This is the part of dating I hate. Getting caught by my husband.
Above: a cover for Michael Underwood's 1961 novel Cause of Death, part of a series starring franchise character Detective-Superintendent Simon Manton. Underwood, who was in reality John Michael Evelyn, wrote more than fifty novels during his literary career, with Det. Manton starring in more than a dozen. This cover was painted by Josh Kirby, an interesting artist we don't encounter often, but who we've managed to highlight three times. You can see those here, here, and here. This one would have fit nicely with our collection of covers featuring couples caught in the act of cheating. Check here for that.
Hey everyone, I'm looking for a Master H.E. Bates. Is there anyone here who's Master Bates?
Author of numerous novels, short story collections, essays, and three—count 'em three—autobiographies, H.E. Bates has been described by numerous critics and peers as a master storyteller. Which makes him master Bates. We know—we're totally juvenile. We blame the booze. Also, he wrote a book called Spella Ho, a tricky grammatical proposition we've discussed in the past. There we go being juvenile again. It's inappropriate, because Bates was an important author who had major literary game and deserves a serious discussion. But not today. It's Friday. We have cava sangria chilling and the PI girls waiting.
We will tell you, though, that Charlotte's Row is an early Bates novel, coming in 1931, and that this Panther Books paperback edition appeared in 1958. The story deals with an alcoholic bootmaker and his daughter, who live in poverty on the eponymous street. It's a detailed chronicle of the soulcrushing conditions in British factory towns around the turn of the last century, which is to say it's Dickensian rather than pulp, but we shared this anyway because we love the cover by Josh Kirby. We may or may not return to master Bates, but we will definitely see Kirby's excellent work again. For now, you can have a look at two more great examples of his genius here and here, and an entire gallery at his website here.
… two... and three. Wait. I screwed up again. That would've been on three and. I meant to do it on three.
Here's something backwards from what we usually share—a novel adapted from a film instead of vice versa. The Camp on Blood Island is a 1958 British-made World War II film written by J.M. White and Val Guest, and when you learn it was produced by schlockmeisters deluxe Hammer Film you could be forgiven for suspecting it was low rent b-cinema, but this is Hammer trying to be highbrow. Near the end of the Pacific War, a Japanese prison camp commandant decides that if Japan surrenders he'll execute all his prisoners. So the prisoners decide to prevent news of any prospective surrender from reaching the commandant by sabotaging communications, and they also prepare to rebel when the times comes. We may check the film out sometime, but we were mainly drawn by the paperback art. Not only did it remind us that prison camp novels are yet another subset of mid-century literature, but we saw the Josh Kirby signature on this one and realized we haven't featured him near enough. Last time we ran across him was on this excellent piece. We'll dig around for more. And we may also put together a small collection of prisoner-of-war covers later. They range from true stories to blatant sexploitation, and much of the art is worth seeing.
Work hard, play hard, die young, live forever.
Dorothy Baker's hit 1938 novel Young Man with a Horn tells a story inspired by jazz cornetist Bix Beiderbecke, who, along with Louis Armstrong, was one of the most important early jazz soloists, but who drank himself to death in 1931, when he was only twenty-eight. Baker's protagonist is Rick Martin, who gets to live a couple of years longer than Beiderbecke before she knocks him off. Hope that didn't give too much away. The book was optioned by Hollywood and became a 1950 movie starring Kirk Douglas, which we talked about last year. The great cover, our primary interest today, was painted by British artist Josh Kirby, a legendary illustrator who during his long career did fronts for westerns, crime thrillers, James Bond novels, and non-fiction books, as well as creating many fronts and interior illustrations for sci-fi magazines. As you can see, he had a bold vision and a very confident hand. We'll keep an eye out for more of his work. This one is from 1962, for Corgi Books.
The headlines that mattered yesteryear.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
1945—Flag Raised on Iwo Jima
Four days after landing on the Japanese-held island of Iwo Jima, American soldiers of the 28th Regiment, 5th Marine Division take Mount Suribachi and raise an American flag. A photograph of the moment shot by Joe Rosenthal becomes one of the most famous images of WWII, and wins him the Pulitzer Prize later that year.
1987—Andy Warhol Dies
American pop artist Andy Warhol, whose creations have sold for as much as 100 million dollars, dies of cardiac arrhythmia following gallbladder surgery in New York City. Warhol, who already suffered lingering physical problems from a 1968 shooting, requested in his will for all but a tiny fraction of his considerable estate to go toward the creation of a foundation dedicated to the advancement of the visual arts.
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