The Naked City | Jan 20 2015 |

This photo made today in 1959 shows a woman named Jessie Mae Noah, who Los Angeles police had arrested and were questioning in connection to a crime that had occurred seven weeks earlier. On that December night a Samuel Goldwyn Studios suit named Kenneth Savoy walked into the In Between Café on Melrose Avenue during the time two men—one holding a sawed-off shotgun—were in the process of robbing it. Having collected the money and valuables of eight patrons and the contents of the cash register, they demanded Savoy’s wallet, and perhaps having watched too many of his own movies, he replied that if they wanted it they’d have to shoot him. That hard-boiled response earned him a load of buckshot in the stomach. The robbers scampered to their getaway car—where Jessie Mae Noah was waiting in the rear seat—and fled the scene.
After police published composite sketches of the robbers in the newspapers, Noah contacted police, resulting in the photo op at top. The robbers—George Scott and Curtis Lichtenwalter—were arrested later (for those who wonder whether composite sketches are ever accurate, check the comparison between Scott and his likeness at bottom).
Scott had fled all the way to Texarkana, Arkansas, and gave up only after a shoot-out with police at a motel. Jessie Mae Noah claimed she’d had no idea her two acquaintances were planning a robbery, and that she had simply gone for a ride with them for kicks. She avoided a murder charge, but Scott and Lichenwalter were both found guilty of robbery and first degree homicide. Scott—the triggerman—was gassed to death by the state of California in September 1960. And as for the victim Kenneth Savoy, you have to wonder what he thought in that instant when the shotgun went off. We suspect he thought that maybe calling bluffs was something best left to the stars of action films.
Hollywoodland | Mar 6 2012 |

Here’s a rare promo shot from the 1933 pre-Hays Code musical Roman Scandals, an interesting film about a guy from West Rome, Oklahoma who has a vivid dream that he lives in ancient Rome. If you can deal with the sight of Eddie Cantor cavorting in blackface, it’s probably worth a rental. The movie was produced by the Samuel Goldwyn Company, and starred Sam Goldwyn’s dance troupe the Goldwyn Girls, whose most famous ex-member is Lucille Ball. And in fact, that’s Lucille Ball above, on the right, though it may be hard to believe. Trust us, though. The Hays Code, by the way, was actually enacted in 1930 but ignored until 1934, which is why cinema historians consider Roman Scandals to be a pre-Code production. The Code was finally ditched in 1968, but unfortunately in favor of the almost equally arbitrary MPAA rating system. Below, just for the fun of it, we’ve posted the back of the photo because with its writing and tape marks it strikes us as a pretty nice piece of abstract art. And at bottom we’ve posted a much clearer shot of Miss Ball.
Vintage Pulp | Musiquarium | Nov 12 2009 |

