Intl. Notebook Jan 2 2024
PAGE AFTER PAGE
Riveting from the first to the last.

Cheesecake postcards were widespread during the mid-century era, featuring many famous and semi-famous models, but Bettie Page appeared on so many that she's now her own industry of vintage collectible mailers. We've run across many interesting examples, so we thought we'd share a few for your enjoyment today. Above and below we present a group culled from auction sites showing the revered model in her usual mode of dress—not much. The same shots were used on multiple cards. In the last she's posed with regular collaborator, Florida based photographer Bunny Yeager, who appears with Page and a couple of exotic cats on the last card. Most if not all of the shots were made in Florida, despite an allusion to Hawaii and a reference to Washington. As always, Page will return.

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Femmes Fatales Jun 8 2023
PAGE FROM THE PAST
These boots were made for... well, nothing practical, but they make me feel great!


There's so much Bettie Page imagery out there nowadays it's difficult to get a precise date on some shots. We came up blank on this image of her booted and looking ready for some serious fun, but we love it because it exemplifies exactly how we felt having the last week totally off. We had two sets of Stateside visitors, saw some lovely new places, had many good laughs, saw hundreds of horses, and drank of lot wine. Well, we drank a lot of everything, actually. No negatives at all, except the part where we thought Mudwerks called it quits for his Tumblr, but like us, he's back too. Our daily pulp resumes. Call this Page shot mid-1950s, and if anyone has an exact year feel free to inform us.

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Intl. Notebook Jul 25 2022
TO BANG OR NOT TO BANG
She was one trip to the hairdresser away from international fame.


This nice image starring none other than Bettie Page was printed by its photographer, who whose name—Blackthorn—you see at lower left on the full scan. This is exceedingly rare, thus there's little information about it, or the photographer. We can tell you, though, that it's an early Page image, which we deduce from the fact that she's not wearing her trademark straight hair and bangs, a look which became so famous that wigs of it are still sold today. Legend goes that she went for bangs because a photographer told her she needed to hide her shiny forehead. We think Page looks better without the bangs, and we don't think there's a thing wrong with her forehead. Because of the hairstyle, if we had to guess, we'd say this shot is from 1949 or 1950, just before her memorable transformation. We have a few interesting Page items in the website, but for our money, the best is here.

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Vintage Pulp Aug 8 2021
ALL BETTIE
When you choose an inspiration choose the best.


Above you see a cover from Beacon Signal books, circa 1960, for All Woman by Matt Harding. The woman in this case is the legendary Bettie Page, rendered by illustrator Jack Faragasso. Page appeared on vintage book covers several times, either in photo or painted form. We've shown you examples of both types here and here, and you'll notice one of those covers is also by Faragasso. Clearly he had an affinity for Page, and there's a reason. When he was attending the Art Students League of New York in 1951 he shot nude photos of her. This was before she was well known. Faragasso later published those images in a book, but as far as using them as inspiration for paperback covers, he did it only twice. We'll keep an eye out for more Page covers. For that matter, we'll keep an eye out for more Faragasso covers too.

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Vintage Pulp Apr 7 2020
MIDDLE AGED DELINQUENT
Dude, your mom is, like, totally babesville.


We mentioned last week that Bettie Page often starred on book covers, and here she is again on Alan Bennett's Savage Delinquents, published in 1959 by Bedside Books. This one is juviesploitation, and it deals with a disaffected seventeen-year-old girl named Lissa who falls in with a gang and soon learns it's like, nowhere, man. Page was thirty-six the year this was published, with the photo dating from a bit earlier, but still it speaks to her popularity that her image could sell this book when she was old enough to be the main character's mom. See more Page paperback art here.

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Vintage Pulp Jul 30 2019
A SURE BETTIE
Paperback publishers double down on a legendary model.


Bettie Page has long been an inspiration in multiple media, and you can include paperback art on the list. These two covers for authors Day Keene and Jack Moore, published in 1959 and 1962 respectively, use Page's instantly recognizable form to draw the eyes of newsstand browsers, a tactic we assume was a wild success. We love both of these, especially the top image by Jack Faragasso. There are even others from the period. The artist on both of these is the legendary Unknown, by far the most prolific mid-century paperback illustrator of all time. We'll doubtless run across more from the same genius later. 

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Femmes Fatales Apr 2 2017
FANTASY BASEBALL
I guess in baseball terms I'd be called a free swinger.


Generally we like to share femme fatale images that haven't been seen around the internet much, if at all. Many of our images are original scans. This cute shot of Bettie Page is an exception. It's been all over the web, but we're using it because we want to stick with baseball today.
 
We can actually tell you a little about the shot, which other sites don't bother with. It was first published as a gatefold in a July 1957 issue of Swagger, a minor men's magazine that churned along for about a decade before folding. The issue also featured a few other shots of Page, and devoted the rear cover to her, which you see below.
 
If you hope to buy the issue, you can probably forget it. We've seen it going to more than $100. That might be worth it for some Page aficionados, but for that price we'd skip the mag and just go to a few baseball games. Well, we would if we lived in the U.S. Streaming is the best we can do over here. Enjoy baseball season, everyone. It seems to last forever, but somehow, it's over all too soon.

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Femmes Fatales Dec 11 2016
A MISSING PAGE
It's okay to bend me a little but please don't fold or crease me.

We've had a lot of Bettie Page on Pulp Intl., but there's no such thing as too much, so today on the anniversary of her death eight years ago we thought we'd share a favorite shot of her. She was easily one of the most photographed models of her era. Marilyn Monroe and perhaps a few others surpassed her for sheer volume of images. Despite those thousands of Page shots, this photo has an especially joyful quality we think sets it apart. You can see plenty more of Bettie Page in the website, including a couple of sets of images we were the first to put online, like here and here.

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Vintage Pulp Sep 24 2016
A FAREWELL TO ARMIES
You guys keep fighting back there! I'm going to... uh... go for reinforcements!

Above, scans from a September 1955 issue of Man's Illustrated, a magazine published by Hanro Corp. of New York City. The cover art is uncredited, although possibly by Rico Tomaso, in any case very interesting, featuring a soldier paying what we consider less than recommended attention to a battle taking place to his rear. Maybe he's using his binoculars to look for a hiding place. Actually, the illustration is for Reuben Kaplan's “Border Clash,” about fighting in Gaza, and nobody runs away. Elsewhere inside the magazine is fiction from Si Podolin and a short photo feature on Bettie Page, which makes this a worthwhile purchase. Not that we paid much. It was part of a group of twenty mags that averaged out to five bucks each, even when international shipping was included. Score.

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Intl. Notebook Jun 29 2016
STATE OF AROUSA
She's a real Bettieā€”no mistake about it.


This tattered but still attractive Lebanese magazine is called Al Arousa, which means “the bride,” we think, and it dates from 1957. The seller says that's Spanish actress Isabel Mestres on the front cover, which shows what he knows—the star of this photo-illustration is obviously American model Bettie Page. There she is wearing the same ensemble at right.
 
Page used the outfit in a burlesque loop known on the internet as simply, “Harem,” which features her being introduced by an emcee and doing a little hip swaying on a sound stage. It's a short, non-nude performance—two facts that may disappoint some—but if you want to check it out try here. We're thrilled to have come across this magazine cover, and we'll mark it down as our second best Bettie Page discovery.

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Next Page
History Rewind
The headlines that mattered yesteryear.
February 24
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
February 23
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
February 22
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
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