 I'd shoot you in the head or chest, but you're already brainless and heartless. So I think I'll make you dickless too.  
It isn't just us, right? The perspective of Olivier Brabbins' art for Stuart Brock's, aka Louis Trimble's Killer's Choice makes it seem as though the woman is aiming dangerously low. At best, her male target will soon be missing his appendix; at worst, he can kiss the royal scepter goodbye. What did he do to deserve this? Well, the novel is a basic parlor murder mystery about the patriarch of a dysfunctional family who believes one of his progeny is trying to kill him. He has a pile of money, but is very stingy with it, giving nearly everyone a motive for murder. A killing eventually occurs, a body disappears, subterfuges take place, and the police are of course not to be involved. Luckily there's a detective on the premises. Everyone in the family thinks he's a secretary, but only because the patriarch hired him to play this role while trying to figure out who's planning to off daddy. Now with an actual murder on the premises, the detective has an even more urgent mystery to solve. And hopefully he can do it without being shot in the gonads. 1956 on this one, from Graphic Publishing Co.
 Beauty and the beasts. 
Wade Miller was a shared pseudonym of Robert Wade and William Miller, and in Kiss Her Goodbye they tell the tale of a pair of siblings—a steady, responsible brother named Ed and his childlike but beautiful sister Emily. By childlike, we mean she’s fully grown but was stricken in her youth by some kind of brain ailment, maybe encephalitis, that stunted her mental development. She violently explodes when men make sexual advances toward her, something that happens constantly because, well, mainly because men are scum, but also because bombshell Emily is friendly toward strangers. You can imagine where this all leads. We’ve shared quite a few fronts from Corgi Books this year and this one from British artist Oliver Brabbins is especially nice with its color blocking and sprawled figure. Truly excellent work, and the book is good too. We have another piece from Brabbins here, and we’ll definitely have more later.
 Please don’t! *gasp* I’ll tip more! I’ll rate you a 10 on the hotel evaluation form! *wheeze* Really! Let me get a pen! 
Above, an unusually violent but very effective cover from Oliver Brabbins for Manning O’Brine’s Dagger Before Me, Corgi Books. If you look out the window you see that the novel is set somewhere in the East. At a glance we would have guessed Istanbul, but it turns out to be Cairo and Damascus, with spies, agents, murder, and mayhem, 1958.
 Pull the blinds and turn out the lights. 
We’ve explored several cover motifs in pulp art, and another we’ve grown to appreciate is the use of venetian blind shadows or silhouettes. Always a dramatic addition to a cover, we could probably compile fifty of these, at least, but here are twenty examples. The artists—Olivier Brabbins, Emilio Freix, Robert Maguire, James Hodges, and others—use them to greater and lesser degrees, and opt for both literal and stylized renderings. For instance, the above cover from Maguire shows vertical shadows, but the sense of venetian blinds remains. As always, thanks to all the original uploaders, particularly Pulpnivora for the very nice front to La llamada de la muerte.                   
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The headlines that mattered yesteryear.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name. 1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire. 1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
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