Wild life abounds on sexploitation safari.
This free-spirited poster was made for the sexploitation flick Africa Excitaction, which was originally French/Italian made and realsed in the U.S. as Jungle Erotic. The main brain behind the production was Polish writer-director Zygmunt Sulistrowski, who also stars under the name Don Power, because, if you're gonna write and direct a horny epic, it might as well be you doing to grinding and gyrating. Even simulated sex can be fun—so we hear. Zygmunt didn't star as himself, but as Darr Poran. In addition, the listed actresses, Karen Roche and Mary Alexander, were credited as Carrie Rochelle and Alice Marie. It almost seems as if nobody wanted their names on this movie.
Plotwise, there's nothing complex here. Zygmunt takes two models and his amphibious car to Africa for an extended photo session and some employer-on-employee al fresco lovin'. That may sound fun, but the movie is basically a total loss. It's not coherent, and nobody can act. But—and there's always a but—it's a sexploitation flick, which means all it really needs is to deliver scenery, skin, and sin. The first comes from shooting in Tanzania and Uganda, the second is provided by co-stars Rochelle and Marie, and the third—well, there's plenty of softcore writhing. So in the end, you win. Africa Excitaction has no precise premiere date, but it debuted in 1970.
It's not for me. It's for you. Because if you knew who I am I'd have to kill you.
Actually, everybody would be able to figure out who she is, because a mask does nothing to hide Gayle Hunnicutt's true identity. She had one of the most unique show business faces ever, which you can see better by looking at this shot. The world lost that face over the summer when Hunnicutt died aged eighty. The above image of her about to steal everything that isn't nailed down was made for her 1974 French crime caper flick Nuit rouges, aka Shadowman. We'll return to that subject later.
Mid-century girly mags are always a winning draw.
As the Cole Porter song goes, in olden days a glimpse of stocking was looked on as something shocking—and exemplifying that concept is Ace, the “magazine for men of distinction,” which debuted in 1957 during the height of the cheesecake era. In this day and age Ace is strictly kid stuff. But that's why it's cool to look back at. Like other publications of its ilk, Ace came along to fill the void left by the slow demise of mens adventure magazines, and as was typical, it grew more daring as the years went by, before finally folding in 1982, itself a victim of changing tastes and more rawness provided by porn mags.
This particular issue, published this month in 1960, features the usual mix of humor, adventure, and models, including the amusingly named Beverly Hills, aka Carla Henderson, who gets a spread inside plus the eye-catching rear cover, Eve Post, who the editors claim was discovered by Jack Benny, and Brandy Kayse, who poses as "Eve." Several of the models, such as Frances Beck, Lacey Kelly, Virginia Remo, and Pat Gregory, managed minor film roles. Elsewhere in the magazine there's plenty of nice art, plus the usual "fact" (men are polygamous?) and fiction. Multiple scans below.
Welcome to the greatest show on Earth
Renato Casaro was a celebrated Italian movie poster artist, but he worked in other media, including album sleeves and portraiture. Above he's created an advertising poster for Cirque d’Hiver Bouglione, a Parisian circus that traces its roots back to 1852, when Charles de Mornay, commonly referred to as Duc de Morny, undertook its creation and named it after his half brother Prince Louis-Napoléon III. When the circus finally opened in 1859 it featured equestrianism, animal acts, and aerial acrobatics from the famed Jules Léotard. After being interrupted by World War I, the business passed over to Gaston Desprez in 1923, and again in 1934 to the Bouglione Brothers, who were Italians who'd made a name for themselves traveling France with a menagerie and wild cat act. The circus was halted during World War II and the occuptation of its buildings by the Nazis, but emerged post-war to continue its growth and fame, known by then as Cirque d’Hiver Bouglione, the name it bears today. Casaro's lovely poster dates from 1970.
Mid-century sex symbol provides inspiration for nuclear erotica. This unusual piece of art was made by a French artist named Jacques Puiseux, whose work we've shared here before. We happened to be in contact with him recently, and he sent this our way to enjoy. He painted it back in 1999, and it suggests Brigitte Bardot and the French nuclear tests at Mururoa Atoll, combined to create “a graphic pun of a sex bomb.” Appropriately, he calls it “Vénus Atomica.” We dig it, and Jacques' other art too, which you can see by clicking his keywords below. Just a little something different for you this lovely Thursday. Also, Jacques has a Flickr gallery here.
She had nothing left to hang onto. Arabella Árbenz, née Arabella Árbenz Vilanova, was born and raised in our former (and still beloved) home Guatemala, moved to Canada for college, and became a fashion model in France. She also tried acting and had one credited role, playing the lead in the 1965 drama Un alma pura, which was made in Mexico. We've seen it, and she's decent in it, enough so that we suspect she'd have had a future on the screen. But nothing having to do with Guatemala is ever simple, therefore Arabella's life had many twists and turns. She was the daughter of Jacobo Árbenz, who was elected president of Guatemala in 1951, but was overthrown in a CIA sponsored coup lobbied for by the United Fruit Company. Under the collaborationist dictator Jorge Ubico Castañeda, United Fruit had been given 99-year leases on millions of acres of land amounting to 42% of the country's total area, and was exempted from taxes. Arabella didn't weather her family's subsequent exile well, and after problems in romance and with drugs, in 1965 shot herself dead in front of her paramour, Mexican bullfighter Jaime Bravo Arciga, in Colombia, at age twenty-five.
De Wulf makes space among French paperback artists.
This is a nice cover for 1957's Lucile et la volupté, by Albrecht Jhonn for Les Presses de la Nuit. The woman here holding a paint brush against a blank white background looks rendered in mostly colored pencils, with a watercolor assist in the hair. We like the suggestion that she painted the author's name, but the signature that matters here is that of prolific cover artist Jef de Wulf, who signed this mostly empty piece on the lefthand edge. He and certain other French illustrators worked in a simple style compared to most of the names in U.S. paperback art, but there's a breeziness to their output that we enjoy. Obviously, French illustrators like Aslan, Jean David, René Caillé, and others are comparable to anyone, and their highly accomplished art is collectible, but French publishers were also willing to embrace this sort of sparse, spacious visual style.
Russell sets the screen aflame in one of her iconic roles. This French promo for The Revolt of Mamie Stover, which opened in Paris today in 1956 after being retitled Bungalow pour femmes, is yet another fantastic effort from the brush of Russian illustrator Boris Grinsson. Jane Russell starred in the film, and we especially like the poster's emphasis on her red hair. We talked about Mamie Stover as well as its complicated source novel last year. Check here for the movie and here for the book. We'll put together a larger collection on Grinsson later.
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The headlines that mattered yesteryear.
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale. 1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves. 1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission. 1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease. 1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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