|Intl. Notebook||Mar 5 2021|
You probably can't pull this look off but there's no harm in dreaming.
Above you see a photo of U.S. actress Rosalind Cash modeling what we like to think of as the classic afro, an image we've posted today because recently we ran across a story on Simone Williams, official Guinness World Record holder for largest afro in existence. We don't know if hers is actually the largest, regardless of what Guinness says, but it's a majestic 'do, beyond doubt. It got us thinking about the hairstyle, which in our book is the coolest of all time.
There are different types of afros beside just the classic. We wanted to feature all styles, and we also bent the definition a little to include what might be categorized more accurately as large perms. We've labeled all the variations below, which will help when you start on the long, winding, and ultimately fruitless road toward your own blowout. We're aware, of course, that there were many male celebs who had afros, but we're sticking with women today. Your journey begins below.
The pure joy afro, as modeled by Gloria Hendry, who appeared in such films as Live and Let Die and Savage Sisters.
The regal, by Diahann Carroll, crown not included
The bohemian, by Esther Anderson, who appeared in flims like Genghis Khan and A Warm December.
The aquatic, by Camella Donner, who's a true water sprit, as we've shown you before.
The iconic, by Pam Grier, who did as much to popularize the afro as any film star in history.
The tall and proud afro, worn by trans b-movie actress Ajita Wilson.
The wild child, seen here atop Italian actress Iris Peynado.
The supreme afro, seen here on Diana Ross.
The lovely innocence afro, by Brenda Sykes.
The you-could-be-bald-and-still-be-smokin'-hot, demonstrated by Get Christie Love star Teresa Graves.
The afro-warrior by Cleopatra Jones star Tamara Dobson. Definitely more in the category of a large perm, but she pioneered the high fashion afro, so she's earned some latitude.
The too-cool-for-you afro/perm by Vonetta McGee.
The action afro, seen here on Jeannie Bell. This barely qualifies, but she had one of the largest afros in the history of cinema, so we can cut her some slack. Check her screen shot in this post to be amazed.
The bright-eyed and bushy, by Carol Speed.
The action afro again, this time by Trina Parks, who sported this look in Diamonds Are Forever. Is it technically an afro? Tell her it isn't and see what happens.
And lastly, the too-big-to-be-real afro, worn by Azizi Johari, whose actual hair you can see here.
There are numerous other afro shots in our website, but we can't possibly remember where they all are, so you'll just have to find them yourself, maybe by clicking the blaxploitation link below. Besides those, we do recall one more afro you can check out. It's on Desirée West, and you'll need to gird yourself for probably the hottest shot in Pulp Intl. history. Ready? Look here.
ItalyRosalind CashGloria HendryEsther AndersonCamella DonnerPam GrierAjita WilsonIris PeynadoJeanne BellJean BellJeannie BellVonetta McGeeDiana RossBrenda SykesTeresa GravesTamara DobsonAzizi JohariCarols SpeedTrina Parksnudityblaxploitation
|Modern Pulp||Jan 27 2020|
Welcome to Wilson's house of pain and leather.
American actress Ajita Wilson was born in Brooklyn but made a career in Italian sexploitation and porn movies. She was transsexual, having been born George Wilson, but opting for gender reassignment in the mid-1970s. She launched her career in New York City, making a name for herself in the red light district of the era, which back then was centered around Times Square—these days aka Disneyland east. Not long after establishing herself in the Big Apple she was seen by a European producer and offered a chance to work across the pond in historic Rome. She jumped at the chance.
Wilson appeared in close to fifty movies, starting with 1976's The Nude Princess. In Perverse oltre le sbarre, which is known in the U.S. as Hell Behind Bars, she plays a killer and jewel thief named Conchita who gets tossed in the prigione and has to negotiate the usual women-in-prison staples—corruption, violence, lesbianism, and a sadistic warden. Oh, and let's not forget screechy girl fights, and sexual harassment showers. Did we leave anything out? Ah, cavity searches. Can't forget those. Torture by high voltage shock. Illicit drugs. Karate chopping double-crossers. Breathy sexploitation soundtrack. Maybe that doesn't count, though, because the prisoners theoretically can't hear it.
Yes, this prison Ajita ends up in is pretty bad, but it could be worse—at least the warden lets the women wear lingerie. Rita Silva and Linda Jones co-star in what becomes a standard WIP escape drama, and of course the escape is more fraught than anyone expected. As prison sexploitation Perverse oltre le sbarre is the same as most others, with the exception that the budget is obviously lower. With nearly fifty films to her credit Wilson almost certainly made something better. We'll take a look and see if we can find which efforts those might be, and you'd be advised to do the same and skip this one. We'll see Wilson again, though. Perverse oltre le sbarre opened in Italy today in 1984.
ItalyBrooklynPerverse oltre le sbarreHell Behind BarsThe Nude PrincessAjita WilsonRita SilvaLinda Jonesposter artcinemasexploitationnuditylgbtmovie review