The doctor is out—of his freaking mind.
Above: a poster for Arzt und Dämon, aka Dr. Jekyll and Mr. Hyde, which premiered in West Germany today in 1949. The art here is by Heinz Schulz-Neudamm, whose most famous piece is the poster he designed for the expressionist sci-fi movie Metropolis. It once sold for $1.2 million, which made it the most valuable movie promo in existence at the time, but this Hyde effort shows Schulz-Neudamm's skills in a totally different light. We think it's top shelf work for a top shelf flick.
Edward G. Robinson learns to be thankful for what he’s got.
Above is a Swedish promo poster for Kvinnan i fönstret , better known as The Woman in the Window, from German expressionist master Fritz Lang. Anything from the director who gave us Metropolis is must-see, however, we have to warn you that the finale to this one may come as a let-down, or more accurately a cop-out. But don’t blame Lang—blame the censors of the day, who wouldn’t let him use the ending from the source material, J. H. Wallis’s novel Once Off Guard. If judged in the forgiving frame of mind that the ending shouldn’t be held against it, The Woman in the Window can’t be considered anything but a top-notch effort. Basically, it’s worth it just to see Edward G. Robinson in the lead as a stuffy college professor who wishes for more excitement in his life. He learns the hard lesson—thanks to femme fatale Joan Bennett—that he isn’t built for adventure. So the film is a cautionary tale. It warns middle-aged men that stable lives may be boring, but hot young women lead to directly to trouble, terror and tragedy (best case scenario: after a lot of screamingly good sex). The Woman in the Window opened in Sweden today in 1947.