 He fell for her—hook, line, and sinker. 
Above is a nice cover for Ed Lacy's Blonde Bait. We talked about Lacy recently—he was a white writer who lived much of his life in Harlem and wrote many black characters. Blonde Bait isn't one of those books. It's about a guy named Mickey who's sailing the Florida Keys on his yacht and comes across a woman stranded on a sand bar. Strangely, she has a suitcase. Her name is Rose, and how she got there, as well as what's in the bag, is what the book is all about. That and whether she's telling the truth about highly connected and dangerous men trying to kill her. Lacy wasn't a master stylist—at least not this time around—but for those who like books with boats, islands, and mysterious femmes fatales, this one will fit the bill. The art on this beautiful 1959 Zenith Books edition is by Rudy Nappi.
 Just let me out! I know a little about cars and I don't think that's what four-on-the-floor really is. 
Four-on-the-floor. Too easy, right? Well, we could have gone with dipstick or blowing a tranny, but those are even easier. 1959's Night of Shame deals with anonymous partners in a one night stand whose lives are complicated by their constant desire for each other. Later, they meet again by chance and rekindle their affair, only to discover, as Mr. Spock once so eloquently put it, that having is not so pleasing a thing after all as wanting. The beautiful cover on this is unattributed, but it could be Rudy Nappi. We reached that conclusion because it was definitely painted by the same artist who did this cover, which is identified as Nappi's work in Gary Lovisi's Dames, Dolls and Delinquents: A Collector's Guide to Sexy Pulp Fiction. Problem is, we don't actually think that cover is Nappi either. We think it's Howell Dodd. This wouldn't be the first time we've doubted Lovisi, but what do we know? We didn't write a whole book on the subject. So, okay, call this one Nappi.* *psst—it's Dodd.
 Next challenge—getting the potato chips from the kitchen without moving any part of my body. 
Reefer Girl is one of the most collectible vintage paperbacks in existence. How collectible? We saw someone selling it for $750, which is quite an ask, considering it was going for $125 just five years ago. Both prices are an awful lot of money for something that, if you leave it on a table for a few minutes, you might walk back into the room to find your girlfriend swatting a fly with it. We've uploaded the rear of the book below so you can see how funny author Jane Manning's, aka Ruth Manoff's take on weed is. The book was published in 1956, and here we are sixty-one years later having made the journey from marijuana being an object of total hysteria to it reaching legal status in multiple parts of the U.S. That's progess—for as long as it lasts, at least. The cover art here is by Rudy Nappi, and his stuff is always top quality.
 You're just in time. Your apartment's on fire. Someone threw matches in the window. Someone who doesn't like waiting I bet. 
Whenever we see this sort of distinctively sculpted red hair on a cover femme fatale we think the artist is Howell Dodd, but Gary Lovisi's Dames, Dolls and Delinquents: A Collector's Guide to Sexy Pulp Fiction says this is actually Rudy Nappi's work on the front of Orrie Hitt's Sheba. Nappi did his share of sculpturally coifed redheads, so Lovisi is probably right. The cover banner says Sheba Irons would sell anything, which might be true, but her actual job, once she secures it, is to sell cars. She and the other employees at the dealership sucker customers into unscrupulous financing deals, but this is Hitt fiction, which means the details of the business are minimal—the recipe here is sex and scandal. The men at the dealership all want Sheba, and when they eventually find leverage they seek revenge for having been rejected. We've seen this called one of Hitt's worst books, but anyone who would say that really doesn't know Hitt. There's no worst—they're all bad. This one is solidly middle-of-the-road for him.
 Then she realized she had an aptitude for it and today she's the very best. 
Above, She Tried To Be Good, by the prolific Florence Stonebraker for Venus Books, 1951. The cover is the flawless work of Rudy Nappi, whose output we've shown you before. We think this is one of the most beautiful illustrations of the mid-century era, and we suspect we're not alone in that opinion. We'll have more from Nappi a bit later.
 When girl meets girl sparks fly. 
Above and below is a small percentage of some of the thousands of lesbian themed paperback covers that appeared during the mid-century period, with art by Paul Rader, Fred Fixler, Harry Schaare, Rudy Nappi, Charles Copeland, and others, as well as a few interesting photographed fronts. The collection ends with the classic Satan Was a Lesbian, which you’ve probably seen before, but which no collection like this is complete without. Hopefully most of the others will be new to you. Needless to say, almost all were written by men, and in that sense are really hetero books reflecting hetero fantasies (fueled by hetero misconceptions and slander). You can see plenty more in this vein on the website Strange Sisters.                                              
 What happens in the sticks stays in the sticks. 
More hicksploitation from Hallam Whitney, aka Harry Whittington—Backwoods Shack, for Carnival Books, digest format with great cover art by Rudy Nappi. A love triangle in the Florida outback is centered on hot-to-trot “backwoods trash” Lora and her two suitors, uptight Roger and proudly countrified Cliff. 1954 copyright.
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The headlines that mattered yesteryear.
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn. 1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land. 1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection. 1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
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