Remember those alpha covers we talked about in the past? This one can be added to that group. It’s a decidedly threatening tableau, and with the extra element of a tool taking on the role of phallic symbol. Robert Bonfils was behind this one, 1965, for Greenleaf Classics/Leisure. 

Above, Passion Suburb by Evan Hunter writing as Dean Hudson, published 1962. The suburb in question is called Rustic Acres, and it’s filled with horny women who bed any man who happens along. Or as the local Chamber of Commerce put it on the brochures: If you lived there you’d be boning by now. The cover art is by Harold W. McCauley. 

One way to get the Pulp Intl. girlfriends to watch football with us is to tell them the commentary is full of unintentional sexual terminology. By far the best phrase of last couple of weeks was, “Marcus Mariota had his tight end wide open.” The girls loved that one. Anyway, we wanted to do a sports themed cover, so today you see Don Russell’s Play-Off Partners, published by Greenleaf Classics’ Companion Books imprint in 1969. The art is by Ed Smith. 

We were going to go with “cream for my seeping bacne” for the subhead on this one, but that struck us as too colloquial, so we went with hemorrhoid cream instead. We’re all class around here. Anyway, Curt Aldrich, who we last discussed way back in 2009, was a house pseudonym inhabited by several writers, so we hear. The only one of those to have been positively identified is Richard Curtis. The Lust Lotion, which appeared in 1967, is a tame effort for Aldrich. He would go on to write incest books like Spread Big Sister and Her Father’s Fixation, as well as bestiality novels like Daughter Loves Horses, Horse-Happy Schoolgirl, and the unforgettable Schoolgirls Hot for Dogs, so Lust Lotion is family fare in comparison. The art is from Robert Bonfils. 

Those are the lyrics, right? We can’t remember. You know, maybe humping a snowman is more fun than it looks, but even so, it seems like a good way to find yourself explaining to a doctor—or a gynecologist—how you got the weirdest case of frostbite ever. Don Elliott was a pseudonym used by science fiction author Robert Silverberg, and we can only guess he’s cringed over this one at least once a day ever since he wrote it in 1967. The art is by Tomas Cannizarro.

We love the outrageous art from Greenleaf Classics, which means we always have to circle back to it, this time to the above Pleasure Reader entry Queen of Cruelty, by Donald Westlake writing as Alan Marshall. This appeared in 1967 with Tomas Cannizarro assuming the cover duties. You can see a few of our favorite Greenleaf covers here, here, and here.

If you ever needed proof no subject was taboo for Greenleaf Classics, this is it. 1970’s Viet-Nookie was written by James L. Brown under his pen name L.J. Brown for Greenleaf’s Candid Reader line, and we can just imagine Greenleaf honchos William Hamling and Earl Kemp going back and forth: “No, we can’t.” “Yes, we can.” “No, we can’t.” "Yes. We can.” More likely, they both thought it was a great idea. Later in 1970 the two would go too far and be convicted of obscenity for distributing a book called Presidential Report of the Commission on Obscenity and Pornography, which was an illustrated send-up of the actual federal report of the same name. But that’s another story entirely. The art here is by Robert Bonfils, by the way, and you can see more of his genius here and here.