Modern Pulp | May 31 2023 |

Just because she's high class doesn't mean she can't get down.
This lovely poster was made for the roman porno movie Yamanote fujin: Seiai no hibi, known in English as Uptown Lady: Days of Eros, and the star is the incomparable Izumi Shima, centerpiece of at least three dozen films for Nikkatsu Studios in a mere four years from 1977 to 1981. Here she plays the young wife of an old, blind classical dance teacher, and becomes the focus of romantic feelings from her husband's son from an earlier marriage. The two are around the same age, which is probably one reason Shima begins to have feelings too, though it's oh so very wrong. Would it be incest to boink your son-in-law? We don't know the legal ramifications, but it would certainly be a case of bad judgment. This exact type of bad judgment is of course standard territory for Nikkatsu, but under the direction of Masaru Konuma Seiai no hibi is gentler and more poetic than the usual fare. After seeing Shima receive forced enemas in other roman pornos this was a nice change.
Shima eventually gives in to her son-in-law in a hot and sweaty/oily sequence. The encounter features a sixty-nine and some pretty concentrated nipple licking by Shima that sent a ripple through our innards. Some guys don't like their nipples licked, but we think they're crazy. In our view, the nipples are a required pitstop on any excursion along the body, whatever the ultimate destination. Shima and her son-in-law have a second encounter, also of the wet and shiny variety, this time in a red-lit room, and once more it's a well shot and stimulating scene. But it's here that we must issue our standard warning to novices that roman porno is not porno—the appellation stands for “romantic porno,” and the movies are softcore, with no genitalia displayed. In order to find them stimulating, you have to use your imagination. That might be a problem for anyone under age thirty.
Anyway, for Shima's husband to not know something's going on he'd have to be blind—doh! rimshot! Read the premise again. He's a blind dance teacher. You know that cliché about the blind compensating with their other senses to the extent that they don't miss their vision at all? This movie hews to that concept. However, Shima's hubby is circumspect in marriage, if domineering as a teacher, so he doesn't let on that he knows—at first. Since Shima is not just his wife but also his star student, she has her career as a future natori to consider, and he knows that. How it eventually concludes we'll leave for you to discover on your own. We can tell you that serious roman porno enthusiasts tend to find this movie too sedate, but the less bizarre approach worked great for us. Of course, anything with Shima works great for us. Yamanote fujin: Seiai no hibi premiered in Japan today in 1980.








Femmes Fatales | Dec 21 2022 |

For that matter she can barely be bottomed.
Japanese actress Izumi Shima strikes a nice seaside pose in a 1978 issue of the men's magazine Weekly Playboy. In text we've cropped out, the image mentions two of her upcoming movies—Kyoshi mejika, aka Teacher Deer, and Danchizuma: Futari dake no yoru, aka Apartment Wife: Night by Ourselves, and gives a mailing address for fans to write “love letters” to her at Nikkatsu Studios in Tokyo. The mail must have arrived by the cartload. We have more Shima shots from this session that we'll share later.
Vintage Pulp | Jun 3 2022 |

A classic case of accessory before the act.
We were enticed to watch the film Wakazuma ga nureru toki, aka When a Young Wife Gets Wet for two reasons: Izumi. Shima. We consider her to be among the most beautiful of stars from the late 1970s early 1980s, and we had to find out why she was on the above poster sporting a dimestore wig and grease pencil mole. We should have seen it coming, considering she features two distinct looks here, but what you get is Shima as a woman who lives a double life. In one she's a housewife and in the other—as if you couldn't guess—she's a prostitute.
The movie has a plot we suspect only male filmmakers could come up with. Shima suffers a rape before her marriage, though justice of a sort is later applied, and afterward she seems to lead a happily wedded life. But nobody knows that she also haunts the alleys of Yokohama's red light district to repeatedly relive her degradation. Obviously, she needs to keep this second life secret, and when threatened we find that she'll do anything to avoid exposure. We do mean anything.
The movie, which came from Nikkatsu Studios and is part of its roman porno cycle, is more atmospheric than most from the genre. It's quite dark in parts—visually we mean—with a nervous jazz score that brings to mind the 2014 hit Birdman. The nice accompaniment helps, but the plot treads the same old territory, with screenwriter Masayasu Ôebara exploring the madonna-whore complex on behalf of the audience. In the end Wakazuma ga nureru toki is memorable only because it stars the radiant Shima. It premiered in Japan today in 1978.

Vintage Pulp | Aug 20 2021 |

There's nothing like a walk in the woods to put you in touch with yourself.
Back in 2015 we shared several posters for a movie called Tokyo Chatterly fujin, made in Japan and later released in English as Lady Chatterley in Tokyo. Above is the original Japanese poster featuring Izumi Shima getting turned on in the woods. It's an extremely interesting film, inspired by D.H. Lawrence obviously, and dealing with the sexual frustrations and peccadilloes of a beautiful one percenter who can't keep her mitts off the gardener. Or maybe he can't keep his mitts off her. We forget. But we remember we liked it. Of course, we'll watch Shima in anything, so perhaps we're not objective. The movie premiered in Japan today in 1977, and you can read more about it here.
Modern Pulp | May 14 2021 |

When they gave out maternal instincts Izumi Shima forgot to sign up for her dose.
In Japanese, “haha” means mother, and in Waisetsu kazoku: haha to musume, known in English as Indecent Family: Mother and Daughter, there's a mother who certainly qualifies as funny. Funny as in strange. Mommy dearest is none other than Izumi Shima, one of our favorite pinku actresses, as we've demonstrated numerous times, such as here and here. The idea of her having had a child in this movie defies credulity. She was twenty-nine in it, while Yōko Morimura, who plays her daughter, was at least eighteen. But whatever, it's Nikkatsu roman porno, so you have to go with it.
Plotwise, a middle-aged sad sack played by Akira Shioji makes a connection with Morimura while she's dancing at a strip bar called Mississippi Queen, and she comes to live with him. Never let a stripper move in with you. Every man knows that. But not Shioji, apparently. In short order Morimura's mother Shima moves in too. At first Shioji is pretty thrilled with this arrangement, but it isn't long before Shima decides to show him that mothers know things daughters don't. And that, of course, is the beginning of his problems. Since this is a roman porno, we don't have to detail all the things that go on—you know what to expect, and you know things don't often end well.
You also know there's usually a leftfield subplot, and in this case it has to do with Shioji's house being coveted by his nephew in order to sell it for hotel development. Or something like that. Doesn't matter, because the plot is just a framing device for nudity and cleverly simulated sex. As we've noted before, it's amazing how raunchy a film can be yet not show very much. Shioji and Morimura's sixty-nine session about halfway through is a case in point. You'll really believe he's getting up in her rump. All very fun, and we were especially happy there was no pee. It's a roman porno staple we can do without. For that reason alone we give Waisetsu kazoku: haha to musume a cautious thumbs up. It premiered in Japan today in 1982.

















Bonus material below: a couple of promo photos of Morimura and Shima.



Vintage Pulp | Mar 18 2021 |

The things she can teach can't be learned from books.
Falling squarely into the could-not-be-made-today category, the roman porno flick Kyōshi mejika, which in English was titled Teacher Deer, or sometimes Teacher Doe, stars Hitomi Sakae and premiered in Japan today in 1978. When we first meet Sakae, she beats the shit out of three guys who are committing a sexual assault. Soon afterward we learn she's a biology teacher at a stuffy learning institution called Hakuho High School. Thus we've seen her tough side, and her brainy side. There's one more side, which she shows when she explains anatomy to her class by, well, have a look below:


You'd think this would make her classes pretty popular, at least with the boys, but the students boycott her and the faculty is scandalized. Things get a little blurry here, because her character is supposed to be mixed race. This actually may have been true of Sakae in real life too, though we can't confirm that. In any case, it may contribute to her outsider status at the school, though we can't confirm that either, because some subtleties in Japanese films are beyond us. But we've learned what her character is—tough, smart, and highly sexual.
After she gets chewed out by the school principal for her unusual teaching methods, she and math teacher Izumi Shima go out to commiserate. They pick up a photographer and have a threesome with him, after which Sakae leaves Shima in his company. Shima then turns up missing. The investigation into her disappearance uncovers some naughty photos from threesome night, and from that point things go in directions nobody could have guessed. Suffice it to say that teacher deer's presence at Hakuho High is more than it seems.
We said this movie couldn't be made today, but not because it's racy. It's the high school sex angle. High school implies non-adults, and that's obviously a cinematic no-no—for good reason. In terms of actual visible sexual content, though, Kyōshi mejika is mild for the genre. On one level we're thankful for that, because these flicks can get purely crazy. But on another level, the film isn't terribly creative in terms of plot. We consider it a non-representative example of Nikkatsu Studios' roman porno output, but that makes it one you can come away from feeling relatively okay about yourself.
Vintage Pulp | Oct 27 2020 |

Yes, yes! A thousand and one times, yes!
Yes! We're excited because we found yet another astonishingly rare Japanese poster. This was made to promote Tokyo eros senya ichiya, which would translate approximately as “Tokyo One Thousand and One Nights,” but is known in English as Eros Nights in Tokyo. You won't see this anywhere else. At least not uncensored. Now the bad news. Just like a few years ago when we shared the film's standard promo, we're still looking for a damn copy to watch. It stars Izumi Shima, Ayako Meki, and Erina Miyai, and that's a trio we want to see anytime. But it'll have to wait. In the meantime, gaze upon the celestial Izumi in a zoom below, and check her out here and here. For that matter, check out Irina Miyai here. Tokyo eros senya ichiya premiered in Japan today in 1979.
Femmes Fatales | Nov 2 2019 |

Seems like she always gets roped into these situations.
Izumi Shima seems too ethereally beautiful to be an icon of ’80s roman porno flicks, yet that's what she is. She was popular in those roles partly because she looks innocent, and innocence corrupted is a standard theme in the genre. We've talked about her often, so just click her keywords to find more. This photo of her dates from 1983.
Vintage Pulp | Oct 6 2019 |

No wonder divorce rates are sky high.
Did we mention that the Pulp Intl. girlfriends are out of town? No? Well, they are, so it's time to screen the craziest shit vintage cinema has to offer—’70s roman porno. We don't truly understand the films, but we try. What we do understand is that on some level the previous decades' restraint in Japanese cinema was being challenged by filmmakers given almost total artistic control, as long as the films had four sex scenes per hour. So what you get is a lot of daring explorations of previously untouchable themes, and a lot of visual artistry designed to titillate without violating censorship restrictions. Japan's oldest studio, Nikkatsu, made these films, and many were hits with both audiences and critics (who we suspect in both cases were preponderantly male).
The above poster was made to promote Dan Oniroku hanayome ningyo, aka Bridal Doll, which is based on the writings of acclaimed author Oniroku Dan, and stars Asako Kurayoshi in her cinematic debut as a woman who's sold to a man as a bdsm sex slave. It's pretty twisted. Not only does he dress her as a bride, but he has a glass walled bathroom so he can watch her do her business, and at one point literally has her shackled to a ball and chain. But his idyllic set-up goes awry when a neighbor learns what's going on and decides to save Asako. He does this by kidnapping the sadist's wife, who's played by the luminous Izumi Shima, putting her through similar ordeals, then proposing a swap.
Does this swap go as planned? Well, we won't tell you that. We will, however, remind you that there are three true outcomes in roman porno: irony, tragedy, and ambiguity. Nobody ever gets out happy. At least not often. They're always transformed by their ordeals, one way or another. As always, not being Japanese and lacking the lifetime of cultural knowledge that would bring, we know there's more going on here than we can discern. But we still can't recommend this one as anything other than Shima eye candy. And you get that by looking below. So maybe save the seventy-one minutes for a walk in the sunshine. Dan Oniroku hanayome ningyo premiered in Japan today in 1979.
Does this swap go as planned? Well, we won't tell you that. We will, however, remind you that there are three true outcomes in roman porno: irony, tragedy, and ambiguity. Nobody ever gets out happy. At least not often. They're always transformed by their ordeals, one way or another. As always, not being Japanese and lacking the lifetime of cultural knowledge that would bring, we know there's more going on here than we can discern. But we still can't recommend this one as anything other than Shima eye candy. And you get that by looking below. So maybe save the seventy-one minutes for a walk in the sunshine. Dan Oniroku hanayome ningyo premiered in Japan today in 1979.
Modern Pulp | Sep 29 2019 |

Junko Mabuko is unjustly detained yet again.
It's Junko Mabuki again, beset by her usual troubles on this poster for the roman porno flick Dan Oniroku joen fujin, which premiered in Japan today in 1980. This movie seems to have been retitled for its English language release either Blazing Bondage Lady or Madam Rope Flame. Different sites say it's one or the other, but both titles kind of mean the same thing, so both are probably correct.
How does Junko get caged? It's her husband's fault. He accidentally runs over a woman who's a star S&M performer and her widower shows up to claim Junko as his own (and as a bonus also kidnaps her sister, played by the ethereal Izumi Shima). Junko's captor introduces her to aspects of bdsm such as whipping and enemas (always a favorite of roman porno flicks), and her shame and resistance eventually turn to acceptance and pleasure.
Mabuki burst onto the roman porno scene in 1979 and in 1980 made a dozen films. Nikkatsu thought they had another Naomi Tani on their hands and even staged a press conference at which they introduced Mabuki to the assembled journalists while she was done up in bondage gear. These types of publicity stunts weren't unusual for Nikkatsu. They had barely enough time to congratulate themselves for finding a new star when in 1982 Junko abruptly retired.
Mabuki burst onto the roman porno scene in 1979 and in 1980 made a dozen films. Nikkatsu thought they had another Naomi Tani on their hands and even staged a press conference at which they introduced Mabuki to the assembled journalists while she was done up in bondage gear. These types of publicity stunts weren't unusual for Nikkatsu. They had barely enough time to congratulate themselves for finding a new star when in 1982 Junko abruptly retired.
But Mabuki left behind more than a dozen films and established herself as one of the era's most popular stars. Even so, we rarely recommend these movies and can't recommend this one either, but we love roman porno posters, which taken out of context are always amazing art pieces. Junko is like art too, below. Rest assured, this is not the last we'll see of her.
