Reader Pulp Mar 16 2013
SOMETIMES A CRATE NOTION
French painter Jacques Puiseux returns with another batch of pulp influenced contemporary art.



Last year we shared some unusual pulp influenced crate paintings from a French artist named Jacques Puiseux, and this morning we received more scans of his Marxist themed pieces via email. Last time we shared Puiseux’s work, we mentioned that we avoid posting modern art, and that’s true, but we didn’t want to leave you with the impression that we find it inferior to vintage art (if that were true we wouldn't bother to have a "Modern Pulp" category on the website). What we find inferior is modern promotional art—e.g., book covers, movie posters and the like. And obviously we find modern movies inferior, but then who doesn’t? However modern fine art is something we very much like, and more to the point, we like the relationship it has to the viewer. We aren’t art majors or anything, so bear with us while we try to explain ourselves.

When it comes to classic art all the hard work is already done for you by the time you see it. You can go see Picasso’s blue portraits or Monet’s lilies or any run-of-the-mill Diego Rivera and know before you see it that you’re about to experience great art. But with contemporary art the viewer plays a role in deciding its ultimate worth. Certainly gallerists and museum curators have plenty of say, but the public is extremely important, and its influence can cut both ways. Sometimes, the public is wrong, as in the case of artists that never sold anything while alive, but whose flames were kept burning by critics and experts, eventually leading to a reevaluation of the work. Conversely, sometimes art is critically dismissed, but sustained public support brings about a reevaluation. That’s almost a description of the entire field of pulp art.
 
So, while we glorify vintage art on this website, and in the case of promotional art we don’t think there’s any possible doubt that 99% of today’s efforts are just lame (maybe they should try letting actual artists do the work), we do like contemporary art, which means that when Jacques Puiseux sends us something that exhibits such a strong pulp influence we feel like we might as well throw it out there for you to have a gander at. It’s different from looking at a famous artist’s work—in this case, you actually have a say. And that’s the beauty of contemporary art. So at top is a piece featuring Leon Trotsky called “Embrouille à Tijuana,” just below is our favorite, “Fidèle-au-poste,” and under that are four more interesting efforts, including the last—“Tsar bomba.” For some context on that one, go here. Enjoy.

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History Rewind
The headlines that mattered yesteryear.
May 28
1937—Chamberlain Becomes Prime Minister
Arthur Neville Chamberlain, who is known today mainly for his signing of the Munich Agreement in 1938 which conceded the Sudetenland region of Czechoslovakia to Nazi Germany and was supposed to appease Adolf Hitler's imperial ambitions, becomes prime minister of Great Britain. At the time Chamberlain is the second oldest man, at age sixty-eight, to ascend to the office. Three years later he would give way to Winston Churchill.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
Featured Pulp
japanese themed aslan cover
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Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
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