Vintage Pulp Nov 28 2021
DJAM SESSION
Nadia Cassini is just what the witch doctor ordered.


There's no erotica quite like 1970s sexploitation. With a focus on pure pleasure, fanciful plots, and a touristic approach toward lush locations, films from the genre are usually pretty fun to watch. Il dio serpente stars Nadia Cassini as a woman who moves to Colombia with her rich, older husband in order to spice up their relationship. She partakes of the regional beaches, the local shopping, and sights such as Cartagena's Castillo de San Luis de Bocachica, before being told by local friend Beryl Cunningham about the cult of a serpent deity named Djamballà, the god of love.

Cassini has little interest in island religion, but Djamballà has an interest in Cassini—at least that's what Cunningham tells her when Cassini says she was approached by a huge snake while on the beach. She begins to develop an interest in the cult after all, attends a voodoo style ritual presided over a by witch doctor, and ends up the star participant along with Cunningham. Cassini's husband then chooses that moment to fly away on business and leave her alone in paradise, which no right thinking man would do unless compelled by a script, and a lonely Cassini starts to get into those Djamballà rituals—and Djamballà inevitably gets into her.

Cassini is blazing hot and sensual as hell, so you can't blame the snake god for his fascination. The film's director Piero Vivarelli also knows he has someone special on his hands, and spends plenty of time in loving close-ups of his star, but in our opinion his direction is far too chaste for what's basically supposed to be a ninety-minute turn-on. In addition, the film seems padded, with its extended ritual drumming sequences. In the end, what you get is just another movie about island religion and a white girl cutting loose. We've seen versions of it before. If this one is worth watching at all, it's only because Cassini's rare beauty makes it thus. Il dio serpente premiered in Italy today in 1970.

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Vintage Pulp Sep 20 2021
PHOTO OP
Moore than just another flash in the pan.


We've done a lot on b-movie femme fatale Cleo Moore. Above you see her getting a-level treatment on a stunning promo poster made in Italy for her 1956 hard luck drama Over-Exposed, which for its Italian run was called L'arma del ricatto, or “the weapon of blackmail.” This is a masterpiece. It was painted by Manfredo Acerbo, who also painted an iconic poster for Gilda we showed you a long while back. We've been neglectful in not digging up more from this guy. But we'll remedy that. There's no Italian release date for Over-Exposed, but it probably played there in mid-1957. You can read more about it here

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Vintage Pulp Feb 14 2009
GILDA AS CHARGED
Sixty-three years ago today Rita Hayworth electrified as the archetypal femme fatale.

Gilda is a film that appears on every list of top ten noirs we’ve ever seen, and still it is impossible to overstate how great the movie is. Rita Hayworth had acted in more than a dozen features before this one, but she was a revelation here. Her husband steps into her bedroom saying, “Gilda, are you decent?” And she appears with a hairflip and a wicked smile, saying, “Me?” Right away you know you’re in for a ride. You know this is a woman who is never decent. Something about the blazing eyes seems to promise unimaginable carnal adventures. She stands backlit in a nearly sheer shirt that shows the silhouettes of her breasts. After a song and dance routine she allows a stranger onstage to try and zip her out of her strapless black dress. At one point, about to ride off into the night with a suitor, she says, “Haven’t you heard, Gabe? If I’d been a ranch they’d have named me the Bar Nothing.” All this just to drive poor Glenn Ford mad with jealousy. Yes, Gilda is a femme fatale for the ages, and Gilda is a must-see piece of American cinema.

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History Rewind
The headlines that mattered yesteryear.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
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