Vintage Pulp Apr 18 2022
NEVER CRY WOLVES
Serious trouble just rolled into town.


Furyô banchô: Ikkaku senkin, for which you see a killer poster above, was known in English as Wolves of the City: Fast Money, or sometimes Wolves of the City: Instant Fortune. It starred Tatsuo Umemiya, Reiko Oshida, and Bunta Sugawara, and we hear it's good, but we weren't able to find it to watch. We may circle back to it, though, because we located more promo art Toei Company made for it—for example the cool photos of Umemiya and Oshida you see below.
 
You notice the swastika tattoo on Oshida's back? We've mentioned before that the symbol's usage predates its appropriation by Nazi Germany, and has different meanings in Japan. However, in this case we suspect those meanings—good luck, eternity, etc.—have been set aside and the filmmakers meant to use the symbol's association with Nazis to suggest rebellion or lawlessness. If asked, they may have claimed they weren't, but they'd have been messing with people's heads in the same way as the Prussian cross in this post was meant to. But we won't know until we watch the film. We'll keep the rest of our promo material in reserve in case our search is successful. Furyô banchô Ikkaku senkin premiered in Japan today in 1970.

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Vintage Pulp Jan 18 2014
WOLF PACK
The gangs that couldn’t shoot straight.


Furyô banchô: Inoshika Ochô, aka Wolves of the City, aka Wolves of the City: Ocho the She-Wolf was a significant hole in our Japanese actioner viewing résumé, but we solved that by watching the film a few days ago. In short, you get an amoral motorcycle gang in Nazi regalia pitted against evil Yakuza, with the tide eventually turning when the legendary hellion Ocho the She-Wolf teams up with the gang. The movie looks great. Yukio Noda’s direction—for the most part—is a marvel. He frames shots with six, seven, sometimes even a dozen interacting characters spread across the screen, yet it all seems effortless. Modern directors don’t seem remotely interested in using shots like these anymore, which is a shame, but it may also be a function of today’s screenwriters choosing to limit the number of characters who interact simultaneously. In any case, this is one thing we loved about the movie and we’ve shared some images of this technique below.

But Wolves of the City is a mixed bag. It relies upon numerous violent set pieces, but where the dialogue sequences feel so carefully thought out, the action is pure Keystone Kops. Because Noda continues framing large numbers of actors in single shots, his performers seem more intent uponhitting their stage marks than making these confrontations look realistic. They reach their required positions in the scenes, but these hardened gangsters handle pistols and machine guns as if they were rubber snakes, dealing a major blow to what should be the visceral thrill of such moments. By packing the screen during the gunfights Noda forces the audience to accept that nobody can successfully shoot anyone from five feet away. It feels very bang-bang-you’re-dead amateurish, complete with wounded gangsters clutching their chests, spinning around, and falling to the floor.
 
In the end the plot ushers us through various deals, deceptions, and shootouts, and you finally get the inevitable throwdown between the bikers and the Yakuza. This is the most unlikely sequence of all, with bikers motoring around none too swiftly inside a confined warehouse while still miraculously being missed by a hailstorm of screaming lead. But by now we know what we’re going to get and we just have to go with it. At one point Ocho puts out a gangster’s eyes and archly informs him (as if he can hear through the head-splitting pain), “You’re the seventeenth victim of Ocho of Inoshika’s eye attack!” This movie does attack the eyes rather beautifully, and if you look past the Vaudeville antics of the action scenes you may enjoy it. The panel length poster at top is rare, and as far as we know it’s the only one of its kind to be seen online. Furyô banchô: Inoshika Ochô premiered in Japan today in 1969.

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Vintage Pulp Jun 6 2010
WILD KINGDOM
The Emperor wears no clothes because he never needs them.

Promo poster for Makoto Naito’s 1971 film Porno no teio, aka Emperor of Porno, with Tatsuo Umemiya and Mayama Tomoko. As embarrassing as this is to admit, we didn’t even know Japan had an Emperor of Porno. 

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Vintage Pulp Jan 18 2010
FISTS OF FURYO
Youth speed trouble cigarettes.

Above, a poster for Furyô banchô yarazu buttakuri, aka Wolves of the City: Rip-Off Game, starring Tatsuo Umemiya, 1971.     

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History Rewind
The headlines that mattered yesteryear.
December 05
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
December 04
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.
December 03
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
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