Vintage Pulp Feb 6 2022
WELCOME WHENEVER
We always have space for Giovanni.


Benvenuti is an Italian word that means “welcome,” and an artist who's always welcome here is Giovanni Benvenuti, a genius we've featured several times. But it's been a while so we've put together another collection of his work below.

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Vintage Pulp Oct 7 2020
A PERFECT STORM
When it rains it pours talent.


Giovanni Benvenuti was an illustrator of unique skill. We've posted a couple of wonderful collections of his covers (you can see those here and here, and we really recommend them because it's all very striking work), but have neglected him these last several years. That stops today, because he's a top tier artist. Above you see the cover he painted for Dominique Dorn's thriller Véronique et la St. Médard, published by Éditions Ditis for its Collection la Chouette in 1961. There's a lot to like about this piece, but we're most struck by the indistinct lights seen through the veil of rain. They're suggestive but could really be anything.

Dominque Dorn, appropriately, could really be anyone. It was the pen name of Marie-Anne Devillers, who also published as Mario Ropp, Maïa Walbert, Maïa de Villers, and Michèle Vaudois. That's a lot of names, and she used them to write a lot of books. Ropp was by far her most prolific pseudonym. She published more than one hundred novels under that identity. On the whole, Dorn churned out novels at an astounding rate, sometimes publishing six a year. That's a lot of output, so we'll probably run into her again. See another here

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Modern Pulp | Vintage Pulp Mar 20 2015
GETTING HAMMERED
Three Italian covers offer three visions of Mickey Spillane’s hard-boiled Mike Hammer classic.

The top cover for Mickey Spillane’s Ti ucciderò was painted by the excellent Giovanni Benvenuti for Garzanti in 1957. You can see the artist’s signature more or less in the middle of the cover. The title Ti ucciderò means “I will kill you,” which is considerably less evocative than the original title I, the Jury, but maybe that just doesn’t translate well in Italy for some reason. The second cover is also from Garzanti and dates from 1972. The shifty eyes at top were a design element on all the Spillane covers from Garzanti during the period. Last you see a 1990 edition of I, the Jury published by Oscar Mondadori, and though we don’t know the artist, it’s interesting to see a book appear so late with a painted cover. The detective on that one, if you take a close look, is the actor Stacy Keach. He was starring as Mike Hammer on an American television show called The New Mike Hammer, from which you see a still at right, and the Mondadori book was a tie-in for when the show hit Italian television. All three covers are nice, but Benvenuti is tops, as always.

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Vintage Pulp Oct 29 2014
LA VIA BENVENUTI
Giovanni Benvenuti shows the way.

We thought we’d revisit the awesome work of Italian illustrator Giovanni Benvenuti. We shared a set last month, but just had to do another. These are once again part of the La Chouette collection published by the French imprint Ditis during the 1950s and 1960s. 

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Vintage Pulp Sep 25 2014
BON GIOVANNI
Giovanni Benvenuti raises the bar for French crime covers.


Today we wanted to share a series of truly spectacular French covers from Frédéric Ditis’s eponymous company Ditis, published as part of its popular La Chouette—or Owl—collection. These all date from the mid-1950s to early 1960s, and there’s really nothing to say about them except that they’re by the sublime Giovanni Benvenuti.

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Vintage Pulp Jun 18 2014
BOND POSSIBILITIES
Two Fleming covers offer opposite visions of how to Live large.

Sometimes we get in the mood for a true classic, so at top is the excellent 1966 Macmillan Publishers edition of Ian Fleming’s Live and Let Die. It’s possible the James Bond books have had more cover iterations than any other series, and most of them are high quality, often trending toward the sort of luridness we love, but we also like the simple, elegant graphics of Macmillan's deep green masterpiece. On the other hand, if we were to go lurid then there’s no better art to be found than on the 1964 cover Vivi e lascia morire from the Italian imprint Garzanti. The variations on Live and Let Die are practically infinite, but the Garzanti edition is our other favorite (though this one is great too). There is no artist info on these, which is criminal, we think. We’ll dig, though, and see what we can find. As a matter of taste, it’s interesting to contemplate which of the two books we would buy, assuming we could buy only one. Tough choice. What do you think? 

Update: the second cover was painted by Giovanni Benvenuti.

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History Rewind
The headlines that mattered yesteryear.
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
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