Vintage Pulp Nov 4 2021
HOUSE BROKEN
Small town jealousy leads to big time problems in Lupino noir classic.


Duh DUH duh duh DUH. He has a degree is philosophy...

Duh DUH duh duh DUH. He's broken over thirty bones...

Wait—wrong movie. That's the 1989 Road House, Patrick Swayze's unimprovable existential pugilistic epic. The movie we mean to discuss is the 1948 Road House, which premiered today and starred Ida Lupino, Cornel Wilde, Celeste Holm, and Richard Widmark. Nobody destroys an automobile showroom by driving a monster truck through it. Instead Ida Lupino drives her monster truck through a couple of male egos and teaches them lessons about a woman's right to choose her own life—and her own man. This gimmick-free proto-feminist drama is an excellent example from the film noir genre, and it's exhibit A why Lupino is a legend. She's mighty good in this. Mighty mighty good.

Duh DUH duh duh DUH. She has a degree from the school of hard knocks...

Duh DUH duh duh DUH. She's broken over thirty hearts...

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Femmes Fatales Feb 10 2018
HER MOVE
Knight shoots pawn—check and mate.


Patricia Knight made only five motion pictures, but one of them was 1949's Shockproof, which falls into the category of under appreciated film noir. She plays an ex-convict who moves in with her parole officer. Yeah—bad idea, but no need to say more because we already talked about the film in detail. Check here. Knight married her Shockproof co-star Cornel Wilde and, except for a few more roles, that was pretty much the end of her career. But her contribution to film noir is remembered as one of the better ones. This is a promo photo from the movie, 1949.

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Vintage Pulp Jan 19 2018
SHOCK VALUE
It isn't easy for a bad woman to go straight.


We think Shockproof has one of the best film noir titles of all time. It just sounds like a killer flick. But is it? Patricia Knight stars as paroled murderer who can't quit her past associations, despite the fact that her parole officer Cornel Wilde is prepared to throw her back in prison for life if she violates her terms. But she thinks she's smarter than the system, and so does her shady boyfriend, so they keep sneaking around Los Angeles to meet each other. Meanwhile Wilde is convinced Knight is redeemable, and in his efforts to steer her straight ends up bringing her deeper into his own circle, and into his personal life. The only way he can keep her away from her bad boyfriend is to be with her as much as possible, so soon the two are living in the same big house along with Wilde's mother and little brother. But the old boyfriend is still sliming around and plans to use Wilde's affections for Knight against him. We wouldn't say the movie is quite as good as its title—it isn't down and dirty enough for that—but it's a solid film noir entry, and we recommend it. It premiered in the U.S. today in 1949.

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Vintage Pulp Jul 20 2016
BEST WISHES
A thousand and one nights with Evelyn Keyes is not nearly enough.

Above, the U.S. poster for A Thousand and One Nights, which we talked about in detail last year. The movie starred Evelyn Keyes as a wish-granting but mischievous genie, and Cornel Wilde as the lucky owner of her lamp and undeserving object of her affection. Terminally cute, this one, which premiered in the U.S. today in 1945. As a bonus, there's the magical Keyes below making herself disappear (behind a hat).

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Vintage Pulp May 27 2015
RUBBING ONE OUT
When Evelyn Keyes comes out of a lamp, is there really any need to wish for more?

The unusually beautiful French language poster above was made for the Belgian run of Aladin et la lampe merveilleuse, which was originally produced in the U.S. as A Thousand and One Nights. Some of the other posters for this set-in-Baghdad musical adventure are excellent too, such as the one you see at right (presumably made for the French run), but the version at top is the best—and rarest.

The art also manages to convey the mood of the movie quite accurately—it’s ninety minutes of cheeseball musical numbers, Vaudevillian slapstick, and Cornel Wilde caught in the world’s silliest love triangle. All of this is slightly marred by the unfortunate sight of white actors hamming it up with brown shoe polish on their faces, but that's to be expected in a Middle-Eastern themed movie made during an era when actors of color were more-or-less barred from cinematic roles.

On balance, the movie is a real mood lifter, but the whole effort is just a little too stupidly sweet for us to truly call good, with a bit too much syrupy baritone crooning from Cornel Wilde (or more likely his voice double), and too much of the various love interests making cow-eyes at each other. But Evelyn Keyes as the troublemaking genie is a fun touch. She makes the movie worth it. Aladin et la lampe merveilleuse premiered in the U.S. in 1945, and played for the first time in France/Belgium today in 1949.

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Hollywoodland Sep 4 2014
WILDE AT HEART
Some said it was a hasty decision but few could fault the results.

This photo shows American actress Jean Wallace and Hungarian actor Cornel Wilde, née Kornél Lajos Weisz, emerging from Los Angeles Superior Court after their marriage ceremony, which took place five days after Wilde was granted a divorce from his first wife Patricia Knight. Press stories described the wedding as quick because Wallace and Wilde had dated for perhaps five months. One newspaper told readers Wallace “married actor Cornel Wilde in a hasty ceremony… kissed the flustered Mr. Wilde hastily [and] hastily brushed aside the honeymoon…” Hasty or not, the marriage lasted three decades—a success by many measures, especially in Hollywood. The photo is from today in 1951. Side note: Wilde was famous for his haircut, which was unusual at the time and provided ample sport for gossip columnists, but his shaggy 'do influenced a generation of young men. 

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Vintage Pulp Mar 23 2010
COMBINATION ROCKS
Lesser-known noir The Big Combo is well worth a viewing.

In the old noirs criminal gangs are sometimes the Mafia, sometimes the Mob, and still other times the Syndicate. In this one the gang is the Combination, hence the title The Big Combo. While the film isn’t a big budget noir, it makes up in inventiveness what it lacks for dollars. Example: one thug who wears a hearing aid is about to be rubbed out. He begs for his life, and one of his executioners says, “I’ll do you a favor—you won’t hear the bullets.” He then snatches out the thug’s hearing aid and we see a silent close-up of muzzle flashes. The film is filled with visual treats like that, and as a bonus it has first-rate acting, with the lead Cornel Wilde even pulling off a crying scene. For real. He turns on the waterworks with no help from the make-up department and it’s an exceedingly rare feat for male actors during the 1950s.

Another characteristic of The Big Combo is its sexual undercurrents. One character is a stripper and during a backstage scene we get a surprising flash of her bikini-clad bottom. Meanwhile, Lee Van Cleef and Earl Holliman play two hired thugs who we’re supposed to suspect are gay. We’ve seen the great documentary The Celluloid Closet about the many gay characters hidden in old films, so we’re familiar with the hints screenwriters like to drop. In this case the relationship between Van Cleef and Holliman is clearer than usual, which makes us wonder if it was an accident or a deliberate attempt to push the envelope when Holliman utters the line, “I’m sick of swallowing sausage.” Shortly thereafter the two are dispatched via hand grenade, so unfortunately we don’t get to know any more about these two great characters.
 
We’ve already given away too much, so we’ll quit while we’re ahead. If you like film noir, definitely give this one a spin. It’ll be a good expenditure of time, we promise. Above you see the great Spanish language promo art for this underrated classic. It was released with the title Agente Especial in most Spanish speaking countries, but for Argentina the producers went with Gangsters in Fuga, which translates rather poetically as “Gangsters in Flight.” It first flew in the U.S. in 1955, and migrated to Argentina in the spring of 1956.

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History Rewind
The headlines that mattered yesteryear.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
April 21
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
April 20
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
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