|Vintage Pulp||May 20 2022|
Poor baby. If I'm making you cry now, just wait. I've got shit planned for you that'll really unleash the waterworks.
We said we'd get back to Paul Connolly's and here we are. This cover for his 1952 novel Tears Are for Angels was painted by Barye Phillips, and though skillful as always, it's deceptively plain for a book laden with doom, steeped in pending disaster, and populated by lost souls suffering in self-made hells. What you get here is a man named Harry London, whose shoot-first reaction to adultery comes at the heavy price of his amputated arm and his wife's life, due to his attempt to kill her lover going horribly awry. After two years of drinking himself into oblivion his chance for revenge comes along in the person of his dead wife's friend Jean, who signs onto London's long delayed murder scheme.
The book is a clinic in noir style, with characterizations pushed to the very darkest levels, like something James M. Cain thought up, then went, “Naaah! Too downbeat!” Self loathing and hate fucks make the book overwhelmingly malicious, then comes the wild murder scheme, which has WARNING! DISASTER AHEAD! across it in flashing letters. Additionally, the task Connolly sets for himself here is to make a beautiful woman's attraction to a drunken, reeking, one-armed ogre of a man seem plausible. He failed, as almost any writer would, but we have to give him credit—even though the romantic interaction between his leads is ridiculous, he makes turning each page an exercise in dread. That takes talent. Tears Are for Angels is a fascinating read.
|Vintage Pulp||Mar 17 2022|
It never ceases to amaze me how she can be totally batshit insane awake yet seem so sweet and innocent asleep.
This cover is brilliant but uncredited, painted for So Fair, So Evil by Paul Connolly, aka Tom Wicker, for Gold Medal Books, 1955. Our header, of course, could apply to men as well, probably more so, but we work with the art we have. The story concerns a Korean War vet whose wife commits suicide while he's in a mental institution. Upon his release he concludes that it was murder and decides to solve the crime, which invloves dealing with his wife's rich southern family. Generally, the book has rapturous reviews, but we couldn't find a vintage edition. We did, however, find a vintage copy of Connolly's 1952 novel Tears Are for Angels, which is supposed to be excellent too. We'll read it and report back.
|Vintage Pulp||Aug 12 2016|
A suitcase and a sense of adventure will take you anyplace you want to go (and some places you don't).
As noted in the above post, we've gotten a trip together for this summer, so we thought we'd inspire ourselves by collecting a set of paperback covers featuring characters with suitcases. Just about anything can happen once you leave the comfy confines of home and we're hoping several of the scenes depicted here come true for us. See if you can guess which. Hint: not the one above—we already did that last year when we got caught in a monsoonal downpour that shut the airport on the day we were supposed to fly. No, we're thinking we want something more like the below cover to happen. And actually, that's a guarantee because the Pulp Intl. girlfriends are coming with us. Anyway, this group of covers serves as a companion set to our hitchhiker collection from last year. Art is by Robert McGinnis, Mitchell Hooks, George Gross, and others.
Paul ConnollyClyde AllisonPeter ShelleyBrian MooreLuther GordonWilliam O'FarrellEugenie GaffneyJack SheridanGerald FosterDay KeeneJim ThompsonMichael AvalloneJames ClayfordKermit WellesAnn BannonMarty HollandScott LaurenceDon BellmoreDante ArfelliNorman BlighAl HineRalph DeanJoe WeissAnna SaundersMaurice DekobraWhit HarrisonJohn O'HaraJoe McDowRobert McGinnisMitchell HooksGeorge GrossVictor OlsonJames AvatiGuiseppe Bertecover collectioncover artliterature