Teach, nurture, encourage, love. That all comes later. Right now, they're mainly focused on killing.
Yes, there are two movies called The Muthers. We covered the one from 1968 yesterday. Today we turn our attention to the unrelated blaxploitation flick, which premiered this month in 1976. Yesterday's Muthers was a simple nudie romp, rather innocent. Here eight years later we have a full blown savage adventure epic about a clan of female pirates who get themselves deliberately thrown in a coffee plantation/prison camp called Sal Si Puedes—Get Out If You Can—as part of a rescue mission. So what you basically have here is a women-in-prison movie, replete with sweat, cruelty, and a desperate plan to make a break for freedom.
Two of the pirates are portrayed by Playboy centerfolds Jeannie Bell and Rosanne Katon, while model Jayne Kennedy is a sort of privileged prisoner. Without getting too pervy about it, these are three of the more beautiful women from ’70s b-cinema. Another pirate is played by Trina Parks, who while she isn't otherworldly like the goddesses previously mentioned, is certainly plenty hot by any normal measure. We bring up their physical characteristics because it's exactly why director/writer/producer Cirio Santiago cast them. He was an exploitation producer/director nonpareil, and his milieu was putting beautiful women—among them Pam Grier, Judith Brown, Roberta Collins, Margaret Markov, and Colleen Camp—in roles where they drove the action.
The Muthers takes place in what is supposed to be Central America, but it was really produced in the good old Philippines by Santiago and the same people who gave the world movies like She Devils in Chains and Savage! The women Santiago has assembled here karate kick, rabbit punch, and machine gun a series of anonymous bad guys, finally working their way up the prison camp's commandant, played by Tony Carreon. Who comes out on top? You never know in these jungle epics, but you can count on the end being pyrotechnic. Do we recommend this? Well... in terms of sheer quality maybe not, but in terms of watching Bell, Katon, and Kennedy? For sure. Those girls are poison!
Hayes hits Italy in high gear.
Above, two nice Italian posters for É tempo di uccidere detective Treck, better known as Truck Turner, starring music icon Isaac Hayes. Though the movie is pretty bad, honestly, it has high octane action and one of the funniest scenes from the genre. You can find out what that scene is at our previous write-up. You may be wondering why the Italian distributors changed the main character's name to Treck. We don't know. There's no exact Italian release date for this, but it premiered in most European countries during the summer of 1975. The artist is uncredited.
Just call him the noble formerly known as Dracula.
We don't have to tell you what Blacula is. It's clear from the poster alone that it's a retelling of the Dracula legend. It's also an early high point for blaxploitation cinema. It isn't perfectly made, but as an allegory it's on the nose: centuries ago an African prince named Mamuwalde was transformed into a vampire out of sheer racist spite, cursed to eternal hunger, taken as cargo to a strange foreign land, and now fights to survive there, far from his home. William Marshall in the lead role is doubtless the sweatiest vampire in movie history, but he's good in what is by definition a patently absurd role. In supporting parts are Thalmus Rasulala, Denise Nicholas, and the ravishing Vonetta McGee, who Mamuwalde thinks is his long lost wife Luva and treats to some sweet vampire love. As pure horror Blacula is middling, and it's homophobic in parts, but audiences liked the film and made it one of the top grossers of the year. Despite its flaws the undead Prince Mamuwalde embodied a fresh approach to black themed cinema, and it's certainly fun to watch. It opened in the U.S. today in 1972.
Ray Milland and Rosie Grier put their heads together.
Is it fair to describe The Thing with Two Heads as a legendary movie? We think so. It's The Wild Ones taken to its shark jumping extreme thanks to the blaxploitation maestros at American International Pictures. Instead of a white convict and a black convict handcuffed together after a prison escape, this flick features a racist white doctor whose head is grafted onto a black patient's body. These two really hate each other, which is a serious problem considering they spend 24/7 at kissing distance, but they're stuck.
Ray Milland, who once won a Best Actor Oscar, is trying to prolong his own life. Grier is a convict on death row who donates his body to science. He has no idea what the science he's donated himself to entails, just that he'll avoid execution for thirty more days and buy time for his relatives and lawyer to prove his innocence. Sounds fun, right? Once Grier wakes up after surgery and realizes what's happened he flees with Milland's noggin riding helplessly along and decides to prove his innocence himself. But Milland is slowly gaining control of their body. You get the feeling this isn't going to end well.
The Thing with Two Heads is low budget, cheeseball, light on genuine humor, and perfunctory in its ending. And yet... how can one resist? Is it an ingenious parable about the historical theft of black bodies by white men? Or is it just a chunk of opportunistic schlock? Only the screenwriters know. We'll say this, though—considering how low this movie could have sunk (picture Milland looking down at Grier's dick and exclaiming, "Whoa! That's bigger than my Oscar!") it's actually pretty restrained. Put it in the better-with-alcohol category and don't watch it alone. It premiered in the U.S. today in 1972.
We suspect Le Corbusier would have wanted a model to enhance his furniture, not eclipse it altogether.
This image of Pam Grier, which came from a high-end auction site, is an eight-panel centerfold from an issue of Players magazine originally published in 1974. She's posed on a Le Corbusier lounge. Did you care at all? We have a feeling you didn't. Le Corbusier died in 1965, and if he hadn't, this surely would have made his heart stop. It's one of Grier's most provocative shots, and we can't not have it on the site, a type of imperative we've discussed before. We've also done something special with it, just for you. While it's only 433 pixels wide visually, the file is more than ten times that size digitally. Pull it off the page and you'll have your own 5,000 pixel image of one of U.S. cinema's most iconic stars. Or alternatively, you can just look at the chair.
Note: It turns out Le Corbusier didn't design this lounge after all. He was so famous by 1974 that he employed apprentice designers, tasked them with creating what he deemed minor items, but placed his studio's name on the final results. Though every website we checked gave Corbusier credit, this iconic piece of furniture was actually the work of Charlotte Perriand, who is, all these years later, also considered a grand master of modern design.
Brothers can you spare a production budget?
It's fair to suggest that most blaxploitation movies weren't good in the traditional sense. But The Dynamite Brothers, aka Stud Brown, which premiered in the U.S. this month in 1974, is probably close to the worst movie of the genre. It's a low budget The Wild Ones with a chop socky revenge thriller tacked on, and it has “rush job” scribbled all over it. Everything is off, from the direction to the screenplay to the sound effects. Not to put too fine a point on it, but it's films like this that helped kill blaxploitation.
Picture the first screening for the studio, Asam Film Company. Director Al Adamson managed to put up a brave front during the shooting schedule, but he's made his final cut and knows the movie is shit. He's cringing. He's slumped so low in his seat he looks like he's lost air pressure. He even considers scuttling for the exit during the second reel. If he stays low, like a crab, he might make it unseen. But he's still there when the lights come up, and various execs and investors are sitting around looking stunned. They're just white guys with money and don't know dick about this blaxploitation thing, so they have no idea what to think.
Finally someone ventures hopefully, “Was that good? Or...”
Someone else: “Al? Al? Where are you?”
Al: *sigh* “I'm down here.”
“What the hell are you doing on the floor?”
“Uh, my back. Laying flat helps with—”
“Were you hiding?”
“I was just—”
“Are we fucked?”
“Did you FUCK US?”
He fucked them. The Dynamite Brothers was an unremitting disaster. It turned out to be the only movie Asam Film Company ever made. Co-star Timothy Brown in particular had to be disappointed with the final product, considering his film debut was the all-time classic M*A*S*H, in which he played Corporal Judson. Top billed Alan Tang also had to be bummed. Back in Hong Kong when he was first approached about the project, someone told him mixing kung-fu into a blaxploitation flick was a no-brainer. Halfway through the screening he began to wonder if he'd misunderstood the meaning of that term.
Nevertheless, somehow both he and Brown survived The Dynamite Brothers and went on to have long careers, which is a tribute to their talent and persistence. Al Adamson kept working too, which is possibly a tribute to filmgoers' short memories. But like Bran the Broken in Game of Thrones, allow us to serve as the memory for all humanity here—steer clear of this one like the un-defused bomb it is. Get a tactical robot to delete it from your movie queue. It's baaaad. We don't mean cool-bad or funny-bad. It's just bad-bad.
Dobson welcomes a guest to her poster but there's still only one queen.
Above are two gorgeous Italian posters for the blaxploitation classics Cleopatra Jones: licenza di uccidere and Operazione casinò d'oro, better known as Cleopatra Jones and Cleopatra Jones and the Casino of Gold. The first poster is obviously a photo-illustration, but the second was painted by Robert Tanenbaum. It's an iteration of his original U.S. poster, which you see here as well, just below.
On the U.S. version star Tamara Dobson stands alone, but for the Italian promo a second figure appears to her right, representing we know not whom. You'll notice the Italy Dobson figure has lighter skin than on the U.S. poster, and lighter skin than her new sidekick. Was this a deliberate switcheroo? Were Italian moviegoers supposed to think the figure on the left, who was Dobson in the U.S., now represented co-star Stella Stevens? They probably did, even though Stella's face is present on both posters at about thigh level to the main figures. But we don't think Tannenbaum had any of that in mind. We think the second figure represents nobody and came out of his fertile imagination.
Something else interesting about these—Tannenbaum had no trouble reproducing Stella's face, but you'll notice none of the figures look like Tamara Dobson. Not unless you squint. Hmm. Well, even if he had trouble with Dobson's likeness, he did an amazing job on these pieces, which is no surprise considering he's a major contributor to cinematic art who painted promos for The Sting, Star Trek: The Next Generation, and other big budget releases. There are no known Italian release dates on these Cleopatra movies, but ballpark, figure summer 1974 and winter 1975. Read about them here and here.
She makes it look so Uzi.
This great photo stars U.S. actress Gloria Hendry and was made when she was filming the 1973 James Bond movie Live and Let Die. Of all the so-called Bond girls who appeared opposite the world's most famous spy through the decades, Hendry, with her toned arms and six-pack stomach, was one of the few who actually looked fit enough to survive the chaos. She didn't, though. Only one Bond girl generally got to survive each film and in this case it was Jane Seymour.
There are several variations of this photo floating around online, but the one above is our favorite. Hendry gives it her all, rocking her fantastic afro and looking every bit the lean, dangerous, counterculture CIA double agent she played in the film. But we also like the alternate version below, where she cracks a little smile, because machine gunning people can be fun too, at least in the movies. See another Hendry promo here.
If you've got the balls she's got the time.
Which movie star has the most posts ever on Pulp Intl.? Christina Lindberg? Humphrey Bogart? Reiko Ike? Marilyn Monroe? We haven't gone back over the decade of material we've shared and done a count, but blaxploitation star Pam Grier may be leading the pack. This photo of her in a cool tennis outfit is from 1976.
Prepare yourself for a Sykes-a-delic experience.
Above is a rare image of U.S. actress Brenda Sykes, who appeared in cinema and on television during a relatively brief ten year acting career from 1968 to 1978. She's pretty well remembered for someone who had such a short run. Some of this is due to her being one of the era's most beautiful performers, but she was also in cult classics like Cleopatra Jones and Mandingo, as well as on television shows like Police Woman. This shot is from a 1975 issue of Playboy Japan. We've cropped it above, and uploaded the full image below. |
The headlines that mattered yesteryear.
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
1938—Lysergic Acid Diethylamide Created
In Basel, Switzerland, at the Sandoz Laboratories, chemist Albert Hofmann creates the psychedelic compound Lysergic acid diethylamide, aka LSD, from a grain fungus.
1945—German Scientists Secretly Brought to U.S.
In a secret program codenamed Operation Paperclip, the United States Army admits 88 German scientists and engineers into the U.S. to help with the development of rocket technology. President Harry Truman ordered that Paperclip exclude members of the Nazi party, but in practice many Nazis who had been officially classified as dangerous were also brought to the U.S. after their backgrounds were whitewashed by Army officials.
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