Vintage Pulp Jan 18 2014
WOLF PACK
The gangs that couldn’t shoot straight.


Furyô banchô: Inoshika Ochô, aka Wolves of the City, aka Wolves of the City: Ocho the She-Wolf was a significant hole in our Japanese actioner viewing résumé, but we solved that by watching the film a few days ago. In short, you get an amoral motorcycle gang in Nazi regalia pitted against evil Yakuza, with the tide eventually turning when the legendary hellion Ocho the She-Wolf teams up with the gang. The movie looks great. Yukio Noda’s direction—for the most part—is a marvel. He frames shots with six, seven, sometimes even a dozen interacting characters spread across the screen, yet it all seems effortless. Modern directors don’t seem remotely interested in using shots like these anymore, which is a shame, but it may also be a function of today’s screenwriters choosing to limit the number of characters who interact simultaneously. In any case, this is one thing we loved about the movie and we’ve shared some images of this technique below.

But Wolves of the City is a mixed bag. It relies upon numerous violent set pieces, but where the dialogue sequences feel so carefully thought out, the action is pure Keystone Kops. Because Noda continues framing large numbers of actors in single shots, his performers seem more intent uponhitting their stage marks than making these confrontations look realistic. They reach their required positions in the scenes, but these hardened gangsters handle pistols and machine guns as if they were rubber snakes, dealing a major blow to what should be the visceral thrill of such moments. By packing the screen during the gunfights Noda forces the audience to accept that nobody can successfully shoot anyone from five feet away. It feels very bang-bang-you’re-dead amateurish, complete with wounded gangsters clutching their chests, spinning around, and falling to the floor.
 
In the end the plot ushers us through various deals, deceptions, and shootouts, and you finally get the inevitable throwdown between the bikers and the Yakuza. This is the most unlikely sequence of all, with bikers motoring around none too swiftly inside a confined warehouse while still miraculously being missed by a hailstorm of screaming lead. But by now we know what we’re going to get and we just have to go with it. At one point Ocho puts out a gangster’s eyes and archly informs him (as if he can hear through the head-splitting pain), “You’re the seventeenth victim of Ocho of Inoshika’s eye attack!” This movie does attack the eyes rather beautifully, and if you look past the Vaudeville antics of the action scenes you may enjoy it. The panel length poster at top is rare, and as far as we know it’s the only one of its kind to be seen online. Furyô banchô: Inoshika Ochô premiered in Japan today in 1969.

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History Rewind
The headlines that mattered yesteryear.
April 13
1953—MK-ULTRA Mind Control Program Launched
In the U.S., CIA director Allen Dulles launches a program codenamed MK-ULTRA, which involves the surreptitious use of drugs such as LSD to manipulate individual mental states and to alter brain function. The specific goals of the program are multifold, but focus on drugging world leaders in order to discredit them, developing a truth serum, and making people highly susceptible to suggestion. All of this is top secret, and files relating to MK-ULTRA's existence are destroyed in 1973, but the truth about the program still emerges in the mid-seventies after a congressional investigation.
April 12
1945—Franklin Roosevelt Dies
U.S. President Franklin D. Roosevelt dies of a cerebral hemorrhage while sitting for a portrait in the White House. After a White House funeral on April 14, Roosevelt's body is transported by train to his hometown of Hyde Park, New York, and on April 15 he is buried in the rose garden of the Roosevelt family home.
April 11
1916—Richard Harding Davis Dies
American journalist, playwright, and author Richard Harding Davis dies of a heart attack at home in Philadelphia. Not widely known now, Davis was one of the most important and influential war correspondents ever, establishing his reputation by reporting on the Spanish-American War, the Second Boer War, and World War I, as well as his general travels to exotic lands.
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