|Femmes Fatales||Jul 26 2016|
|Vintage Pulp||Jul 20 2016|
|Vintage Pulp||May 27 2015|
The unusually beautiful French language poster above was made for the Belgian run of Aladin et la lampe merveilleuse, which was originally produced in the U.S. as A Thousand and One Nights. Some of the other posters for this set-in-Baghdad musical adventure are excellent too, such as the one you see at right (presumably made for the French run), but the version at top is the best—and rarest.
The art also manages to convey the mood of the movie quite accurately—it’s ninety minutes of cheeseball musical numbers, Vaudevillian slapstick, and Cornel Wilde caught in the world’s silliest love triangle. All of this is slightly marred by the unfortunate sight of white actors hamming it up with brown shoe polish on their faces, but that's to be expected in a Middle-Eastern themed movie made during an era when actors of color were more-or-less barred from cinematic roles.
On balance, the movie is a real mood lifter, but the whole effort is just a little too stupidly sweet for us to truly call good, with a bit too much syrupy baritone crooning from Cornel Wilde (or more likely his voice double), and too much of the various love interests making cow-eyes at each other. But Evelyn Keyes as the troublemaking genie is a fun touch. She makes the movie worth it. Aladin et la lampe merveilleuse premiered in the U.S. in 1945, and played for the first time in France/Belgium today in 1949.