Recent transmissions from overseas indicate that our headquarters is about to be invaded.
We interrupt your regularly scheduled pulp. Once again, as summer starts to kick into gear, we've had visitors coming to Spain—one set is already here, and another pair show up Saturday. This is all according to our long term plan. It's why we have two spare bedrooms. We wrote material to cover about half of the upcoming days, and you've already seen that, including the cover set below, but we're taking a break for the remaining six days, starting now. We have big plans, and they'll eat up too much time for us to focus on the website. But as always we shall return, reinvigorated and re-inspired. Meantime check out some Pulp Intl. classics here, here, here, here, here, and here.
In pulp you're always on the wrong side of the tracks.
We're train travelers. We love going places by that method. It's one of the perks of living in Europe. Therefore we have another cover collection for you today, one we've had in mind for a while. Many pulp and genre novels prominently feature trains. Normal people see them as romantic, but authors see their sinister flipside. Secrets, seclusion, and an inability to escape can be what trains are about. Above and below we've put together a small sampling of covers along those lines. If we desired, we could create a similar collection of magazine train covers that easily would total more than a hundred scans. There were such publications as Railroad Stories, Railroad Man's Magazine, Railroad, and all were published for years. But we're interested, as usual, in book covers. Apart from those here, we've already posted other train covers at this link, this one, this one, and this one. Safe travels.
Okay, first of all he never listened to me. That's where the blame for this really starts.
Above: an unusual cover for Hank Janson's novel Beloved Traitor, published by the British imprint Roberts and Vinter in 1960, with a lettering style the company used to good effect on other novels. The cover painting is by the Spanish artist Joaquin Chacopino Fabré, sometimes known as merely Chaco. We have two more good examples of his work here, and we'll see if we can dig up more later.
Just because she's high class doesn't mean she can't get down.
This lovely poster was made for the roman porno movie Yamanote fujin: Seiai no hibi, known in English as Uptown Lady: Days of Eros, and the star is the incomparable Izumi Shima, centerpiece of at least three dozen films for Nikkatsu Studios in a mere four years from 1977 to 1981. Here she plays the young wife of an old, blind classical dance teacher, and becomes the focus of romantic feelings from her husband's son from an earlier marriage. The two are around the same age, which is probably one reason Shima begins to have feelings too, though it's oh so very wrong. Would it be incest to boink your son-in-law? We don't know the legal ramifications, but it would certainly be a case of bad judgment. This exact type of bad judgment is of course standard territory for Nikkatsu, but under the direction of Masaru Konuma Seiai no hibi is gentler and more poetic than the usual fare. After seeing Shima receive forced enemas in other roman pornos this was a nice change.
Shima eventually gives in to her son-in-law in a hot and sweaty/oily sequence. The encounter features a sixty-nine and some pretty concentrated nipple licking by Shima that sent a ripple through our innards. Some guys don't like their nipples licked, but we think they're crazy. In our view, the nipples are a required pitstop on any excursion along the body, whatever the ultimate destination. Shima and her son-in-law have a second encounter, also of the wet and shiny variety, this time in a red-lit room, and once more it's a well shot and stimulating scene. But it's here that we must issue our standard warning to novices that roman porno is not porno—the appellation stands for “romantic porno,” and the movies are softcore, with no genitalia displayed. In order to find them stimulating, you have to use your imagination. That might be a problem for anyone under age thirty.
Anyway, for Shima's husband to not know something's going on he'd have to be blind—doh! rimshot! Read the premise again. He's a blind dance teacher. You know that cliché about the blind compensating with their other senses to the extent that they don't miss their vision at all? This movie hews to that concept. However, Shima's hubby is circumspect in marriage, if domineering as a teacher, so he doesn't let on that he knows—at first. Since Shima is not just his wife but also his star student, she has her career as a future natori to consider, and he knows that. How it eventually concludes we'll leave for you to discover on your own. We can tell you that serious roman porno enthusiasts tend to find this movie too sedate, but the less bizarre approach worked great for us. Of course, anything with Shima works great for us. Yamanote fujin: Seiai no hibi premiered in Japan today in 1980.
You're in the market for murder? Inside here I got everything harmful—guns, knives, poisons, Ayn Rand novels. Everything.
Above: a nice cover for Frank Gruber's 1947 mystery Market for Murder, from Panther books. We don't know who painted the art, but it looks a little like Josh Kirby, and he was occasionally working for Panther when this edition came out in 1956. But don't quote us, because we're guessing with not even fifty percent certainty. You can see confirmed Kirby here and here.
Venus shows her dark and light sides.
Above are two versions of a piece of Alain Gourdon art first used on Yann R. Patrick’s Vénus des neiges by Éditions de l’Arabesque in 1955, then repurposed by Antwerp based Uitgeverij Eros for Mickey Spencer's Geen tijd voor Kusjes. Everyone's an aka here. Gourdon painted under the moniker Aslan, Patrick was really Jacques-Henri Juillet, and Spencer is an obvious pseudonym, though we don't for whom. Whether dark or light, this is lovely work.
They're willing to hustle, side-hustle, and even hustle on their backs to get what they want.
When we stumbled across this Italian poster and saw that it was for a film starring the lovely Catherine Deneuve and her unbeatable hair, we felt a screening was needed. Due prostitute a pigalle is a French/Italian co-production that was originally titled Zig-Zig, with the name changing to Zig-Zag for the U.S. The movie is about two Parisians played by Deneuve and Bernadette Lafont who work as cabaret entertainers, bookies, and prostitutes in order to raise enough money to buy a chalet in the mountains. Their signature song and dance number “Zig Zig” earns them a small measure of fame around Paris, and the dream home seems closer by the day.
However, Deneuve has no idea that Lafont is involved with a gang of cross-dressers who've kidnapped the wife of a prominent politician. When she finds out, she freaks out, and it looks like her friendship with Lafont is cooked and their house will never come to be. The movie has its moments, but jarring shifts of tone from serious to farcical and an insistence upon an ironic and unrealistic ending definitively sink it. Even so, it has Deneuve, and her hair can't be sunk under any circumstances. Due prostitute a pigalle premiered in France in early 1975, and in Italy today the same year.
When America's borders are penetrated the government unleashes a load of C-Men.
This is a pretty interesting poster for the crime drama 'C'-Man, a movie dealing with the intrepid customs men who confiscate contraband passing through U.S. borders and arrest the criminals who broke the law. Though the possibility amuses us in the most juvenile way, we don't think customs men were ever called c-men, and the reason why is obvious. In any case, Dean Jagger stars as a New York City c-man who investigates the murder of his pal and colleague who'd been investigating a ring of jewel thieves. He goes undercover, takes a couple of beatings, and develops an affection for Lottie Elwen, who plays the dupe girlfriend of one of the smugglers.
This is strictly a low budget affair, barely viable even as a b-movie. It was shot fast, all the sound except for one nightclub scene was recorded natively, and it doesn't seem as if retakes were usually an option. There's no doubt the c-men will come out on top, and when you add in the opening thank-you to the “agents of the U.S. Treasury Department, without whose assistance this film could not have been made,” what you have is a cheap propaganda piece, one in which the lauded and noble subjects of the cinematic stroke job don't even come out looking that great. There are infinitely better vintage crime dramas, as well as better propaganda flicks, so in our opinion you can skip this one. 'C'-Man premiered today in 1949.
Ask not for whom the Bell is mistaken.
If you do an image search on the above photo, every website in which it exists (that would include Getty Images, Yahoo, CNN, et al) says it's Paula Kelly, shot during the making of the 1972 blaxploitation movie Trouble Man. There's just one problem—she isn't Paula Kelly. She's actually—and obviously, we think—Jean Bell, who appeared in such movies as T.N.T. Jackson and Policewomen. Bell and Paula Kelly don't look alike, but just the same they're the victims of an IRE™ (internet replication error) that probably will never be corrected. We're not perfect here, but we also don't have a research department like CNN and Getty Images. Because of the misidentification we don't have a copyright on this shot, but it's probably from around 1974. |
The headlines that mattered yesteryear.
The Battle of Normandy, aka D-Day, begins with the landing of 155,000 Allied troops on the beaches of northern France in an event codenamed Operation Overlord. The German army by this time is already seriously depleted after their long but unsuccessful struggle to conquer Russia in the East, thus Allied soldiers quickly break through the Nazi defensive positions and push inland in the largest amphibious military operation in history.
1963—John Profumo Resigns
British Secretary of State for War John Profumo resigns after the revelation
that he had been sexually involved with a showgirl and sometime prostitute named Christine Keeler. Among Keeler's close acquaintances was a senior Soviet naval attaché, thus in addition to Profumo committing adultery then lying about it before the House of Commons, authorities pressed for his resignation because they also feared he had been plied for state secrets.
1939—Journey of the St. Louis
The German passenger liner MS St. Louis, carrying 963 Jewish refugees, is denied permission to land in Florida, United States, after already being turned away from Cuba. Forced to return to Europe, many of its passengers later die in Nazi concentration camps. The event becomes the subject of a 1974 book, Voyage of the Damned, by Gordon Thomas and Max Morgan-Witts, and is later adapted into a film with the same title, released in 1976.
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