Intl. Notebook Sep 29 2020
BURLESQUE HUMORESQUE
This is the best Laff you'll have all day.


We've posted three issues of Laff magazine over the years, and we return to that publication today with an example from this month in 1946 featuring starlets, showgirls, and burlesque dancers of the highest order. You get Jane Russell, Adele Mara, Vera Ellen, and Myrna Dell, amongst others, but the winner in these pages is Acquanetta, aka the Venezuelan Volcano, who gets a striking tropical themed centerfold photo. In addition, you get a bit of sports coverage—specifically baseball, which is appropriate with the MLB playoffs starting tonight—as well as numerous cartoons.
 
These cartoons—the laffs in Laff magazine—tend to be sexist by today's standards, but then so is this entire website, really, which is an unavoidable side effect of focusing on vintage fiction, art, and photography. We hope the historical significance of the material overshadows all else. In any case, we included the cartoons despite their mostly lame humor, due to the fact that they're high quality illustrations well worth seeing. All that and more appears here in forty-plus scans and zooms, and you can see the other issues of Laff by clicking its keywords below.

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Vintage Pulp Apr 7 2017
OUT TO SEA
French Polynesia gets whitewashed by tropical storm Hollywood.


This poster was made to promote the mostly forgotten b-picture Call of the South Seas, one of those Westerners-in-paradise flicks so popular during the mid-century period. The set-up here is simple: a roguish adventurer fetches up on a Pacific island looking for work. He takes a job at an exporting firm, but finds that his employers are paying the local Polynesians a pittance of the fortune being earned. The movie stars Janet Martin as Tahia, who's local but whose mother was French, grandmother was French, and great grandmother was French, a line of dilution strong enough to ensure that she possesses the needed racial purity to serve as love interest to co-star Allan Lane. While her blood has been whitewashed, her linguistics have not, leading to her delivering hilarious lines like, “I come because I very angry and if I don't let it out I burn all up inside.” The filmmakers had a grand old time making this movie, and the end result, clumsy though it may be, is non-malicious. It also has Adele Mara in a small part, and as a bonus she's wearing this. Call of the South Seas premiered in the U.S. today in 1944.
 
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Intl. Notebook Mar 8 2017
AMERICAN GODDARD
It's never too late to go to Paris.

Above are some scans from Paris-Hollywood issue #56, published in 1949. Paulette Goddard is the cover star, sporting a crazy hair-do that makes her look a bit like she has horns. The cover text explains that the shot was made as a promo for her role in Les Naufrageurs des mers du sud, better known as Reap the Wild Wind, and we'll just assume the wild wind did that to her hair. The movie was made in 1942 but due to a little inconvenience called World War II did not play in France until later. Inside the issue you get Alexis Smith (described as a protégée of Errol Flynn), Jane Russell, Mary Kay Dodson, and the always lovely Adele Mara. The back cover goes to Janis Paige, who's posing in costume for her role in the western Cheyenne. We have more of these magazines in the website and you can see them by clicking the keywords “Paris-Hollywood” below.

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Femmes Fatales Mar 5 2017
WALK LIKE A POLYNESIAN
If you think it looks funny in a photo you she should see when I walk into a restaurant this way.


Above, hottie Adele Mara strikes some limber poses in two promos from the Republic Pictures b-feature Call of the South Seas. She plays a Polynesian dancer named Aritana, which must mean “lily white” in her language. But of course, in 1944 when the film was released, dark skinned performers were rarely part of Hollywood calculus. Mara loses points for authenticity, but the shots are still amazing.

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Femmes Fatales Mar 23 2015
MAIL AND FEMALE
Even if she could fit in the slot she’d be returned due to lack of postage.

This nice shot shows American actress Adele Mara, née Adelaide Delgado, who got into show business when she was discovered in her early teens by bandleader Xavier Cugat, and performed with his orchestra as a singer and dancer. From there she naturally pursued roles in film and had a long career on the screen, appearing in such productions as Traffic in Crime, Passkey to Danger, Blackmail, and I, Jane Doe. This image is probably from around 1950. 
 
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History Rewind
The headlines that mattered yesteryear.
September 20
1946—Cannes Launches Film Festival
The first Cannes Film Festival is held in 1946, in the old Casino of Cannes, financed by the French Foreign Affairs Ministry and the City of Cannes.
September 19
1934—Arrest Made in Lindbergh Baby Case
Bruno Hauptmann is arrested for the kidnap and murder of Charles Lindbergh Jr., son of the famous American aviator. The infant child had been abducted from the Lindbergh home in March 1932, and found decomposed two months later in the woods nearby. He had suffered a fatal skull fracture. Hauptmann was tried, convicted, sentenced to death, and finally executed by electric chair in April 1936. He proclaimed his innocence to the end
September 18
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
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