Vintage Pulp Oct 29 2023
WORLD OF HURT
Correction: the world's worst women that aren't your in-laws.


Above you see a 1955 Harlequin Enterprises cover for Bernard O'Donnell's biographical book The World's Worst Women, which contains profiles of twelve sunny delights such as alleged axe murderer Lizzy Borden, and Zoe Wilson, who did away with six husbands. This is a much more evocative cover than the 1959 version we shared a while back from Pedigree Books, but that's no surprise. This was painted by Paul Anna Soik, who worked with Harlequin quite a bit and helped establish the company as one that produced high quality visuals. Check out here and here

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Vintage Pulp Aug 30 2021
INTENSIVE CARING
Don't cry, nurse Caril. His organs will help others. Also, you have to admit he was an annoying little shithead.


There are doctor novels and there are nurse novels. We've kept close tabs on both types. Above is another nurse novel, Caroline Trench's Nurse Caril's New Post, from Harlequin Enterprises, a company that practically specialized in this genre. The cover is by Paul Anna Soik, someone we said years ago we'd get back to but never did. Well, now we have, and really, six years is pretty quick for us. At this point we usually link to all the similar books we've posted, but this time we'll limit ourselves to our three favorites: here, here, and here

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Vintage Pulp May 29 2021
MISS LONELY ART
Hey, since you need cheering up, wanna split this Toblerone bar with me? It's got nougat in it.


James Hadley Chase was a double winner in 1951. That year You're Lonely When You're Dead was published in paperback by both Popular Library, which we showed you here, and by the Canadian imprint Harlequin, as you see above, and both received top notch cover art. Popular Library went literal and showed a body on a deserted nocturnal beach. Harlequin's art is more general, with a woman under a looming shadow. Subliminally the shadow seems to carry a gun, but it really could be anything. It could be a letter, or a ruler, or a candy bar. In fact, on the subject of nonspecific, the painting could have been used for virtually any crime novel. There's nothing that definitively ties it to this particular story. But it's still a great effort. Unfortunately, it's uncredited.

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Vintage Pulp Feb 4 2019
FRONTIER INJUSTICE
Those dirty bushwhackers done hung him. And nobody else in the entire territory's got feet delicate enough to walk on my back when it acts up.


When we saw this paperback at the blog canadianflybynight we immediately had to share it because it serves as an addendum to our cover collection of unfortunates who've been hanged. We gather the story here deals with a corrupt syndicate ganging up to steal the land of a stubborn rancher. Somewhere in there the cowpoke with the daintiest feet in the west is cruelly strung up. The novel is originally 1939, and this Harlequin paperback with curious cover art by D. Rickard appeared in 1950. See our hanging collection here.

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Vintage Pulp Nov 10 2015
IT'S A WONDERFUL KNIFE
Hmm… an Englishman to gut with my new blade. And here I was planning to go home and shave my monobrow.

We were talking recently about Harlequin’s early days as a publisher of more than romance fiction. Above is another example—Bats with Baby Faces by W. Stanley Moss, a former British Army officer who wrote such best sellers as Ill Met by Moonlight and A War of Shadows. Bats with Baby Faces, the title of which references bat-like masks rather than actual bats, deals with intrigue and smuggling in the Deir-ez-Zor region of Syria, and in Cairo, where Moss lived in a villa that became a hub for the British social set. The most famous of his numerous real-life adventures occurred during that period, and that time also served as inspiration for much of his fiction. Harlequin’s edition of Bats with Baby Faces was published in 1952, and the cover art, with its mean caricature of an Egyptian who’s so swarthy he’s—bizarrely—purple, is uncredited. More Harlequin here and here.

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Vintage Pulp Oct 29 2015
APPETITE FOR INSTRUCTION
Good morning, students. Let’s get right to it, shall we? Lesson one will cover how to look fuckable.

Canadian publishers Harlequin are known these days as romance specialists but in the company’s early days it had more range. Exhibit A: Oliver Anderson’s School for Love, which deals with a learning institution where guys are taught to score babes, and upon graduation each automatically earn the affections of a wealthy widow. Why are there so many widows around? No idea. The war or something. When is a strapless leopardskin mini-jumpsuit appropriate? Anytime you want, when you have the whip skills to back it up. 1953 copyright. 
 
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Vintage Pulp Aug 15 2013
LONDON CALLING
Whatever gets you through the night.

Paul Anna Soik is another great pulp artist who we hadn’t gotten to previously, but better late than never, especially when we’re talking about this particular cover. The scene is London's Soho district near Charing Cross Road, and he presents an image of two listless souls in an urban night infused with streetlight glare, marquee glow, and a sort of carnivalsque seediness. We know the location because the Palace Theatre is in the background. The book is a realistic look at vice and prostitution, and we can assume the woman here is a hooker, though an improbably upscale one to be soliciting. But Soik lived in Canada, so maybe he wasn’t all that familiar with London street trade. This is a Harlequin book, and Soik was basically a Harlequin house artist who painted numerous covers during the company’s early years. This one, which we think is one of his best, appeared in 1955. We’ll have more from him later.

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Vintage Pulp Aug 5 2013
FASCINATION STREET
Where there’s smoke there’s desire.


Above is a cover for Ronald J. Cooke’s The House on Craig Street, produced by an artist known only as D. Rickard for Harlequin in 1949. That’s the year Harlequin was launched in Toronto, Canada, and we gather that Rickard painted many of the company’s early covers. We had actually seen his work around quite often without knowing who painted it. But we always took note of it, and now that we've attached a name to the output, we’re officially on Rickard's bandwagon. His style reminds us of many of the French covers we share—i.e., verging on impressionistic, as opposed to the realistic work you see from many of the top American artists.

Moving on to the fiction, Ronald J. Cooke’s tale here involves a young advertising man who wants to make it big, and the action is set mainly in Montreal of the 1930s. Though there is a love interest, or even two, this book isn't one of the romances with which Harlequin earned its enduring fame. Cooke went on to write two more novels, and some non-fiction, including books like the popular Money-Making Ideas for Retirees. He also wrote tons of business articles for magazines and trade publications, exciting stuff like “How To Get Better Results for Your Mail-Order Business” and “Labour-Management Ideas That Yield Big Dividends.”
 
D. Rickard painted another cover for The House on Craig Street for News Stand Library’s U.S. run of the book, which you see at right. Depicting the same scene, this alternate version, also from 1949, seems to us a bit less evocative than the Harlequin cover, almost cartoonish. Anyway, we’ll have more work from this interesting artist later, but if you want to see some now, follow the link to this small collection.
 
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History Rewind
The headlines that mattered yesteryear.
April 25
1939—Batman Debuts
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
April 24
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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