Elaine Stewart gets fat for the only time in her life.
This photo shows actress Elaine Stewart preparing for a bath scene in her 1958 thriller High Hell, in which she starred with John Derek. Make-up artist George Claff is applying a layer of grease paint, which is basically animal fat, sometimes with pigments mixed in. We guess it must have helped keep Stewart warm in the water. Maybe someone else has a better explanation. That's ours. In any case, handling Stewart's hot legs must have been the highlight of Claff's career. We imagine him returning home that evening:
Mrs. Claff: “How was work today, honey?”
George: “Work? Um... Why? What did you hear?”
*later makes love to wife with wild abandon she hasn't known since they were first married*
Mrs. Claff: “Wow! What got into you?”
George: “Nothing. I just realize I love Elaine— Er... I mean... um... I love a-laying... you... Just a-you.”
Below you see the result of Stewart's extensive grease paint preparation. De Niro? Hah! Stewart fattened up for a role long before him. Is it our imagination or is supporting actor Patrick Allen looking inside the barrel while on the verge of tears? It's understandable. Look here.
A rag is a gown, 'til a man comes around.
Above is an Italian poster for Il vestito strappato, better known as The Tattered Dress, starring Jeff Chandler, Jack Carson, Jeanne Crain, Gail Russell, and the lovely Elaine Stewart. The art, depicting an evening gown reduced to a useless rag by a disembodied male hand, is actually accurate in terms of the film's visuals. We mean a dress is ripped and you don't get a good look at who's attached to the hand. We talked about it a while back. Shorter review: disorder in the court.
These little apples are so adorable. They remind me of me before I had my college growth spurt.
It's time once again for a promo photo of U.S. actress Elaine Stewart, a favorite around the sprawling Pulp Intl. mega-complex. Stewart appeared in a dozen films in mostly supporting roles in 1952 and 1953, a pretty fast clip, but tapered off sharply afterward and was out of show business by the time she was thirty-four. She had a child with husband Merrill Heatter around then, and another soon after, so that's probably why her career ended, but we greatly enjoy anytime we see her, whether onscreen or in photos. She will return to grace our website again.
Big shot attorney finds his defense strategy in tatters.
Above is a poster for The Tattered Dress, an unexpectedly entertaining flick about a craven New York City lawyer who ventures to smalltown Nevada to defend a local big shot against murder charges, only to find that the acquittal breeds a dangerous new enemy. The film stars Jeff Chandler, and amazingly this was the first thing we've seen him in. We were thinking, “Why wasn't this guy a huge star?” He could act, he had presence, and he was great looking. And then we internetted him and learned that died at age forty-two after complications from back surgery. Apparently his surgeon botched the job, cut an artery, and Chandler only survived the operation with the help of 55 pints of infused blood. But he never made it out of the hospital, as subsequent side effects laid him low. What a way to go.
You'd almost think Chandler originally hurt his back carrying The Tattered Dress, because the movie rides almost entirely on him. He gets a nice assist from Jack Carson, and co-stars Jeanne Crain, Gail Russell and super-hottie Elaine Stewart certainly don't hurt, but it's Chandler who's asked to handle all the toughest elements of this heavy courtroom drama, including two long cross-examinations and an emotional closing argument. And it's no wonder he's emotional—thanks to his new enemy that closing argument comes as he's serving as his own counsel, defending himself in court against bribery charges. They say the man who serves as his own counsel has a fool for a client. Chandler has to prove that adage wrong or he's prison toast.
The Tattered Dress goes the route of portraying defense lawyers as devoid of morals, when in the real world it's often prosecutors that are the dodgy ones, but it's still fun to see Chandler progress from pure mercenary to a man with newfound respect for his profession. The “tattered dress” of the title at first seems to refer to a torn dress worn by co-star Elaine Stewart that becomes crucial in the opening case, but we later learn it really refers to dress worn by Lady Justice. Chandler finally understands that the law needs to be protected above all. Too bad it doesn't seem to work that way anywhere except on the silver screen. The Tattered Dress premiered in the U.S. today in 1957.
Don't worry, baby. We have a stand-your-ground law in this state, so theoretically my stalking and murdering this guy shouldn't be a big deal.
Hypothetically speaking, if I botched your husband's defense, would that increase or decrease the odds of the two us having hot filthy sex? So, long story short, banging guys in this convertible has become sort of a way of life. Objection! Melodramatic! Ladies and gentlemen of the jury, my client is extremely rich. Defense rests.
She's the reason you should have disaster insurance.
Above, a great promo image of U.S. actress Gail Russell from the 1957 drama The Tattered Dress, in which she co-starred with Jeff Chandler, Jeanne Crain, and Elaine Stewart. We aren't kidding about disaster insurance, by the way—she once crashed her car into a bar.
Then I asked the photographer if the heater was off, he said yes, and long story short—that's how I burned my butt off.
Above, a nice shot of U.S. actress Elaine Stewart the instant before she lets out a yowl that shatters every window in a five block radius. We've featured Stewart before, and seeing as she's quite lovely and has numerous great promo images, we'll probably circle back to her again. No date on this, but figure around 1955.
He who goes up must one day come down.
This beautiful poster for Vicente Minelli’s 1952 drama The Bad and the Beautiful was made for the film’s French release as Les ensorceles. A behind-the-scenes look at the rise of a legendary Hollywood producer, the story is told in triptych, with each section focused on someone the producer betrayed during his rise to the top. The three sections are wrapped in a framing device wherein the betrayed have been called together to hear the producer’s pitch for working together again. Of course, all of them are too angry to consider such a collaboration—at least at first.
The real attraction here is seeing 1950s Hollywood turn its camera inward for a look at the machinations behind the magic of movies. The cast—Kirk Douglas, Dick Powell, Lana Turner, Walter Pidgeon, and Gloria Grahame—range from excellent to adequate, and the story of ruthlessness being rewarded in Tinseltown has a contemporary feel. The saying goes that it’s best to be nice to everyone you meet on the way up because you run into the same people on the way down. Doubtless that’s true, but even better advice would be to never come down at all.
Turning our attention to the poster, you may notice that the design was inspired by the promo shot just below. Except—hold on a sec. Is that Douglas and Turner? No, it isn’t. It’s Gilbert Roland and super hottie Elaine Stewart. The producers must have liked their dance bit so much they decided to use it as inspiration for the promo art, basically putting Douglas's and Turner's heads atop Roland’s and Stewart’s bodies. That’s like being left on the cutting room floor, but somehow even worse. In Stewart’s case at least, we will be sure to get back to both her head and body. Les ensorceles premiered in France today in 1953.
Having a merry go ’round in Hollywood.
American actress and model Elaine Stewart first caught Hollywood’s attention as See magazine’s Miss See for the month of January 1952. She immediately launched a film career, winning small roles in seven movies that year, and eventually appearing in The Tattered Dress, Night Passage, High Hell, The Bad and the Beautiful and other productions, as well as in several television shows. This shot was made in 1954 when she was filming MGM’s musical classic Brigadoon.
The headlines that mattered yesteryear.
1919—United Artists Is Launched
Actors Charlie Chaplin, Mary Pickford, Douglas Fairbanks, along with director D.W. Griffith, launch United Artists. Each holds a twenty percent stake, with the remaining percentage held by lawyer William Gibbs McAdoo. The company struggles for years, with Griffith soon dropping out, but eventually more partners are brought in and UA becomes a Hollywood powerhouse.
1958—U.S. Loses H-Bomb
A 7,600 pound nuclear weapon that comes to be known as the Tybee Bomb is lost by the U.S. Air Force off the coast of Savannah, Georgia, near Tybee Island. The bomb was jettisoned to save the aircrew during a practice exercise after the B-47 bomber carrying it collided in midair with an F-86 fighter plane. Following several unsuccessful searches, the bomb was presumed lost, and remains so today.
1906—NYPD Begins Use of Fingerprint ID
NYPD Deputy Commissioner Joseph A. Faurot begins using French police officer Alphonse Bertillon's fingerprint system to identify suspected criminals. The use of prints for contractual endorsement (as opposed to signatures) had begun in India thirty years earlier, and print usage for police work had been adopted in India, France, Argentina and other countries by 1900, but NYPD usage represented the beginning of complete acceptance of the process in America. To date, of the billions of fingerprints taken, no two have ever been found to be identical.
1974—Patty Hearst Is Kidnapped
In Berkeley, California, an organization calling itself the Symbionese Liberation Army kidnaps heiress Patty Hearst
. The next time Hearst is seen is in a San Francisco bank, helping to rob it with a machine gun. When she is finally captured her lawyer F. Lee Bailey argues that she had been brainwashed into committing the crime, but she is convicted of bank robbery and sentenced to 35 years imprisonment, a term which is later commuted.
1959—Holly, Valens, and Bopper Die in Plane Crash
A plane crash near Clear Lake, Iowa kills American musicians Buddy Holly, Ritchie Valens, and The Big Bopper, along with pilot Roger Peterson. The fault for the crash was determined to be poor weather combined with pilot inexperience. All four occupants died on impact. The event is later immortalized by Don McLean as the Day the Music Died in his 1971 hit song "American Pie."
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