|Vintage Pulp||Sep 30 2020|
Hello? Is this the Screen Writers Guild? We need a script doctor, and fast.
Calling Homicide, which premiered today in 1956, is a little known procedural crime drama about two cops who try to solve a Tinseltown murder and stumble upon other heinous crimes. It starred Bill Elliot, and was one of four movies in which he played the same character—Los Angeles County Sheriff's Department homicide detective Andy Doyle. In true b-movie fashion, these four films hit cinemas in a rush—between December 1955 and April 1957—and as you might guess, when you churn flicks out that quickly things like deep characterization and plot complexity take a back seat. But Calling Homicide isn't bad. It just lacks distinction.
The truth is, we watched this solely because of Kathleen Case, who we think is real purty. But her role, while pivotal, is also minimal, despite her second billing. For an actress with numerous credits there isn't a ton about her online. She's probably best known for an automobile accident. On February 5, 1967, six years after her most recent acting job, she crashed her car into actor Dirk Rambo's, and he burned up in the fire that resulted. She was charged with felony drunk driving and manslaughter, but at trial she was found not at fault. She wasn't at fault in Calling Homicide either. Like her co-stars, she did her best. But you can only overcome so much.
Los AngelesCalling HomicideBill ElliottDon HaggertyKathleen CaseDirk Ramboposter artcinemamovie review
|Vintage Pulp||Aug 5 2016|
Someone in the sleeping compartment isn't going to wake up.
Film noir teaches us that anyone can get in too deep, even a railroad engineer. In Human Desire, Fritz Lang's retelling of Emile Zola's 1890 novel La Bête humaine, Glenn Ford finds himself trapped between lust for Gloria Grahame and reluctance to kill to have her. He's already helped her cover up another killing and gotten in the middle of blackmail plot, but every man has his limits. This is flawed but canonical noir, with a cocky Ford, a quirky Grahame, a brutish Broderick Crawford, and Kathleen Case playing the loyal gal pal, who for our money is much more alluring than Grahame. Ford figures that out too, eventually. Too bad his realization is sandwiched between two murders on his train. Human Desire premiered today in 1954.
La Bête humaineHuman DesireFritz LangEmile ZolaGlenn FordGloria GrahameKathleen CaseBroderick Crawfordposter artcinemafilm noirmovie review