|Vintage Pulp||Oct 8 2021|
When commies get their hooks into you it's forever.
The Woman on Pier 13, for which you see a very nice promo poster above, had a pre-release title that tells you everything you need to know about it. That title was I Married a Communist. What you get here is a melodrama about Laraine Day, whirlwind married to successful San Francisco industrialist Robert Ryan, an exemplar of American free enterprise, but who was once a member of the communist party back in New Jersey. Uh oh.
Long before meeting and marrying Day, he exited the party without even thanking his hosts for the snacks, moved to Frisco, and changed his name. Married life is going wonderfully until the commies track him down and threaten to expose him if he doesn't give over two fifths of his salary each month and sabotage labor negotiations between San Fran shipping magnates and striking dockworkers. They kill a guy in front of him, just so he knows they mean business. The sneaky, thieving, blackmailing, murdering rats. They're cruel squared. All they needed to be worse were monocles and riding crops. And maybe a handy tray of stainless steel dental hooks. And speaking of hooks, wait until you see what what Ryan can do with one. The Woman on Pier 13 is well made and pretty fun, but it's less useful as cinema than as a time capsule of anti-commie propaganda. It premiered today in 1949.
San FranciscoThe Woman on Pier 13I Married a CommunistRobert RyanLaraine DayJanis CarterThomas Gomezposter artcinemamovie reviewcommunism
|Vintage Pulp||Oct 8 2020|
Robert Montgomery rides into town and trouble soon follows.
We'd seen the movie adaptation of Dorothy B. Hughes' novel Ride the Pink Horse before, more than once, but decided to watch it again because its premiere date was today in 1947. It differs from the book, of course—it's more streamlined, the real life town of Santa Fe becomes fictional San Pablo, the villains are more proactive, the heartless anti-hero Sailor becomes the not-so-bad Lucky Gagin, and the Mexican girl Pila is an adult instead of a fourteen-year-old. All these changes work fine. The most striking addition is the movie's use of Spanish dialogue, five or six lines worth, untranslated and unsubtitled. It adds authenticity, plus a touch of bonus material for Spanish speakers. Robert Montgomery directs and stars, handling the dual chores solidly. In the end Ride the Pink Horse is a good film noir that has increased in stature over the years. It's always been one of our favorites, but we admit that after seeing so many rote entries it's the quirky ones that tend to stand out. We wouldn't recommend this to novices as their first noir, but if you've seen many and are looking for something that surprises, Ride the Pink Horse will do the job. You can learn more about the movie by reading our detailed write-up about the novel here.
New MexicoSanta FeRide the Pink HorseRobert MontgomeryWanda HendrixThomas GomezDorothy B. Hughesposter artcinemafilm noirmovie review
|Vintage Pulp||Jul 31 2020|
Humphrey is pitch perfect as always but it's Edward who makes this movie sing.
Above, one of many promo posters for the classic drama Key Largo. This movie, as you doubtless know, is great. It hinges on Edward G. Robinson's bravura performance as a washed up gangster trying to make a comeback, but he gets ample onscreen help from co-stars Humphrey Bogart, Lauren Bacall, Lionel Barrymore, Thomas Gomez, Claire Trevor, Dan Seymour, and others. And John Huston in the director's chair is no slouch bringing the foreground drama and hurricane background to life. Key Largo is often called a film noir. Is it though? Hmm... Bogart certainly fits the bill in terms of characterization, but since the movie lacks most other noir elements we're inclined to call it a straight crime drama. But that's just our opinion. It was first seen by the public at a Hollywood preview in mid-July 1948, and went into full national release today.
Key LargoHumphrey Bogart. Edward G. RobinsonLauren BacallThomas GomezLionel BarrymoreClaire TrevorDan SeymourJohn Hustonposter artcinema