Vintage Pulp May 12 2022
AN EXTASE TRIP
Pack light and leave your inhibitions behind.


This poster was made in Liege, Belgium for the romantic drama Extase, starring Austro-Hungarian beauty Hedy Lamarr. Based on a novel by the Vienna born author and actor Robert Horký, the film opened in Belgium today in 1933, after having premiered in then-Czechoslovakia as Ekstase in January of that year. It isn't a pulp style film, but it's significant, which is why we had a look. It's about a young upper class woman in an unfulfilling marriage who solves that problem by acquiring a sidepiece in the form of a worker played by Aribert Mog. This results in some steamy moments and—some viewers say—the first orgasm ever depicted onscreen. “Some viewers” are right. There's no doubt. In the midst of a nocturnal tryst Mog's head and torso slide off-frame, as Lamarr breathes more and more heavily before finally grimacing in lovely fashion and snapping her string of pearls.

Yeah, this is hot stuff for 1933. And we thought everyone was having a great depression. Shows what we know. If the title Extase doesn't tell you what's going on, consider the fact that Hedy's character is named Eva, and Mog's is named Adam. It's that kind of movie. In a way, an orgasm was inevitable. Lamarr also captures moviegoers' attention with a nude swim and sprint through the fields that occurs about twenty-eight minutes in. Why's she running around starkers? Her mare Loni decides to get herself some equine action and abandons Hedy—taking her clothes along for the ride. Always make sure to tie your mount to something, especially when it's horny. Lamarr really is naked in the scene, too, which few modern performers would do in this age of new puritanism. It's thanks to this run through the wild that she meets Mog, the eventual master of her clitoris, if not her heart.

Extase isn't a silent film, but it's close. There's a lot of orchestral music and only a dozen or so sections of dialogue. Even so, it's very watchable. The visuals tend to be laden with meaning in films such as these, but some scenes require no interpretation at all, like the bit where a couple of horses mate (not Loni and her love, sadly). They don't show it of course, but the crash zoom of a mare's backside from the point-of-view of the stud horse gets the idea across with remarkable subtlety—not. It was hilarious, actually. But hey—even horses feel extase, because it's just a natural thing, see. On its own merits we'd call Extase more of a curio than a cinematic triumph, but it certainly achieves what it sets out to do, and that's success of a form, even if it would be forgotten without the orgasm. But that's often true, isn't it?
Loni! Come back, you stupid horse! That jumpsuit doesn't even fit you!

Why hello, lovely naked creature.

You rude beast! Try taking a picture. It'll last longer.

Already done. With my mind. Deposited you right in the spank bank.

Bank— What? Spank what? Oh, never mind. Give me my clothes.

Objectify me, will you? Two can play that game. Duh... nice package! Duh... I'm an idiot!

Thanks. And you're not an idiot—many women agree with you about my package.

No, I'm objectifying you, like you did to me.

Like a sex object. I understand. That's cool. I love sex.

No, I mean I'm debasing you via the reduction of any unique and admirable qualities you might have down to the purely phy— Oh, forget it! You're too dumb to understand.

Oh... oh... oh! It's true he lacks... formal education...

But he sure knows how... to make a girl... SNAP HER PEARLS!

*sigh*

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Hollywoodland Mar 12 2012
PRETTY HEDY STUFF
Even if it was only half true, it was still 100% shocking.

This National Enquirer published today in 1967 features cover star Hedy Lemarr promoting her 1967 autobiography Ecstasy and Me: My Life As a Woman. The title is taken from the 1933 Czech film Ekstase, in which she appeared nude, shocking audiences of the time. Enquirer describes her book as shocking, as well, and indeed there are some surprising revelations. An example: while still living in her native Austria, she ran away from her husband and hid in an empty room in a brothel. A man came into the room and she had sex with him rather than let her husband find her. Lamarr claims to have had hundreds of lovers, male and female, and depicts herself variously as both a nymphomaniac and a kleptomaniac. But all of this comes with a caveat—her ghostwriter, the notorious Leo Guild, wrote various celeb biographies that played fast and loose with the truth. That said, even Guild was not imaginative enough to have fabricated everything in Ecstasy and Me.

As a side note, we should mention that Lamarr, along with George Anthiel, invented and patented an advanced frequency switching system that they envisioned for usage guiding torpedoes (the constant switching of frequencies would make them difficult to jam, thus more likely to reach their targets). Now, if you read other websites, most of them praise Lamarr as a military genius, and it’s true she had a highly developed technical mind, but the system she helped pioneer actually grew out of an idea to remotely control player pianos. In fact, the guidance system used eighty-eight frequencies, which is of course the number of keys on a standard piano. We think knowing that she applied a musical idea to military usage gives a somewhat fuller appreciation of how ingenious she actually was, rather than just picturing her as some kind of Oppenheimer type.

Ingenious or not, the U.S. Navy declined to purchase Lamarr and Anthiel’s system, but the moment the patent expired two decades later the military was all over it. We can’t discern with our limited resources whether this sudden decision to use the technology was coincidental or not, but certainly the result was that Lamarr got screwed out of probably millions of dollars. Or perhaps even more, when you consider that her and Anthiel’s frequency switching is closely related to that used today for global positioning systems and Bluetooth. Since Lamarr claimed in her book to have blown through more than thirty million dollars in her life, the fun and creative ways she might have spent a massive military windfall makes the mind boggle. We’ll get back to Hedy Lamarr a bit later, because she certainly deserves a more detailed treatment. 

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Vintage Pulp | Sex Files Jan 16 2012
SKIN FLICKS
A new tabloid hits the newsstands with a twist on the usual formula.

In our continuing search for rare magazines of high entertainment value (if sometimes dubious quality), we stumbled across the above gem—the first issue of the self-described sexploitation film graphic Flick. Published in the U.S. out of Libertyville, Illinois, it was basically just reviews of x-rated films in tabloid form. The publishers admit in their introductory editorial that the tabloid market is glutted, but insist America needs a magazine that helps porn consumers separate the wheat from the chaff. They do it with utter seriousness and, as a bonus, also throw in some musings on film history, with discussions of Rudolph Valentino, Douglas Fairbanks, Theda Bara, Jean Harlow, and Hedy Lamarr, who all had pre-Hays Code flirtations with screen nudity.

It might be difficult to imagine actors appearing nude on screen during the 1920s and 1930s, but the idea back then was that, because the medium was considered an art form, motion picture nudity was no different from nudity in sculpture, photography or painting. Theda Bara's and Jean Harlow’s screen nudity was merely implied, but Hedy Lamarr went all the way in her 1933 Czech-made romance Ekstase, aka Ecstasy, in which she ran starkers through the woods, giving audiences a gander at her backside and breasts. She was known at the time as Hedy Kiesler, but it’s her.

There’s also a non-nude love scene containing what some critics believe is the first cinematic depiction of an orgasm. As you can imagine, Ekstase was controversial. Only four-hundred prints were ever made, and most of those were butchered by censors. By the 1940s, the only complete copy known to exist was in Russia. It had first been Hungarian property and had been exhibited in Budapest in ’33, but because the Hungarians had fought alongside Nazi Germany and helped conquer swaths of Russian territory in the early 1940s, when the Russians reversed those gains and occupied Budapest in 1944, they sort of helped themselves to a few choice cultural treasures.

Elsewhere in this inaugural Flick you get reviews of the adult films A Hard Man’s Good To Get, Sisters in Leather, College Girls, and Jack Hill’s first full-length effort Mondo Keyhole. The editors remind readers that their magazine is a collector’s item. At the time—January 1970—they probably imagined it would be quite valuable in forty-one years. Well, we got it for $4.00. But just for the hell of it, maybe we’ll hang onto it for another forty-one years. You never know. By the way, if you’re curious, you can actually see that famous Hedy Lamarr nude scene here. It is not a complete version, though. We doubt a complete one exists. See ten scans from Flick below. 

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History Rewind
The headlines that mattered yesteryear.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
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