Cosby and Culp go all out in gritty detective thriller.
Hickey & Boggs is not a good name for a movie unless it's a buddy action/comedy. You'd never look at the title and think: hardcore crime thriller. It makes us think of one time when we were brainstorming with an actor friend, trying to think of the worst possible title for an action/buddy comedy, and we came up with "Jackson and Frisbee." But title notwithstanding, hardcore drama is what you get with Hickey & Boggs. The plot, courtesy of future 48 Hours director/co-writer Walter Hill, follows two down-at-the-heels dicks played by Bill Cosby and Robert Culp as they're hired to locate a missing woman who somehow may hold the key to recovering $400,000 in loot from a bank heist. In typical detective movie fashion, Cosby and Culp deal with cops, crooks, and ambushes as they work their way to the center of a mystery that progresses from danger to personal tragedy.
You'll sometimes see Hickey & Boggs described as a modern film noir, but it doesn't fit the brief. The two detectives are cynical, broke, and alienated, and there are several night sequences, but we're not sure if those elements are enough to automatically make a noir. There's very little high-contrast cinematography, no flashbacks, no narration, no shadowplay, no dream sequences, no extremely skewed angle shots, and no legit femme fatale. Getting into specific iconography, there's no rain, no silhouetting, no mirrors or blinds, no smart aleck bartenders or cab drivers, and virtually no sexual innuendo.
If Hickey & Boggs is a film noir then scores of other 70's crime movies are too, from Serpico to Magnum Force. And if the net is that wide then film noir is a pointless distinction. The American Film Institute, whose categories are expert-derived, calls Hickey & Boggs a drama in the action and detective sub-genres. And, yes, they do categorize neo-noir. Hickey & Boggs didn't make the cut. It's very good, though. It takes an unblinking look at the unglamorous side of Los Angeles and de-mystifies the private dick business—for about the umpteenth time, but very effectively just the same. As long as you're willing to watch Cosby—and we're not suggesting you should be—it's worth your time. It premiered today in 1972.
Hand over all your disco albums right now or you're dead meat.
We don't know if this low-cut kaftan or whatever U.S. actress Rosalind Cash is wearing is suitable garb for a machine gunning, but who's going point that out to her? She's probably going to Studio 54 later. The image was made for 1971's The Omega Man, which starred Charlton Heston and was based on Richard Matheson's I Am Legend, a book we discussed a while back. Talk about getting your career off to a good start. Cash's first role was a small part in the classic drama Klute, with The Omega Man coming out months later and featuring her third billed in what was at the time considered a big budget sci-fi epic. From that point Cash worked steadily for twenty-five years, finishing her movie career with 1995's Tales from the Hood. We've also seen her in Uptown Saturday Night and Dr. Black and Mr. Hyde, two blaxploitation movies we may talk about later. Cash is good at looking tough. For confirmation, check out this shot.
You probably can't pull this look off but there's no harm in dreaming.
Above you see a photo of U.S. actress Rosalind Cash modeling what we like to think of as the classic afro, an image we've posted today because recently we ran across a story on Simone Williams, official Guinness World Record holder for largest afro in existence. We don't know if hers is actually the largest, regardless of what Guinness says, but it's a majestic 'do, beyond doubt. It got us thinking about the hairstyle, which in our book is the coolest of all time.
There are different types of afros beside just the classic. We wanted to feature all styles, and we also bent the definition a little to include what might be categorized more accurately as large perms. We've labeled all the variations below, which will help when you start on the long, winding, and ultimately fruitless road toward your own blowout. We're aware, of course, that there were many male celebs who had afros, but we're sticking with women today. Your journey begins below.
The pure joy afro, as modeled by Gloria Hendry, who appeared in such films as Live and Let Die and Savage Sisters. The regal, by Diahann Carroll, crown not included The bohemian, by Esther Anderson, who appeared in flims like Genghis Khan and A Warm December. The aquatic, by Camella Donner, who's a true water sprit, as we've shown you before. The iconic, by Pam Grier, who did as much to popularize the afro as any film star in history. The tall and proud afro, worn by trans b-movie actress Ajita Wilson. The wild child, seen here atop Italian actress Iris Peynado. The supreme afro, seen here on Diana Ross. The lovely innocence afro, by Brenda Sykes. The you-could-be-bald-and-still-be-smokin'-hot, demonstrated by Get Christie Love star Teresa Graves. The afro-warrior by Cleopatra Jones star Tamara Dobson. Definitely more in the category of a large perm, but she pioneered the high fashion afro, so she's earned some latitude. The too-cool-for-you afro/perm by Vonetta McGee. The action afro, seen here on Jeannie Bell. This barely qualifies, but she had one of the largest afros in the history of cinema, so we can cut her some slack. Check her screen shot in this post to be amazed. The bright-eyed and bushy, by Carol Speed. The action afro again, this time by Trina Parks, who sported this look in Diamonds Are Forever. Is it technically an afro? Tell her it isn't and see what happens. And lastly, the too-big-to-be-real afro, worn by Azizi Johari, whose actual hair you can see here.
There are numerous other afro shots in our website, but we can't possibly remember where they all are, so you'll just have to find them yourself, maybe by clicking the blaxploitation link below. Besides those, we do recall one more afro you can check out. It's on Desirée West, and you'll need to gird yourself for probably the hottest shot in Pulp Intl. history. Ready? Look here.
Everything about her is right on the money.
Above, a nice promo photo of American actress Rosalind Cash, best known for co-starring in 1971's sci-fi classic The Omega Man. She went on to score parts on many television shows.
The headlines that mattered yesteryear.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
1947—Edwin Land Unveils His New Camera
In New York City, scientist and inventor Edwin Land demonstrates the first instant camera, the Polaroid Land Camera, at a meeting of the Optical Society of America. The camera, which contains a special film that self-develops prints in a minute, goes on sale the next year to the public and is an immediate sensation.
1965—Malcolm X Is Assassinated
American minister and human rights activist Malcolm X is assassinated at the Audubon Ballroom in New York City by members of the Nation of Islam, who shotgun him in the chest and then shoot him sixteen additional times with handguns. Though three men are eventually convicted of the killing, two have always maintained their innocence, and all have since been paroled.
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