Vintage Pulp Jan 10 2020
TROUBLE IS PARADISE
As far as they're concerned no crime means no fun.


The 1994 romantic action movie I Love Trouble is unrelated to the original from 1948, for which you see a beautiful promo poster above. The first I Love Trouble is a film noir, a neglected one not often mentioned as an entry in the genre. Franchot Tone stars as a detective hired by a politician to look into his wife's background. He's been getting anonymous notes implicating her in some sort of illegality. As Tone chases clues from L.A. to Portland, his investigation uncovers blackmail and hidden identities, and of course a love interest pops up in the form of the wife's sister. With its smug private dick and regular interjections of humor the movie feels derivative of The Maltese Falcon, and its romance angle is incongruous, but Tone is cool in his detective role and carries the weight of the narrative nicely. The cast is a who's-who of stars and soon-to-be stars, including Adele Jergens, John Ireland, Tom Powers, and Raymond Burr. If that doesn't pique your interest you just don't love trouble. I Love Trouble premiered today in 1948 and went into to wide release January 15.

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Vintage Pulp Mar 4 2017
WINDOWS EXPLORER
James Stewart sees the sights without ever leaving his apartment.


Belgian movie posters are often quite beautiful. We've already shared frameworthy examples for Vanessa and A Thousand and One Nights, as well as a few others, and above you see a promo for Alfred Hitchcock's classic Rear Window. The movie premiered in 1954 and first played in Belgium today in 1955, where it was titled Fenêtre sur cour, which means “window on the courtyard.” The poster was printed by S.P.R.L. Belgique and the artist is Wik, someone who is simultaneously well represented in vintage poster circles while being a total mystery. We plan to dig around, see if we can find more info on this person.

Everyone has a favorite Hitchcock movie. Rear Window is ours. The story, the stars, and the look of the film are all great, and the idea of everyone's lives under a microscope foreshadows the world in which we live in today. Raised shades aren't needed, though—metadata tells corporations and governments more than a glance in a window ever could. In Rear Window, once Jimmy Stewart realizes he is able to spy, he does it even though he knows it's wrong, and once he suspects a crime has been committed, any sense of guilt disappears—instead he feels entitled to intrude. Maybe that's why today's digital spies always claim to be ferreting out crime—because they know most people will accept that as an excuse.
 
But you don't need us to analyze Rear Window. More qualified writers have gone over every frame of the film. Instead we've decided to show you below what Stewart was looking at, thanks to series of promo images we managed to locate. Thus you see, from top to bottom, the rear courtyard which encompasses the story, the newlyweds Rand Harper and Havis Davenport, the murder suspect Raymond Burr, Miss Torso played by Georgine Darcy, Miss Lonely Hearts played by Judith Evelyn, and Grace Kelly with sidekick Thelma Ritter digging for body parts in the garden. If you haven't seen the film, definitely watch it. You'll have fun.
 
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Vintage Pulp Jan 22 2016
VOYEUR'S DELIGHT
Stewart violates the norms of neighborliness and ends up with a mystery on his hands.


Above are two iconic posters for Alfred Hitchcock’s Rear Window, 1954. This is a great movie, but definitively not a film noir—instead it’s a big Technicolor drama, bright and vibrant in a way movies aren’t today. It’s also only nominally a mystery, as the question is never who is the murder suspect, nor who is the murder victim, but whether there was actually a murder at all. This is one of Hitchcock’s greatest achievements, with James Stewart at his likeable best even as a voyeur, and Grace Kelly fueling the fantasies of male cinemagoers as the perfect girlfriend Lisa Fremont. Is the movie perfect? No. It fumbles its attempt to underline Stewart’s reckless nature, putting him in a wheelchair for the unbelievable act of running onto the middle of a Formula 1 track to get a photo. It also requires the audience to believe he can see all from his apartment, but his neighbors never notice him. Yet Rear Window overcomes those annoyances and is deservedly considered an all-time classic. Seeing it on the big screen as patrons of the Noir City Film Festival will tonight would be a treat, but see it in any case. 

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Vintage Pulp Aug 24 2011
TRAVAILS WITH LIZABETH
Write a check with your pecker and you may have to cash it with your ass.

We watched Pitfall for the first time yesterday, and like many noirs the main takeaway here is to be thankful for what you’ve got. Dick Powell plays an insurance investigator, and even though he’s married to Jane Wyatt, he loses a philosophical debate with his own penis and ends up in Lizabeth Scott’s bed. But these fast women are never truly single—there’s always a recent ex and a raft of current admirers. Scott’s ex isn’t the main worry, since he’s cooling his heels in county, but her number one admirer is a gumshoe played by Raymond Burr and he's the sinister scheming type who is capable of just about anything.

When the ex eventually gets out of jail, Burr realizes his plan to have Scott is in jeopardy, so he decides to pit the ex against Powell, which should result in one murder and one long prison sentence. Afterward he’ll just scoop up Lizabeth and sail away with her. Did we mention she despises him? Well, no matter—like all sociopaths, Burr figures she’ll come to love him in due time, especially when she finally understands that his violent tendencies are just a symptom of his devotion.

Pitfall is a serviceable noir, but it isn’t top notch. The main problem for us is simply that Lizabeth Scott isn’t alluring enough to make us believe a husband would spurn the lovely and supportive Jane Wyatt. We understand that in real life these matters are complicated, but this is a movie and if Powell is going to stray, we think his marriage should be unhappy, or Scott should have more going for her than a platinum coif. Neither is the case, and so his tumble into Scott’s arms is a bit inexplicable. But hey, we’re quibbling. This is a decent movie, and we recommend it. Pitfall premiered in the U.S. today in 1948. 

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Vintage Pulp Jun 2 2009
SERIAL ’ZILLA
Forget that Cloverfield monster. No beast destroys a city like ’Zilla the killa.

Series of random Japanese Godzilla posters, circa 1950s & ’60s.  Look closely and you’ll see Raymond Burr peering from the bottom of 1956’s Godzilla, King of the Monsters. 

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History Rewind
The headlines that mattered yesteryear.
February 26
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
February 25
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
February 24
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
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