A couple of years ago we shared some posters by the Spanish artist Macario Gomez, including one rather creative effort for La mansion de la niebla, aka Murder Mansion. But commercial art isn’t always about creativity. This Gomez effort for Emmanuelle, which premiered yesterday in 1974 (and we meant to post it yesterday, except we got deeply involved in a deadly combo of beachy weather and white wine), is an almost exact reproduction of the photographed French promo poster, at right.

We say almost, because you can see that Gomez, whose distinctive signature appears at middle left on the poster, put actress Sylvia Kristel in a bigger wicker chair than in the photo. Or maybe it’s rattan. Whatever, they’re known as peacock chairs, and when they appear in promo art they’re reliable signifiers that what you’re going to get is softcore or sexploitation. They especially pop up during the 1970s and early 1980s. It might even be the same chair each time. In any case, we really like this poster from Gomez. It’s nothing more than a portrait made from a photo, true, but the final product is very nice, we think. As for the movie, we talked about it a bit way back in 2008. If you’re into romantic softcore, it’s pretty much mandatory.

We recently stumbled upon across a full-sized version of a promo still of Tawny Kitaen we posted last year from her fantastically cheesy 1984 adventure The Perils of Gwendoline in the Land of the Yik Yak. These new images come from a website that seems to be missing in action now, so we can’t link to it, but thanks guys, wherever you are. For those who haven’t seen this movie, we aren’t going to sully our reputations by describing it as good. But it does have a certain, how shall we say, je ne sais quoi, an intangible wonderfulness that derives mainly from watching Tawny Kitaen transform from buttoned-up schoolmarm to mostly-naked warrior vixen. Also, it helps to be young, desperately horny virgins when you watch it. Actually, maybe that’s the only reason we liked it. In any case, this Raiders-style thriller about a woman chasing a mythical butterfly in the exotic wilds of China, ably directed by Emmanuelle auteur Just Jaeckin, is erotica at its most highbrow. Gwendoline is now considered a cult classic. Virgins and non-virgins alike should give it a whirl.

It’s hard to believe a film as artful as Emmanuelle, with its soft focus cinematography and ethereal music, was rated X when it was released, but then you reach the halfway point and see a stripper smoking a cigarette without using her mouth and you understand why. Based on a character created by author Emmanuelle Arsan—aka Marayat Bibidh aka Marayat Rollet-Andriane—the first Emmanuelle movie was produced unsuccessfully in Italy in 1969. But five years later a ravishing Dutch actress named Sylvia Kristel, below, brought the role to life with a mixture of smoldering sexuality and angelic innocence. She and director Just Jaeckin helped make Emmanuelle into a French franchise, and a role actresses lobbied for the honor of playing. Despite seemingly nine-hundred sequels that resulted—including a Cinemax stint inhabited by bombshell American actress Krista Allen—the original remains the best. It is one of the highest grossing films in French cinema history. The poster was designed by Steve Frankfurt, and the U.S. version of the film opened today in 1974.