This is a classic piece of tabloid art. Brigitte Bardot is pictured on this National Enquirer published today in 1962 reading what is supposed to be a tabloid paper and looking annoyed. The art suggests she thinks the press is lying about her, reporting fake news, as it were. And being the tabloid press, it probably was. Below you see the photo Enquirer cropped to get the cover. In it, Bardot sits on her younger sister Mijanou's lap between takes on the set of the 1959 comedy Voulez-vous danser avec moi?, aka Come Dance with Me, in Nice, France. Sis looks just as bothered as Brigitte, but she was probably just bored, since she wasn't appearing in the film. She did act in more than a dozen movies of her own, though.

Eunice Sudak was a prolific author, but one whose bibliography is padded by numerous film novelizations, including X—The Man with the X-Ray Eyes and The Raven, after Roger Corman's tongue-in-cheek version of the Poe tale. One of her original pieces of fiction was 1966's The Ice Pick in Ollie Birk, a comedic romp about a widow forced to become a prostitute to survive. That concept is just ripe for humor, right? Almost writes itself. Anyway, the widow discovers the eponymous Ollie Birk dead on her living room sofa with her ice pick in his ear, and of course must extricate herself from this sticky situation. Who did it? Perhaps the rowdy Russians down the hall. The novel is notable for its beat slang, if not its technical merit, and the Lancer Books paperback is notable for its unusual cover art of the lead character Leona Trafalgar dancing with an ice pick in her mouth. We love this image, but it's uncredited, sadly.

The shot at top of Windward Avenue in Venice, California was made around 1905. Owned by the Venice Historical Society, the image caught our eye because we were just there in July (actually, we used to live in Venice). The second shot was made from basically the same angle in 1939. Note how most of the original Venetian gothic windows have disappeared, and the gothic cornices have likewise vanished. In addition to the buildings, Venice had sixteen miles of canals, but by the time of the 1939 photo all but 1.5 miles of those had been filled in. During the 1950s financial neglect began to turn Venice into a slum, and in the following years not only did the remaining gothic elements go, but also most of the structures. Today the famed colonnade of Windward Avenue fronts only five buildings. 

Above, a poster for Akira Kurosawa’s seminal samurai movie Rashomon, with Toshirô Mifune, Machiko Kyô, and Masayuki Mori. We could tell you this flick is great, but there’s no point. Information abounds, written by people far more expert than us, and it all says the same thing—this is one of the top films ever made. It was admired in its time, winning the Leone d’Oro at the 1951 Venice Film Festival and 1952 Academy Award for best Foreign Language Film, and it has weathered the last sixty-two years proudly. Watch it. Rashomon premiered in Japan today in 1950.

This excellent vintage poster is for the Italian nunsploitation flick Interno di un covento, which was known in English as, alternately, Within a Cloister, Within the Convent, and Behind Convent Walls. So, what exactly goes on behind convent walls? Well, they have lots of sex. With each other and with whatever men happen to be around. And they exercise naked a lot. Well, almost naked. They never take off those cornettes, no matter what, but everything else is on display, including some really lovely bushes.

All of this depravity is the work of Polish director Walerian Borowczyk, working from a novel—a novel!—by the French writer Stendhal, aka Marie-Henri Beyle. But we’re giving Borowczyk most of the credit, er, blame here, because we don’t think Stendhal had a scene in his book where a nun devirginized herself with a Jesus-faced dildo. What’s the plot here? It isn’t important. The question is, what’s the point?

Well, we’re talking about a movie made in Italy, so the point seems to have been to annoy the very powerful Catholic Church. Mission wholly accomplished, we suspect. We gotta say though, we have never gotten this fascination with nuns. But if that’s your thing, then this is your movie. It premiered in Italy today in 1978. We have a nice collection of production photos below, and if you just can’t get enough nunnage, check out this amusing post.

Above, a National Star Chronicle published March 16, 1964, with cover star Claudia Cardinale. Born in Tunisia, Cardinale’s career was launched in 1957 when at age eighteen she won the title Most Beautiful Girl in Tunisia. The prize was a trip to Venice. She didn't speak one word of Italian and knew little about Italy, but she was spotted by some film producers and the rest, as they say, is history.

Various movie posters from Russia, Poland, Hungary, Turkey, and the former West Germany, circa ’50s, ’60s and ’70s.