Mari Atsumi goes searching for her place in the sun.
Above, two beautiful posters for Taiyo wa mita, aka I Saw the Sun, with Mari Atsumi. We couldn't track this one down but we know it's a drama set in a seaside town and know it premiered in Japan today in 1970. We already shared a really nice promo image for the film here, and if we learn more we'll report back.
She's as cool as the other side of the pillow.
Last year we shared some promo photos from Mari Atsumi's pinku flick Denki kurage: kawaii akuma, aka Play It Cool, but we held this rarity back for a year because we wanted to give it solo billing. So here you go. The film premiered today in 1970, and the other promo photos are here.
There's nothing not to like about Mari Atsumi.
Above is another poster for Zoku Imokinchaku, aka Sea Anemone Girl Continued, starring Mari Atsumi. We shared the tateken sized promo earlier this year, and this is the hansai promo, which we tend to call merely standard sized. The movie premiered in Japan today in 1970, and you can see the other poster here.
Everybody wants a piece of Mari Atsumi.
The movie Hadaka de Dakko, aka Be Naked premiered in Japan today in 1970, and as you can see from the promo poster, it starred the prolific Mari Atsumi. She made twenty-six films by our count, which means we've talked about her a lot. Here she plays a snack bar employee who dreams of bigger things, and who, along with her friends, try to accumulate 3 million yen they can use to buy a yacht. The reason it's called Be Naked is because every moneymaking scheme hinges on using Atsumi's body. The beauty shop needs her face to draw customers, the gambling house needs her sex appeal for the same reason, and when she becomes an artist's nude model, well, ditto. And in fact, the same can be said of the movie itself, and we're pretty sure its makers knew it too. Want to see more Atsumi? Start here.
She was Japan's best sailing actress.
This fantastic sea-themed Daiei Film Co. promo image shows Japanese pinku actress Mari Atsumi, who by now probably needs no introduction. But in case she does, click here to see and read everything we've posted on her. The image comes from her 1970 film Taiyo wa mita, aka I Saw the Sun.
Go together like hurt and damage.
Above, a pair of posters for Imokinchaku, which in English was retitled (we think) Woman Like a Sea Anemone or Sea Anemone Girl. The movie starred Mari Atsumi, Toshio Takahara, and Shimeji Shogako, and it deals with a country girl who arrives in Tokyo, gets a job in a laundry, and becomes embroiled in a series of complications that all begin with a missing pair of panties. One thing these Japanese pinku films do not lack for is weirdness. Audiences certainly responded to this one, despite the fact that it was in black and white, and it spawned a series that in English might be referred to as the “Mollusk Series.” We've already shown you a few posters from the franchise, such as here and here. This one premiered in Japan today in 1969.
Mari Atsumi shows her stripes.
We've already shared two posters for the 1970 pinku flick Denki kurage: kawaii akuma, aka Play It Cool, aka Electric Medusa: Lovely Wicked Woman. Today we have yet another promo for the film, with Mari Atsumi looking cool, lovely, wicked, and a few other things, all of them good. In the film she plays a model who loses her job after she refuses to “entertain” a department store owner, and later finds herself hassled by a villainous Yakuza who wants to turn her into a call girl. If you've seen any pinku films at all, you know how this goes—humiliation, tables turned, revenge.
Atsumi was a big star in her day. She appeared in twenty-eight films, guested on a number of television shows, and released a couple of popular albums. Like many pinku actresses, though, her current whereabouts are basically a mystery. One Japanese webpage literally says nobody knows where she is. But that's okay—she gave us plenty to remember her by. You can see the other Denki kurage posters we've shared here and here, and there's even another promo for the film you can see over at the website Bulles de Japon at this link. And below we have more bonus material—some promo photos from the film.
If anybody can recover the ancestral farm it's Mari.
Zoku Imokinchaku*, for which you see the poster above and which premiered in Japan today in 1970, was the sequel to the previous year's Imokinchaku, but shot in color. Atsumi plays a high school girl named Hamako who tries to save enough money to buy her family's ancestral land. Her plan to obtain it through work seems sound enough, but trouble in finances and love, including the theft of her money and a doomed infatuation with a dreamboat who happens to be gay, present serious obstacles. Of course, if the previous film taught Mari anything it was to persevere, and she makes forays into nude modeling and singing in efforts to cobble together a sufficiently large nest egg to buy the land. Do any of these schemes actually work? You'll have to add this one to your queue if you want to find out.
On a related note, we learned that Daiei Co. released an Atsumi record in conjunction with this film, and that it also engineered the publication of a photo book. Cross promotion of pinku films was a common tactic back then. In fact, many stars performed live in cinemas between double features, either singing, dancing, or reenacting bits from the films. Japanese law was strict about nudity onscreen, but we've been told these live performances sometimes featured full nudity, which is interesting to contemplate. Atsumi made a lot of public appearances. Below, for example, she's in Shimizu Park in Chiba, where a gaggle of photographers shot pictures of her in her undies. We have images from another Atsumi public appearance we'll share later.
*We can't find a romanized title for this film anywhere, but Zoku Imokinchaku is probably right. It's at least close. If anyone wants to correct us feel free. The official title is 続・いそぎんちゃく.
Motorcycle? I don’t own one. The helmet is for protection when I crash the Pulp guys’ picnic over there.
Only a little time today, but we love sharing this Japanese material, so above you see an alternate poster in panel length for Yoshio Inoue’s pinku film Kawaii Akuma: Iimono ageru, aka Just for You, which premiered today in 1970 starring Mari Atsumi. It’s completely different from the standard sized version, which we showed you here, and better too, we think. Now we are off—our holiday involves lobster, crab, and other oceanic yummies eaten picnic style in a hilltop park. Hope your day is excellent.
Like the mysterious Da Vinci painting we can’t figure out this piece of art.
Above and below are two posters for Iwataro Ishii’s Mona Riza okyo, which was based on the graphic novel of the same name by Teruo Tanashita, and stars Mari Atsumi as a pickpocket trying to get her hands on a valuable but elusive diamond pin called the Star of the Sea. Strangely, the word “Kyoto” clearly appears in the poster titles—it’s the last symbol on both—but all the sources we checked said the film is called Mona Riza okyo. It’s a mystery too deep for us to solve, but if any of you can shed some light on it please drop us a line. Mona Riza okyo premiered in Japan today in 1971.
Update: David W. writes in and tells us: “Indeed the last word on each poster is Okyo, not Kyoto.“
Mystery solved. Thanks, David, for your help.
Update 2: NelC offers a more detailed explanation of the title. Here's what he wrote: The transliteration of the subject line is indeed Mona Lisa O-Kyō. The proper name for Kyōto is 京都市, "Kyōto-shi" or "Kyoto City" in English. 京都 is "Kyōto." 京 is "Kyō." 京 by itself means "capital" as in "capital city," and お is an honorific, so お京 might be read as "the capital." (モナリサ is, of course, "Mona Lisa.")
So the title might be read as "The Capital Mona Lisa." The significance of this is beyond my meagre abilities in Japanese, though. A colloquialism for "the great," maybe, as in Wodehouse-era British English? I don't know.
Thank you NelC. Your excellent explanation is more than we could have reasonably hoped for. Mystery solved, again.
The headlines that mattered yesteryear.
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
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