|Vintage Pulp||Jul 28 2012|
The Goodtime Weekly Calendar of 1963 offers up a shot for the end of July of famed glamour model June Wilkinson, who seems ready to fall out of her bikini. A couple of the week’s quips touch on the subject of that garment as well, and the interest is understandable. Bikinis had been introduced in their modern form seventeen years earlier in Europe, but it took Brigitte Bardot to make them widely known with her 1950s film appearances, Ursula Andress to truly bring them into the American mainstream with her debut in 1962’s Dr. No, and apparently Russ Meyer—the photographer behind this shot—to test their tensile limits by wrapping one around a woman who was known as "The Bosom." Of course, Meyer being Meyer, if the bikini did actually manage to hold together, you can bet he simply put it on increasingly larger models until—snap!—Houston, we seem to be experiencing structural failure, please advise. Who said science can’t be fun?
|Vintage Pulp||Jun 23 2012|
Time will tend to fade printed matter. While that hasn’t been a problem with other pages of the Goodtime Weekly Calendar of 1963, we seem to recall that we found it with this particular page facing up, which means a few subtleties of the image have been lost to forty-nine years of light, dust, and humidity. We aren’t sure exactly what the model is perched upon here. A piece of modern art? Playground equipment? The image is by Burton McNeely, who is semi-famous these days as a photographer of fish. Sounds like a real downgrade in terms of subject matter, but hey, whatever works. No matter what fish photography pays, we suspect he fondly remembers his early days photographing a completely different and more beautiful type of creature. This week’s quotations, which we have below, continue to dwell on marriage. Okay, Goodtime guys, we get it—you think it sucks. After four straight weeks, we've gotten the message. Can we move on now?
June 29: It always pleases a married woman to discover that another man wishes she were not.
Update: Apparently, the calendar girl is sitting on the end of a boat. How could we not have seen that? It's like one of those negative space drawings where you look and go, "It's two faces in profile. No, it's a vase. No, really, it's two faces in profile." Well, we defnitely see now. It's a boat. Probably would have helped if we'd looked less at the naked girl. Thanks for spotting that D.A.
|Vintage Pulp||Mar 24 2012|
Another Saturday, another installment from the Good Time Weekly Calendar of 1963. The model above resisted all attempts at identification, and the photographer is listed as anonymous, but fret not—the daily quotations are faithfully transcribed below. This time, women are the targets of the assorted quipsters. We know this type of humor was considered good fun back then, but really, isn't it a little twisted to bash women while looking at their naked bodies for sexual gratification? Just asking. Still no clue on the He-who Who-he reference, by the way. Anyone with info please feel free to drop us a line.
March 24: “In most of our Hollywood beauty shops the gossip alone would curl your hair.”—Pat Buttram
March 25: “One picture is worth 10,000 words—but for some reason most women prefer to use 10,000 words.”—George Gobel
March 26: No one can tell her anything—she’s got sound proof ears.
March 27: “In many conversations a man can’t break in because a woman won’t break off.”’—Telly Savalas
March 28: You never know how much the voice can change till a woman stops yelling and answers the phone.
March 29: “A woman doesn’t tell the truth all the time—there just isn’t that much truth.”—He-who Who-he
March 30: “The best way to tie a woman down is with a telephone cord.”—Paul Gibson.