That stocking she thought she lost? It's been under the bed the whole time.
Above is a nicely terrifying cover for Pierre Souvestre and Marcel Allain's novel Fantômas roi du crime, a police saga starring the recurring character Fantômas, a ruthless master criminal. Souvestre and Allain first dreamt him up in 1911, and saw their creation adapted to television, cinema, and comics. This particular edition, fifteenth in the Fantômas series and published by Chez Arthème Fayard & Cie, is from 1933, but the novel originally appeared way back in 1912 as L'Evadée de Saint-Lazare. We may try this out if we can find a translation somewhere.
It's a yellow banana occasion—no exceptions, no excuses.
This brilliant photo features the famed French burlesque dancer who billed herself as Maria Tuxedo. She appeared onstage at Le Crazy Horse cabaret, and this image was made there probably around 1968. We think it's amazing. There are other frames from this session, which was shot by Giancarlo Botti, and some of those are even in realistic color, but we like this desaturated look best.
Those of you in the know concerning burlesque have noticed that Tuxedo is channeling Josephine Baker. Baker may or may not have been the first to wear a skirt of bananas, but she undoubtedly was the one who made the look iconic. Ironically, the most famous photos of Baker in this mode don't feature her with real bananas, but rather costuming constructed to resemble them. The shots of her with actual bananas—such as the one you see here—are less famous. But the gimmick was indeed made into something lasting by Baker, and Tuxedo was definitely paying tribute when she wore her ungainly accoutrement. Yet she managed to make it look effortless, which shows yet again that, while beautiful women graced all niches of show business, burlesque dancers were special, aesthetically and athletically. We don't think they get enough credit for being some of the most inspiring figures of the mid-century era. But we always do our best to promote them, particularly in the jawdropping examples we've shared here, here, here, and here.
When Uschi dusts the house, she dusts everything.
It's been a while, so today we have another issue of the iconic French nudie magazine Folies de Paris et de Hollywood. This issue is number 400, published in 1968, and the cover features German actress Uschi Glass, better known as Uschi Glas, with a feather duster. Almost identical but more revealing versions of the shot appeared on a couple of other magazines around the same time. Glas has been in too many movies to name, including in 2020, and we've seen none of them. But we have our eye on 1970's Die Weibchen, about a woman who joins a women's health clinic only to discover that it's run by feminist cannibals. We'll report back on that.
Inside Folies de Paris et de Hollywood there are more than twenty models, many of them Parisian cabaret dancers. The striking Belinda and the striking Marlène Funch are actually both the striking Iso Yban. Why did she pose as different women? No idea, but we recognized her immediately. In fact, we have an amazing and provocative image of her we'll show you a little later, if we dare. We love her name, by the way. It sounds like a flexibility exercise. But our favorite model name from the issue is Manila Wall, which is what MB hit when he realized it was time to get out of the Philippines. We all sometimes hit a Manila Wall in our lives. We'll have more from Folies de Paris et de Hollywood down the line.
What do you mean my squirming is throwing off your aim? Screw you! I hate this idea! When do we switch places?
French illustrator Jef de Wulf painted so many covers for Editions de l'Arabesque that he was almost an in-house employee, and here we see him again on the art chores for Paul S. Nouvel's 1960 thriller Crapahut. You also see the original art, and can see the hole left for the publisher's logo, because why waste paint when you don't have to? Crapahut, of course, translates into English as “outhouse.” Actually, that's not correct. We don't know what crapahut means. We think it's a place. A place you can smell from miles away.
Update: We got two answers on this, the first from Jo:
About the book named Crapahut, I can tell you it's a soldier's training, very hard and difficult. It's a slang word used first by military people (warrior's path?). You can use it also to speak about a long and difficult hiking in the mountains without any military sense.
The second answer came from Jean-Marie:
«Crapahut» from military slang, we have the verb «crapahuter» that means: walk, during war or battle if possible… with haversack very heavy, with arms, with enemy all around, into jungle, for 5, 10, 20 kilometers. Very hard. «Ha! qu’est-ce qu’on a crapahuté avant d’arriver à Danang,,, »
Thanks, Jo and Jean-Marie. Another mystery solved.
1957 crime farce offers Slim pickings—at least until Dominique Wilms comes along.
We were busy little beavers last night. We watched a second vintage drama. At least, we thought it was a drama. Above you see an Italian poster for Slim Callaghan... il duro, which was originally made in France as Et par ici la sortie. It had no English title since it never had an English language release, but it was adapted from a novel by British author Peter Cheyney, who made a career of imitating American hard boiled detective novels. As many reviews of his fiction note, the vernacular was tricky for a guy who'd spent little if any time Stateside, making for some clunky prose at times.
When you watch Et par ici la sortie, it's clear that French filmmaker Willy Rozier picked up on the quirkiness of Cheyney's writing and decided to inject heavy doses of comedy into his film version. Thus in addition to gunplay there's a cream pie fight, a slapfest of attrition between Dany Dauberson and Pascale Roberts, a comedic brawl on a passenger airliner that almost results in a crash, and another brawl features that hoary vaudeville classic—seltzer water sprayed in the face. Much of this is hilarious, though not in the way Rozier and Co. intended—you'll laugh out of amazement.
The plot involves a Scotland Yard detective who is the virtual double of a criminal arms dealer, and decides he can infiltrate and bust the arms gang by relying upon this resemblance. But the arms dealer likewise realizes the resemblance and embarks on his own scheme to take advantage. Sounds positively scintillating, doesn't it? Erm... maybe not. But the movie isn't a total loss. Dominique Wilms gets a co-starring role here as the femme fatale Myrna de Maripasula. Think she isn't reason enough to watch? Think again. Et par ici la sortie premiered in France today in 1957.
It's the sad songs that always come back to haunt you.
Above is a stunning Belgian poster in French and Dutch for François Truffaut's comi-tragic crime tale Tirez sur le pianiste, known in Dutch as Schiet op de pianist, in English as Shoot the Piano Player, and which starred Charles Aznavour as a hard luck nightclub musician. We talked about the movie in detail back in November. Shorter version: when French New Wave meets film noir strange things happen. There's no release date for Belgium but the movie probably opened there shortly after its premiere in France, which was in November 1960.
The woman who set fire to France.
First degree Arsan is the highest level of Arsan, which is the act of starting a fire or explosion with the intent to destroy or damage something. So above you see Thailand born Emmanuelle Arsan, who did exactly that, setting fire to and destroying French censorship standards. She was known by several names, including Marayat Rollet-Andriane and Marayat Bibidh, but it was as Arsan that she found fame in France by writing the erotic novel Emmanuelle, which was immediately banned. While its publisher Eric Losfeld was jailed and fined, the book was clandestinely and anonymously sold from 1959 until its official publication in 1967.
Today the novel is thought to have been written by Arsan's husband Louis-Jacques Rollet-Andriane, and “Emmanuelle Arsan” is thought to be a pseudonym they shared, with he as writer and she as its public face. Arsan parlayed the literary recognition into modeling, acting, an uncredited directorial turn at the helm of the 1976 sexploitation flick Laure, and celebrity status as the personification of France's naughty libido. This wonderful image is from 1976, and she's 40 in it. You can see numerous more impressive shots of Arsan in the write-up we did on Laure a few years back.
A gun and an attitude will take you far.
This is the rarest of the rare. We've shown you many movie posters foreign to the country in which the original film was made. The most common amongst those have been French, Italian, and Japanese posters for American films. We've also seen a few U.S. and British posters for Japanese films. But we've never seen a French poster for a Japanese film, and that's what you have here. And it isn't just any film. It's for the iconic 1973 Miki Sugimoto pinku actioner Sukeban–Kankain Dasso, known in English as Girl Boss: Escape from Reform School, and titled here Girl Boss - Les Étudiantes en cavale. That would translate: “girl boss - students on the run.”
This was painted using the original Japanese poster as inspiration by Constantin Belinsky, a talent we've discussed a couple of times before. He was born in Bratslav, Ukraine, learned his craft in art school in Chișinău, which was then in Romania but is now in Moldova, and worked professionally in Paris. He painted posters for classic dramas like Laura and Pickup on South Street, but later in his career specialized in genre films such as Creature from the Black Lagoon. He was born in 1904, so we suspect this poster was among his last pieces. But it won't be his last on Pulp Intl. We have more to show you later.
This looks easy but it took ages to master. The ceiling of my house looks like Swiss cheese and I went through two tvs and a cat.
This spinning on a finger trick is definitely not recommended if you want to pass your gun safety course, but you'd certainly be the envy of your friends—the ones you didn't accidentally shoot. You can be sure Miss Dorothy had this trick perfected, since she was a franchise character who appeared in three novels by Oscar Montgomery, aka José del Valle, in 1952 and 1953. Poker de blondes is the second entry, the first is here, and the third will follow at some point.
Usually they're pretty bold but these are impossible to find.
It's rare for us to be unable to find a U.S. or European movie, but it happens. We didn't let it stop us from sharing this amazing poster, though, which was made for the French thriller La loups chassent la nuits, known in English as Wolves Hunt at Night. It's a spy flick set in Trieste and Venice, and stars Jean-Pierre Aumont and Italian actress Carla del Poggio. The poster was designed by Léo Houper using a photo of del Poggio as its central element. We'll keep looking for this film and maybe one day we'll get lucky. It premiered in France today in 1952.
The headlines that mattered yesteryear.
1973—Peter Dinsdale Commits First Arson
A fire at a house in Hull, England, kills a six year old boy and is believed to be an accident until it later is discovered to be a case of arson. It is the first of twenty-six deaths by fire caused over the next seven years by serial-arsonist Peter Dinsdale. Dinsdale is finally captured in 1981, pleads guilty to multiple manslaughter, and is detained indefinitely under Britain's Mental Health Act as a dangerous psychotic.
1944—G.I. Bill Goes into Effect
U.S. president Franklin D. Roosevelt signs the Servicemen's Readjustment Act into law. Commonly known as the G.I. Bill of Rights, or simply G.I. Bill, the grants toward college and vocational education, generous unemployment benefits, and low interest home and business loans the Bill provided to nearly ten million military veterans was one of the largest factors involved in building the vast American middle class of the 1950s and 1960s.
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
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