In color therapy pink symbolizes unconditional love, and you wear it when you want someone to be instantly drawn to you. Well, that stuff must work, because we're instantly drawn to these covers by Robert McGinnis for Erle Stanley Gardner’s Perry Mason series, circa early 1960s. We were thinking about changing our website a bit, but now that we know this about the color pink, forget it. Our traffic might drop to nothing.

We were going to upload a Facebook profile for Pulp Intl. today, but then we decided you’d probably rather look at this profile instead. Pictured is Virginia Gordon, who started in 1958 as a nude model, and later appeared in b-films such as The Muthers (the 1968 sexploitation flick, not the 1976 blaxploitation flick), Hot Spur, and Francis Ford Coppola’s nudie western Tonight for Sure. Her movies were mostly forgettable, but her modeling remains precisely the opposite. Bonus shot below from the same session. Probably 1962 on these.

In case you had any doubts that pulp literature was often used by authors as a catharsis for their racial fears, here’s a representative sampling of vintage magazines featuring assorted cultural stereotypes. Pulp—where men are men and natives can’t get women without kidnapping white ones.