If you find yourself in Tokyo today, Cinema Laputa Asagaya is hosting a retrospective of films featuring two of the biggest pinku stars of the 1970s—Reiko Ike and Miki Sugimoto, who are not only big stars but also Pulp Intl. faves who we've discussed many times. A new film will be featured every weekend until April 1, with all the pair's most legendary efforts appearing on the program, including Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale (discussed here and here), Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, for which you can see the badass promo poster here, and of course Furyô anego den: Inoshika Ochô, aka Sex & Fury, which we talked about way back in 2009. There will be thirteen films in all, and the festival represents the best chance to see all these movies on a big screen in many years, and in a pretty cool location too. If you're in the vicinity, don't miss it.

If the Siri voice application for iPad is ever given a visual form, we vote for this one. The two panels above show lovely Japanese actress Sayaka Seri, aka Meika Seri, who made her debut in 1973 with Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale: Inquisition and Torture, but became well known for the Nikkatsu hit (Maruhi) shikijô mesu ichiba, aka Secret Chronicle: She Beast Market, which was released in 1974. These photos date from that year. You may be wondering if Seri keeps disrobing in subsequent shots. Actually, she does, and if you're really good maybe we'll show you those a bit later.

Here’s an alternate version of a poster we shared a while ago. It’s for Reiko Ike’s seminal pinku Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale. Haven’t seen the movie? It isn’t for everyone, that’s for sure. We tell you a bit about it here. Yasagure anego den premiered in Japan today in 1973. 

Less than five minutes into Yasagure anego den: sôkatsu rinchi, aka Female Yakuza Tale: Inquisition and Torture, Reiko Ike is already hanging nude by her wrists being, well, queried and tortured. But as the poster makes clear, her tormentors pay for their indiscretions at the point of her sword. The plot here concerns Reiko being framed for a crotch-gouge murder (self-explanatory, no?), and the featured set pieces include one in which a man throws bullets almost as effectively as if he’d shot them from a gun, and another in which a gang of about thirty nude women get into a melee against various hapless Yakuza. Naturally, Reiko strips down as well, once during a reprise of her nude sword fight from the classic prequel to this film, and once to prove she isn’t hiding something up her sleeve during a card game. She is hiding something, but a little misdirection goes a long way—when she whips off her kimono to expose her tattooed body she also flings the evidence away undetected. The gangster who accused her must pay with three fingers and Reiko—always a friend to other women—spares the middle one because every man needs that one to keep his girl satisfied. Yep, it’s that kind of film. Filled with slapped faces, avulsed digits, and invaded body cavities, Yasagure anego den: sôkatsu rinchi is pretty much everything we expect from pinky violence, and more. It opened in Japan today in 1973.