Who says it never Raines in L.A?
You can't tell with her face all scrunched up, but the person in the above photo is actress Ella Raines, who appeared in such films as Brute Force, The Web, and Phantom Lady. Here she makes a July 1943 cameo in the pool at the Town House Hotel in Los Angeles, which was famous for its water nymphs that frolicked as guests in the hotel bar watched through plate glass. We've featured the Town House pool before, and those shots are worth a look. Just click the keywords below and scroll.
I always appreciate attention from a handsome lifeguard, but I think someone's drowning over there.
Above, U.S. born actress Ella Raines lounges in her bathing suit in this summery image from 1943 made in Los Angeles at the Town House Hotel. Later she'd take a dip in the pool. Raines appeared in such films as Phantom Lady, Impact, and Brute Force, before transitioning to television in the 1950s. We talked about her 1947 film noir The Web a few years ago and you can read about that here.
Was it self-defense or murder? That’s always the question.
Do embezzlers even exist anymore, or is all that legal now? That’s the first question we had about The Web. The second was whether it’s believable for a lawyer to accept a gig moonlighting as a bodyguard for a wealthy and arrogant businessman. Well, maybe, if he wants mainly to get close to his new employer’s hot secretary Ella Raines. And his plan seems to be working, too, but just when things are heating up between them he has to shift into bodyguard mode and ends up killing an intruder bent on ventilating the businessman. But was the shooting legit or was it all a set-up to eliminate a rival? The lawyer starts to have suspicions when the dead man’s daughter appears and accuses him of being a hired murderer. From her perspective, what else could he appear to be? Raines, Edmond O’Brien, William Bendix, Vincent Price, John Abbott, and Maria Palmer do tolerable work here, but director Michael Gordon hits a few snags. For example, he shoots a restaurant scene between O’Brien and Bendix on two different sets and splices the halves together. Did one set burn down? Did the budget not include provisions for continuity? You can spot that gaffe at about 45:00. There are others. If you don’t mind such details there’s enjoyment to be had here, but if you like technical proficiency in your cinema, perhaps steer clear. The Web premiered in the U.S. today in 1947.