|Vintage Pulp||Nov 30 2020|
The deeper you go the tighter it gets.
We've all seen movies about the long con, the elaborate, drawn-out, multi-participant scam. The Crooked Web, aka The Big Shock, starring Frank Lovejoy, Richard Denning, and Mari Blanchard, is an early example of the sub-genre. The plan is for a group of crooks to sell a cache of gold one of them found in Germany during World War II, but the con takes an unexpected twist early, and we learn that the trap being set is deeper than it first seemed. We can't share more details, but we can tell you the film strives greatly to rise above its b-movie constraints with plenty of exterior shooting and a script with international scope. The plot even takes the principals to post-war Germany—which looks a lot like Southern California even with matte work designed to put the foreign illusion across. But you have to forgive budget woes. The flaw that's difficult to overlook is the unbelievable carelessness of the central scam artists, who are posing as brother and sister, but are really lovers and can't keep their hands off each other even when their mark is just around the corner. They're almost busted while in the clinch multiple times, which is a laughable lack of restraint when there's so much at stake. But the shortest route to dramatic tension is to make characters behave like morons. We've talked about it before. It's lazy screenwriting, but that's okay—The Crooked Web is still a fun movie. It premiered in the U.S. today in 1955
GermanyWorld War IIThe Crooked WebThe Big ShockFrank LovejoyMari BlanchardRichard Denningposter artcinemamovie review
|Vintage Pulp||Jan 27 2018|
Counterfeiters and Nazi agents clash in wartime Los Angeles.
When we saw Quiet Please: Murder on the Noir City slate and realized we'd never heard of it we decided to watch it and were treated to an interesting flick about sellers of literary forgeries who get in over their heads when they cheat the representatives of Nazis. Apparently, Hermann Göring is accumulating items he expects to maintain value in the event of post-war inflation, and a rare quarto of Hamlet fits the bill. George Sanders and Gail Patrick are the crooked vendors who run afoul of the Nazis, as well as the cop hero played by Richard Denning. The movie is remembered for its central scene involving an air raid drill that plunges heroes and villains into a blackout at a crucial moment, but the primary benefit here is watching Sanders, who was Russian born but learned a clenched-jaw upper class English accent that made his voice unique in film. He's a perfect baddie here, shooting a librarian to acquire the original Hamlet, pimp slapping his partner Patrick, and in general being shady as fuck. Thanks to him Quiet Please: Murder is an entertaining little b-noir.
RussiaLos AngelesWorld War IIQuiet Please: MurderGeorge SandersGail PatrickRichard DenningHermann Göringposter artcinemafilm noirnazismovie review