Pulp International

Jun 20 2023

You're intimidated by this little thing? It's just a fully loaded .38 Special that I look for any excuse to use.

Even a dangerous weapon can't make doe-eyed British actress and singer Anita Harris look anything other than harmless. But ask the Pulp Intl. girlfriends and they say she looks completely mad. They say she has crazy eyes. Well, as far as we know she never harmed anyone unless you count a few bad acting performances. Harris appeared in such films as Love Is a Woman and Carry On Doctor, as well on numerous television shows, and as a singer charted several hits during the 1960s. Actually, one or two of those so-called hits are pretty hurtful too. Another frame from this photo session was used for the cover of her 1966 album Somebody's in My Orchard. Somebody she then blew away, we suppose.

England Love Is a Woman Carry On Doctor Anita Harris

Femmes Fatales

Jun 11 2023

If she crashes at least her head might be okay.

This photo is from 1966 and shows German actress Barbara Zimmermann wearing an unbeatable combination of underwear, heels, and a safety helmet. This would be dangerous enough on a regular bike, but on this almost-recumbent contraption, looking like she might steer with her feet instead of her hands? Not a good idea. However, we can tell you she survived this adventure because we've seen her in two Quebeçois tabloids circa 1968. See those here and here. As we mentioned in those posts, Zimmermann is aka Babsi Zimmermann, but in the text that accompanied this image she's referred to as Astrid Behrens. We have a couple of shots of her behrens her all that we may share later. The above image appeared in an issue of the Belgian magazine Ciné-Revue.

Germany Barbara Zimmermann Babsi Zimmerman Astrid Behrens

Vintage Pulp

Jun 1 2023

In pulp you're always on the wrong side of the tracks.

We're train travelers. We love going places by that method. It's one of the perks of living in Europe. Therefore we have another cover collection for you today, one we've had in mind for a while. Many pulp and genre novels prominently feature trains. Normal people see them as romantic, but authors see their sinister flipside. Secrets, seclusion, and an inability to escape can be what trains are about. Above and below we've put together a small sampling of covers along those lines. If we desired, we could create a similar collection of magazine train covers that easily would total more than a hundred scans. There were such publications as Railroad Stories, Railroad Man's Magazine, Railroad, and all were published for years. But we're interested, as usual, in book covers. Apart from those here, we've already posted other train covers at this link, this one, this one, and this one. Safe travels.

Modern Pulp

May 31 2023

Just because she's high class doesn't mean she can't get down.

This lovely poster was made for the roman porno movie Yamanote fujin: Seiai no hibi, known in English as Uptown Lady: Days of Eros, and the star is the incomparable Izumi Shima, centerpiece of at least three dozen films for Nikkatsu Studios in a mere four years from 1977 to 1981. Here she plays the young wife of an old, blind classical dance teacher, and becomes the focus of romantic feelings from her husband's son from an earlier marriage. The two are around the same age, which is probably one reason Shima begins to have feelings too, though it's oh so very wrong. Would it be incest to boink your son-in-law? We don't know the legal ramifications, but it would certainly be a case of bad judgment. This exact type of bad judgment is of course standard territory for Nikkatsu, but under the direction of Masaru Konuma Seiai no hibi is gentler and more poetic than the usual fare. After seeing Shima receive forced enemas in other roman pornos this was a nice change.

Shima eventually gives in to her son-in-law in a hot and sweaty/oily sequence. The encounter features a sixty-nine and some pretty concentrated nipple licking by Shima that sent a ripple through our innards. Some guys don't like their nipples licked, but we think they're crazy. In our view, the nipples are a required pitstop on any excursion along the body, whatever the ultimate destination. Shima and her son-in-law have a second encounter, also of the wet and shiny variety, this time in a red-lit room, and once more it's a well shot and stimulating scene. But it's here that we must issue our standard warning to novices that roman porno is not porno—the appellation stands for “romantic porno,” and the movies are softcore, with no genitalia displayed. In order to find them stimulating, you have to use your imagination. That might be a problem for anyone under age thirty.

Anyway, for Shima's husband to not know something's going on he'd have to be blind—doh! rimshot! Read the premise again. He's a blind dance teacher. You know that cliché about the blind compensating with their other senses to the extent that they don't miss their vision at all? This movie hews to that concept. However, Shima's hubby is circumspect in marriage, if domineering as a teacher, so he doesn't let on that he knows—at first. Since Shima is not just his wife but also his star student, she has her career as a future natori to consider, and he knows that. How it eventually concludes we'll leave for you to discover on your own. We can tell you that serious roman porno enthusiasts tend to find this movie too sedate, but the less bizarre approach worked great for us. Of course, anything with Shima works great for us. Yamanote fujin: Seiai no hibi premiered in Japan today in 1980.

Japan Nikkatsu Uptown Lady: Days of Eros Yamanote fujin: Seiai no hibi Izumi Shima Megumi Ogawa poster art cinema pinku roman porno sexploitation nudity movie review

Intl. Notebook

May 30 2023

Reading for pleasure takes on a new dimension.

Remember that Paul H. Oelman nude we shared a while back? We thought we'd bring him back today because he has a shot that might be of interest to people who enjoy reading, which you see above. It's titled, for obvious reasons, “Bookends.” The model here, doubled to serve as both halves of the set, is unidentified. It seems as if Oelman didn't usually bother with attributions, which is no surprise, since he worked mainly with amateurs far from the professional model-filled coasts, in the unlikely base of Cincinnati. See the other Oelman and learn a little about him here.

Ohio Cincinnati Paul H. Oelman nudity

Vintage Pulp

May 27 2023

When America's borders are penetrated the government unleashes a load of C-Men.

This is a pretty interesting poster for the crime drama 'C'-Man, a movie dealing with the intrepid customs men who confiscate contraband passing through U.S. borders and arrest the criminals who broke the law. Though the possibility amuses us in the most juvenile way, we don't think customs men were ever called c-men, and the reason why is obvious. In any case, Dean Jagger stars as a New York City c-man who investigates the murder of his pal and colleague who'd been investigating a ring of jewel thieves. He goes undercover, takes a couple of beatings, and develops an affection for Lottie Elwen, who plays the dupe girlfriend of one of the smugglers.

This is strictly a low budget affair, barely viable even as a b-movie. It was shot fast, all the sound except for one nightclub scene was recorded natively, and it doesn't seem as if retakes were usually an option. There's no doubt the c-men will come out on top, and when you add in the opening thank-you to the “agents of the U.S. Treasury Department, without whose assistance this film could not have been made,” what you have is a cheap propaganda piece, one in which the lauded and noble subjects of the cinematic stroke job don't even come out looking that great. There are infinitely better vintage crime dramas, as well as better propaganda flicks, so in our opinion you can skip this one. 'C'-Man premiered today in 1949.

New York City 'C'-Man Dean Jagger Lottie Elwen John Carradine poster art cinema movie review

Femmes Fatales

May 27 2023

Ask not for whom the Bell is mistaken.

If you do an image search on the above photo, every website in which it exists (that would include Getty Images, Yahoo, CNN, et al) says it's Paula Kelly, shot during the making of the 1972 blaxploitation movie Trouble Man. There's just one problem—she isn't Paula Kelly. She's actually—and obviously, we think—Jean Bell, who appeared in such movies as TNT Jackson and Policewomen. Bell and Paula Kelly don't look alike, but just the same they're the victims of an IRE™ (internet replication error) that probably will never be corrected. We're not perfect here, but we also don't have a research department like CNN and Getty Images. Because of the misidentification we don't have a copyright on this shot, but it's probably from around 1974.

Trouble Man TNT Jackson Policewomen Jeanne Bell Jeanie Bell Jean Bell Paula Kelly blaxploitation

Femmes Fatales

May 25 2023

All the rules are in her favor.

Kyôko Enami poses here in a promo image made for her crime thriller Onna koroshiya: Mesu inu, known in English as Hitwoman Bitch and The Art of Assassination. Enami was a go-to actress during the 1960s and made about eighty films over the course of that decade alone, eventually ending up with more than one-hundred and sixty film and television credits. With output like that we'll probably circle back to her at some point. This shot was made in 1969.

Japan Onna koroshiya: Mesu inu Hitwoman Bitch The Art of Assassination Kyôko Enami

Vintage Pulp

May 24 2023

She's someone you really don't want to cross.

Above: two excellent posters for Onna shikaku manji, aka Mankiller, aka Eternal Killer Woman, which premiered today in 1969 starring Junko Miyazuno. You notice the swastika-looking graphic and the simlar tattoo on Junko's thigh? It's actually a symbol that predates Adolf and the Hitlerians, as we explained a while back at this post. We've had these posters for several years but had no luck finding the movie, so we finally gave up and decided to just upload the art. We think it's worth sharing even without info about the film, and hopefully you think so too.

Japan Toei Company Onna shikaku manji Mankiller Eternal Killer Woman Junko Miyazono Masumi Tachibana pinku poster art cinema

Vintage Pulp

May 16 2023

Don't lose hope. If we survive this we'll probably both get a chance to act in better movies.

This poster was made for the horror movie The Terror, and we're showing you the Japanese promo art because—as is often the case—it's nicer than the U.S. promo. Boris Karloff and Jack Nicholson star, actors passing in the night, Karloff aged seventy-six and on the downward slope of a legendary film career, Nicholson aged twenty-six on the upslope. The latter plays a French army lieutenant named Andre Duvalier who becomes stranded circa 1806 in ye olde creepy-ass castle on the hill, which is occupied by Karloff's rickety Baron Victor von Leppe. Jack sees a mysterious woman wandering around. Karloff explains that she's the ghost of his wife, the Baronness Ilsa von Leppe, who died twenty years ago. Nosy Nicholson doesn't believe that for a millisecond, but the Baron sticks to his story, even admitting he killed the Baronness with his bare hands for the crime of adultery. Nice confession, but the Baron is lying or being duped, as far as Nicholson is concerned. In either case, the question is why?

Director Roger Corman was working from an Edgar Allen Poe template here, and in fact he shot on castle sets originally used for The Raven, which had wrapped earlier in the year. It's always good to save a buck where you can, but any advantage was lost due to Corman working from an unfinished script, which led to reshoots by Francis Ford Coppola, Dennis Jakob, Monte Hellman, and Jack Hill. All that talent wasn't enough to put together a film befitting Nicholson and Karloff, but the two leads do their damndest, and the result, though not good, isn't an embarrassment. Afterward, Karloff continued coasting into the twilight, Nicholson and Coppola moved on to widespread acclaim, Hill helped launch the blaxploitation cycle and make a star of Pam Grier, and Hellman directed the cult masterpiece Two-Lane Blacktop. It's a miracle they all contributed something lasting to cinema, because you'd never suspect it watching The Terror. It premiered in the U.S. in 1963 and reached Japan today in 1964.