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Pulp International - Cheyenne
Vintage Pulp Nov 4 2023
BULLET POINTS
Say it with words! Seriously! I very much prefer words!


Say It with Bullets was written by Richard Powell and published by Graphic Books in 1954 with great Walter Popp cover art of the instant before all hell breaks loose in a bar. It's the tale of a man named Bill Wayne who, while serving as a pilot in China in World War II, is shot by another pilot, one of five who betray him over half a million dollars in contraband gold. He's left behind but survives, and years later, now in the U.S., has found where each of his almost-killers are residing. He books a spot on a cross-country bus tour called Treasure Trip of the Old West that happens to be passing through those cities, and plans to dispose of his compatriots one by one.

So, obviously, booking a tour that goes through Cheyenne, Salt Lake City, Reno, San Francisco, and Los Angeles, where one's betrayers coincidentally live, is a reach. Actually, let's just call it impossible. But we're believers in accepting the premise of a book, and since Powell explains this set-up in paragraph five we were willing to go with it. Need we say that revenge isn't as clinical as Wayne imagines? It's complicated by a nosy tour director—young and beautiful, of course—an ambitious deputy sheriff, and the growing realization that he's being trailed by a party or parties unknown.

The book is unusual on multiple fronts but the most notable element is that Wayne is one of the biggest wise-asses we've come across in literature. Here's a typical line, delivered after he's taken a beating from the aforementioned sheriff and, dismayingly, run into him the next morning on a street corner: There was Deputy Sheriff Carson Smith, on leave of absence from a dude ranch advertisement. “Hello,” Wayne said. “Did your knuckles recover from that severe bandaging they got here last night?” Wayne is amusing—or tries to be—even in his direst moments. His attitude pushes Say It with Bullets into farce at times, but he also makes an uneven book more interesting than it deserves to be.
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Hollywoodland Jun 12 2018
HE CAME, HE SAWED, HE CONQUERED
And if you're not careful he's likely to Walker all over you.


National Enquirer hits pause on its usual cheesecake, and on this cover from today in 1960 opts for some hairy hunkery in the form of U.S. actor Clint Walker. Walker was one of the early cowboy stars on television, headlining the hit series Cheyenne—named not for the city in Wyoming but for the character Cheyenne Bodie. There was a double entendre there, because the character was raised by Cheyenne Indians. In any case Walker manages to strike a nice penile pose with a lumberjack's crosscut saw. But as studly as he may appear, within the ranks of phallic cowboys he doesn't even come close to first place

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Intl. Notebook Mar 8 2017
AMERICAN GODDARD
It's never too late to go to Paris.

Above are some scans from Paris-Hollywood issue #56, published in 1949. Paulette Goddard is the cover star, sporting a crazy hair-do that makes her look a bit like she has horns. The cover text explains that the shot was made as a promo for her role in Les Naufrageurs des mers du sud, better known as Reap the Wild Wind, and we'll just assume the wild wind did that to her hair. The movie was made in 1942 but due to a little inconvenience called World War II did not play in France until later. Inside the issue you get Alexis Smith (described as a protégée of Errol Flynn), Jane Russell, Mary Kay Dodson, and the always lovely Adele Mara. The back cover goes to Janis Paige, who's posing in costume for her role in the western Cheyenne. We have more of these magazines in the website and you can see them by clicking the keywords “Paris-Hollywood” below.

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Hollywoodland | Vintage Pulp Feb 7 2013
DRESS TO EXCESS
If there’s such a thing as the most amazing dress ever made, Carroll Baker wore it.


In the summer of 1964, promoting her movie The Carpetbaggers, American actress Carroll Baker attended a premiere at London’s Plaza Theatre in Piccadilly Circus wearing a $28,000.00 transparent dress from designer Pierre Balmain. She had worn it before at the U.S. premiere in June, which means Londoners had an inkling what they were going to see, but what resulted was, well, a circus. The crowd went nuts and the situation devolved into what some newspapers described as a near riot. The above National Examiner, published today in 1972, features Baker wearing what we noticed was a similar but not identical dress. We got curious where it came from, and so we went looking.

Turns out in late 1964 designer Oleg Cassini, entranced by the Balmain dress, designed a similar version for Baker to wear at a promotional event in Las Vegas. The difference is in the placement of the beading—Balmain’s left a v-shaped peek-a-boo, whereas Cassini’s left a diagonal opening across the chest. You can see the difference below. Cassini had built his version of the dress in Baker’s absence using a model of identical size, but it didn’t really fit because bodies have all sorts of differences, even if their crude numerical aspects are ostensibly the same. Baker endured eighteen precarious hours in a gown that was so tightshe couldn’t shake hands without it shifting to reveal parts she wanted to keep hidden. She later wore the dress—hopefully altered—at a premiere of Cheyenne Autumn, and a photo of her posing with a dozen costumed Native Americans survives today in the Associated Press archives.
 
But the dress wasn’t finished quite yet. The next year immortal costumer Edith Head designed yet another variation on Balmain’s original for Baker to wear promoting the film Harlow. We don’t know where the previous two gowns went, but the Head version, one of several she put together, survived and has appeared in Hollywood fashion exhibitions as recently as 2003. Baker also wore a Balmain (or Cassini or Edith Head copy) during a 1966 troop tour in Vietnam, and the only reason a full firefight didn’t break out among the GIs the moment she unveiled herself is probably because that version had no cut-outs (right).
 
Extreme publicity stunts were apparently not unusual for Baker. She considered herself a good actress, but felt that she couldn’t become a star in Hollywood without promoting herself as a sex symbol. “I’ve tried just acting,” she once said, “but sex sells at the box office.” As time wore on, she went from threatening to walk off the set of Station Six—Sahara due to the director pressuring her to appear nude to playing unclothed roles in The Sweet Body of Deborah, Così dolce... così perversa, and Paranoia, as well appearing nude in Playboy and Playmen. Nothing like a shrinking bank account to totally reshape one’s morals. In 1966 AP scribe Doris Klein wrote that Baker was “almost too pretty, too much like a slim teenager to play a sexpot.” But Baker became one of the biggest sexpots in the world. Looking at the 1964 Balmain, and the three to six versions that followed, we’d say it was inevitable.

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History Rewind
The headlines that mattered yesteryear.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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