 An American crime story.  
Written by The Gordons, who were the tandem of spouses Gordon Gordon and Mildred Gordon, FBI Story follows Agent John Ripley as he investigates the disappearance of a woman named Genie. She's wanted for theft by the FBI, and by the Los Angeles police as a person of interest in a murder case. Ripley finds that he and the missing woman have a lot in common, a fact revealed by his perusal of her bookshelf and diary. Is she really a criminal or just a desperate woman in deep trouble? As the investigation unfolds and the search spans the entire United States, we learn that other people are after her, including a millionaire American fascist who looks like Hitler and rants about the master race. Eventually Ripley uncovers jewel thievery, treason, and the mysterious Genie herself. Originally published in hardback on the heels of World War II in 1950, FBI Story delves deeply into the weariness and cynicism of combat vets, of which Ripley is one, yet all the agents are unswervingly dutiful and honest. Considering the fact that the novel is dedicated to J. Edgar Hoover, one could be excused for branding it propaganda. In fact, Gordon Gordon was an ex-FBI agent and had J. Edgar Hoover approve his work. Even so, FBI Story is generally considered a good read. It was later turned into a movie starring James Stewart and Vera Miles. The Bantam edition of the book is from 1955 with uncredited art, and the Corgi one appeared in 1957 with Mitchell Hooks on the cover chores.
 Italian master’s genius spanned decades.
Back in August we showed you a poster from Luigi Martinati, who worked from 1923 to 1967, and said we'd get back to him. Below, seven more great promotional pieces with his distinctive signature on each.
 
To Have and Have Not 
On the Waterfront 
Phantom of the Rue Morgue 
Humoresque 
Flamingo Road 
The Wrong Man
 Even visionary filmmakers sometimes don't see clearly. 
Vera Miles is most famous as the actress who gets to survive Alfred Hitchcock’s Psycho. She worked with Hitchcock on many films, but had other worthy roles, including in The Man Who Shot Liberty Valance, The Wrong Man, and just about every television detective series of the 1970s. She claims she was never able to never please Hitchcock because she wasn’t sexy enough. This shot proves Alfred needed glasses. It’s circa 1955.
 Ralph, this wasn’t what I meant when I said I needed a little pick-me-up. 
Ralph Meeker and Vera Miles joke around on the Hollywood set of the television series Alfred Hitchcock Presents. The episode they starred in was the series debut “Revenge,” and is considered by many to be the pinnacle of the show’s seven-year run. Meeker would appear in three more episodes of the series and many movies, while Miles would co-star memorably in Hitchcock’s Psycho. The photo dates from 1955.
 Only the good go to sleep at night. 
The French coined the term film noir, so it seems only fitting to feature a collection of French posters celebrating the genre. Above and below are fifteen examples promoting films noir from France, Britain, and the U.S., representing some of the best ever produced within the art form, as well as some less celebrated examples that we happen to love. Of those, we highly recommend seeing Le salaire de la peur, for which you see the poster above, and Ride the Pink Horse, below, which played as Et tournent les chevaux de bois in France. Just a word about those films (and feel free to skip ahead to the art, because really, who has time these days to listen to a couple of anonymous internet scribes ramble on about old movies?). 1953’s Le salaire de la peur is about a group of men stranded in an oil company town in the mountains of Latin America. In order to earn the wages to get out, four of them agree to drive two trucks filled with nitroglycerine over many miles of dangerous terrain. The idea is to use the chemicals to put out a raging oil well fire that is consuming company profits by the second, but of course the film is really about whether the men can even get there alive. Le salaire de la peur was critically praised when released in Europe, but in the U.S., political factions raised their ugly heads and got censors to crudely re-edit the prints so as to reduce the movie’s anti-capitalist (and by extension anti-American) subtext. The movie was later remade by Hollywood twice—once in 1958 as Hell’s Highway, and again in 1977 as Sorcerer. The original is by far the best.
1947’s Ride the Pink Horse is an obscure noir, but a quintessential one, in our opinion. If many noirs feature embittered World War II vets as their anti-heroes, Robert Montgomery’s Lucky Gagin is the bitterest of them all. He arrives in a New Mexico border town on a quest to avenge the death of a friend. The plot is thin—or perhaps stripped down would be a better description—but Montgomery’s atmospheric direction makes up for that. Like a lot of mid-century films featuring ethnic characters, the most important one is played by a white actor (Wanda Hendrix, in a coating of what looks like brown shoe polish). It's racist, for sure, but within the universe of the film Lucky Gagin sees everyone around him only as obstacles or allies—i.e., equals within his own distinct worldview. So that makes up for it. Or maybe not. In any case, we think Ride the Pink Horse is worth a look. Thirteen more posters below.
 She’s so going to need therapy after this. 
Here’s a rarity. It’s a poster from the former Yugoslavia (such items are commonly referred to as “Exyu”) for Alfred Hitchcock’s Psycho, featuring a photo, not of doomed Janet Leigh who met her end in the shower, but of Vera Miles, who plays Leigh’s sister. With the help of John Gavin, Miles ends up poking around the Bates Motel looking for clues to her sis’s disappearance. Safe to say she never expected what she found. See a Czech Psycho poster here.
 The women inside the movie camera.
Below are eighteen timeless Hollywood leading ladies, some well-known, some less so, but all gleamingly beautiful. They are, top to bottom, Mari Blanchard, Carmen Phillips, Grace Kelly, Jane Adams, Joan Vohs, Martha Hyer, Laurette Luez, Tippi Hedren, Marguerite Chapman, Janet Leigh, Venetia Stevenson, Annabella, Muriel Barr, Lana Turner, Kim Novak, Paula Drew, Ann-Margret, and Vera Miles. Happy New Year.
                 
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The headlines that mattered yesteryear.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest. 1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era. 1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years. 1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
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