Above is a nice panel length poster for 1972’s Sukeban berûsu: mesubachi no chosen, aka Girl Boss Blues: Queen Bee’s Challenge, the second entry in the Girl Boss series made by Toei Studios in the early 1970s. This one stars Reiko Ike (before the tattoo), along with Chiyoko Kazama, and Miki Sugimoto in an appearance just lengthy enough for her to get a couple of bottles of cola sprayed up her ya-ya. If you can wrest your eyes from the constantly recurring tableaux of perfect skin, there is a plot, and it involves a pair of girl gangsters/bitter rivals captured by a yakuza boss and subjected to various sadistic tortures (including that old Japanese favorite—rope bondage, aka kinbaku-bi). Of course, the abuse in these films is inevitably followed by much deserved revenge against the evil males, up close and bloody. But it isn’t all violence and vengeance. There are some effective moments of comedy, and of course, the film is beautifully shot. All-in-all, Sukeban berûsu: mesubachi no chosen is a must-see for pinku fans. You’ll learn exactly how effective a handful of soap foam can be for covering a woman’s bush.

There’s quite a bit of information about Norifumi Suzuki’s pinky violence masterpiece Sukeban, aka Girl Boss Revenge: Sukeban on the web already, so we don’t need to add to it. And if you’re looking for posters, the promo art for this film is also abundant. But we can’t really call ourselves one of the go-to spots for pinku art without featuring this classic, so we have said poster above, with avenging angel Miki Sugimoto sporting a rose tattoo on her thigh, and co-star Reiko Ike lurking in the background. Keep an eye out on Pulp Intl.—we have an amazing nude promo poster of Sugimoto, never before seen on the internet, that we’ll be sharing in the next few weeks. Sukeban premiered in Japan today in 1973. 

Japanese poster for Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody, with Reiko Ike and Miki Sugimoto. It premiered in Japan today in 1973, but you might already know that, because we did a post on this film last year. You can see that post, and that poster, here.

Above, a promo photo shot by Kenji Nagatomo of Japanese actress Miki Sugimoto, who's a Pulp Intl. fave thanks to her roles in various action and pinku films during the early 1970s. This was published as a tri-fold poster in Heibon Punch, and we've cleaned the seams on it to make it a better image. Not sure on the date, but we're guessing 1972 or 1973.

We’ve been watching a lot of these old Japanese films lately because, well, they’re usually pretty fun. Today we have Toei Studios’ comedic romp Onsen suppon geisha, aka Hot Springs Kiss Geisha, and to cut right to the chase here, Miki Sugimioto stars as a character known as Prostitute with Strong Vagina Muscles. Seriously. But it’s all in good fun. Which reminds us, we feel we’ve been remiss in pointing out to those unfamiliar with pinku, roman porno and the like that these flicks aren’t pornographic. Sexually discomfitting? Yes. Absurd? Usually. In terrible taste? Almost always. But they aren’t pornographic. Everything is accomplished through suggestion, camera angles, and clever editing. Onsen suppon geisha was part of a Hot Springs series, with Sugimoto having debuted in the first installment in 1971. In this one, she’s so good at using that super strong vagina of hers that she can fuck guys to death. In the end, she’s pitted against a sexual superman and a showdown ensues. There’s also a subplot about a mad scientist type who needs vaginal juices to create a potion designed to turn Japanese girls black—see below. Is this where the ganguro trend began? We have no idea. Onsen suppon geisha opened in Japan today in 1972.

Above: two promo posters for the Japanese pinku film Tokugawa sekkusu kinshi-rei: shikijô daimyo,  aka Tokugawa Sex Ban: Lustful Lord. We don't have time to get into the movie in detail today, but we can tell you that lustful is certainly the operative word. There must be fifty-seven breasts in this film. But girls, there are also close to fifty-seven cocks. See below. Tokugawa sekkusu kinshi-rei: shikijô daimyo premiered in Tokyo today in 1972.

This poster for Zenka onna: koroshi-bushi, aka Criminal Woman: Killing Melody is one of the more common pinku images on the internet and, for that reason, we weren’t going to post it. But then we decided to do it anyway because, with only one exception, every site we saw had this piece reversed. Yeah, we know—those Japanese characters look the same backward and forward. But let's show some respect. So for the record, the poster is correctly oriented the way we have it above.

Sometimes you just have to have a little Reiko Ike, so we brought her back today on a poster from her 1971 sword opera Sukeban burûsu: Mesubachi no gyakushû, aka Girl Boss Blues: Queen Bee Strikes Again, aka Girl Boss Blues: Queen Bee's Counterattack. In this first installment of the Girl Boss series, Reiko plays the leader of the Athens girl gang, who use thier bodies to engage in blackmail for profit. She breaks in a fresh young gang member, finds heself in a rivalry with a newly arrived veteran criminal played by Yukie Kagawa. Disobedient Kagawa instigates a blackmail plot—without Reiko's permission, uh oh—that has the potential to rock Japanese society.

There's even more going on here plotwise, but the main thing is that, as usual, Reiko finally decides to make a big score and a lot of violence results. While this isn’t the strongest of director Norifumi Suzuki’s films, it’s pretty entertaining. It's got the requisite portions of sex, violence, and audacious shock. Oh, and we should mention it has a famous group sex-on-motorcycles scene you should probably see. For fans of the genre, that’s probably more than enough by itself. But in case it isn't, Ike's gang includes Miki Sugimoto, Yayoi Watanabe (both below), and other hotties. Sukeban Blues: Mesubachi no Gyakusyû premiered in Japan today in 1971.

The titles of these pinku flicks can be comically descriptive. Kyôfu joshikôkô: bôkô rinchi kyôshitsu, aka Terrifying Girls’ High School: Lynch Law Classroom is the type of title that might leave you thinking you’ve just learned all there is to know about the film. But that isn’t true because it isn’t plotting, but creative staging of sex, nudity, and violence that makes pinku so interesting. Director Norifumi Suzuki isn’t at the top of his game here, but a subpar effort from the Hendrix of bloodporn still blows most of his peers clean off the stage, especially when it stars Miki Sugimoto and Reiko Ike. Kyôfu joshikôkô: bôkô rinchi kyôshitsu opened in Japan today in 1973.