by censors), Orgasmo (retitled Paranoia in the U.S.), and Andy Warhol’s Bad. Baker retired from acting in 2003. These shots both date from the mid-1960s.
Elke Sommer gave American men a good reason to get High.
High was one of seemingly a thousand men’s magazines that came into being during the 1950s, making the scene in 1958, funded by the Ohio-based publishing company Periodical House. Basically, it's indistinguishable from countless other publications of its ilk, but sometimes these otherwise unremarkable mags contain photos of someone who later became a star. In this November 1959 issue that star-to-be happens to be German bombshell Elke Sommer, referred to as Elke Sommers. Sommer appeared in five European films in 1959, but probably none had been seen in the U.S. when High printed her photos, which we suspect were shot a year previously. That would have made her eighteen when she posed, and she looks exactly that young, a pure ingenue unknowingly on the precipice of lasting international fame. See below.
If a woman strips in the forest and no one sees her, did it really happen?
Edwige Fenech was born Edwige Sfenek in French-controlled Algeria to Maltese and Italian parents, and went on to become one of the most inspiring sex symbols of the late ’60s and early ’70s, acting in giallos, comedies, and horror films, hosting a chat show in the 1980s, and recently appearing in Hostel: Part II. The striking image above is from the German magazine Sexy, and it dates from 1971 or 1972. The caption tells us Fenech is the “Traum-Girl der Woche,” or Dream-Girl of the Week.
Climbing the ladder of success.
Above, a promo shot of the incomparable Angie Dickinson, who worked mostly in television, but also appeared memorably in the motion pictures Rio Bravo, Ocean’s Eleven, Big Bad Mama, and Dressed To Kill. The retouching in this photo is overdone and entirely unnecessary, but even hazy Angie is good Angie. It dates from 1965.
The face that launched a thousand fantasies.
Above is a close-up of Italian actress Virna Lisi, who began acting in 1953 but is well known in the U.S. for 1965’s How To Murder Your Wife, and is considered one of the most beautiful performers ever to grace the silver screen, seen here circa 1960.
Fear of a black hat.
Swedish actress Anita Ekberg was known for her bombshell body (Bob Hope once quipped that her parents received a Nobel Prize for architecture), but we think this shot showing just a shoulder and part of her face underneath a black bowler is one of the best we’ve seen of her. It dates from 1965.
The headlines that mattered yesteryear.
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
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